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Article: Album Review

Mike De Souza: Slow Burn

Read "Slow Burn" reviewed by Friedrich Kunzmann


While making his way to reputation in the world of jazz guitar, British composer Mike de Souza was lucky enough to have been able to play with contemporary greats such as Terence Blanchard while receiving his education on the guitar by leading players John Parricelli and Gilad Hekselman, among others. The guitarist co-leads the young British ...

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Article: Album Review

Atle Nymo: Solo for Trio

Read "Solo for Trio" reviewed by Friedrich Kunzmann


While the reduction of instrumentation is a typical occurrence in the world of music--most commonly practiced for piano--the opposite is rarer. Norwegian woodwind virtuoso Atle Nymo seems to have this concept in mind on Solo for Trio--his debut album as a leader. Supported by ECM-associated Mats Eilertsen on bass and talented Slovakian drummer/percussionist Michaela Antalová, Nymo ...

6

Article: Album Review

Phil Slater: The Dark Pattern

Read "The Dark Pattern" reviewed by Friedrich Kunzmann


Australian trumpeter and composer Phil Slater has performed with a variety of renowned artists across the globe and stands as one of the most influential jazz musicians his country has to offer. Next to recording and performing with big names such as Lou Reed, Nigel Kennedy or Missy Higgins among others, the award-winning trumpeter leads and ...

7

Article: Album Review

Franklin: Amen

Read "Amen" reviewed by Friedrich Kunzmann


On Joseph Franklin's sophomore effort Amen, the Australian bassist and composer delivers an intricate web of patterns which he creates in interplay with fellow compatriot Marc Hannaford's ominous piano stabs and Satoshi Takeishi's experimental and highly dynamic drum work. Each composition goes through different stages--from dark and menacing to silver and dreamy-- from slowly pulsating, almost ...

10

Article: Album Review

Emma Frank: Come Back

Read "Come Back" reviewed by Friedrich Kunzmann


It takes most artists many years and several tries (accompanied by one mishap or another) to turn the search for momentum within a composition into something elegant in which the understated beauty manifests itself naturally, as if it had always been there. New York-based singer-songwriter Emma Frank already reached that point on her third effort, last ...

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Article: Album Review

JC Sanford Quartet: Keratoconus

Read "Keratoconus" reviewed by Friedrich Kunzmann


A bubbling ostinato on trombone to the right. Treble register double-bass lines join in the middle. Muffled electric-guitar riffs imitate the same to the left--the guitar's dry tone seemingly hailing straight from a rustic 1960s Telecaster. Drums start banging ahead relentlessly; not in a constant motion though--they stop and go and stop and go, unsure whether ...

11

Article: Multiple Reviews

Dan McCarthy's Epoch and City Abstract on Origin Records

Read "Dan McCarthy's Epoch and City Abstract on Origin Records" reviewed by Friedrich Kunzmann


Canadian vibesman Dan McCarthy has come a long way since the release of his already very accomplished debut album Interwords (self produced) in 2006. Since moving to Brooklyn, New York in 2004, McCarthy has been able to collaborate with some of the city's finest improvisors, such as Steve Swallow or Ben Monder who are also the ...

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Article: Album Review

Ingi Bjarni Skúlason: Tenging

Read "Tenging" reviewed by Friedrich Kunzmann


Icelandic composer and pianist Ingi Bjarni Skúlason lived in Gotheburg, Copenhagen and Oslo while studying his Masters degree in composition. It is in these European cities where he met and performed with the musicians heard on this record. Jakob Eri Myhre and Merje Kägu join on trumpet and guitar with Daniel Andersson and Tore Ljøkelsøy forming ...

2

Article: Album Review

Tom Pierson: Last Works

Read "Last Works" reviewed by Friedrich Kunzmann


Ominously slow, swinging cymbal stabs guide low left- hand bass lines played on black and white for the menacing opening cut of this double disc set by Japan-based composer and arranger Tom Pierson, curiously titled Last Works. Whimsical improvisations on muted trumpet to the right and right-hand piano runs on the left, bring some ease to ...

6

Article: Album Review

Pokaz Trio: Kintsugi

Read "Kintsugi" reviewed by Friedrich Kunzmann


A melancholic wistfulness seems to wrap itself around every bar and each note of this trio date by the Ukrainian talents pianist Andrew Pokaz, bassist Vitaliy Fesenko and drummer Yakov Taruntsov. The three virtuosi forming the Pokaz Trio dig deep into the repertoire of Eastern European melodies and rhythms to create seven original pieces that make ...


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