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463

Article: Album Review

Bill Carrothers: Shine Ball

Read "Shine Ball" reviewed by John Kelman


2005 seems to be pianist Bill Carrothers' year. He's already released I Love Paris (Pirouet), a mainstream look at songs from the 1920's through the 1940s, and Civil War Diaries: Solo Piano (Illusions Music), where he took even greater liberties with American Civil War songs previously covered on The Blues and the Greys (Bridgeboy, 1997). The ...

121

Article: Album Review

Matt Renzi: The Cave

Read "The Cave" reviewed by Jim Santella


Matt Renzi's warm tenor saxophone voice gives his newest album a smoky texture that allows one to settle back and dream of distant lands and faraway places. His inspiration came from living in Japan, Italy, India, and New York over a four-year span. They're visions that last a lifetime, and Renzi has figured out how to ...

215

Article: Album Review

Loren Stillman: It Could Be Anything

Read "It Could Be Anything" reviewed by Jeff Stockton


In a year when the hottest straight-ahead jazz CD featuring an alto saxophonist was recorded sixty years ago, it's important to remember that we must live in our own times as well. And in jazz music, where players carry on into their '80s, Loren Stillman at 23 is like a ten year-old playing major league baseball. ...

192

Article: Album Review

Matt Renzi: The Cave

Read "The Cave" reviewed by John Kelman


While not an uncommon format, the saxophone trio is often a more challenging context than piano or guitar-led groups. Without the benefit of a chordal instrument, a saxophone/bass/drums trio can feel like a quartet minus one, as opposed to a complete entity unto itself. Not so with this group led by saxophonist/clarinetist Matt Renzi, a San ...

211

Article: Album Review

Eivind Opsvik: Overseas II

Read "Overseas II" reviewed by AAJ Staff


Because of the instrumentation on Overseas II--specifically the lack of guitar--and because there is so much lyricism in Eivind Opsvik's music, one might hesitate to call it fusion. Yet on one hand, pronounced backbeats inevitably emerge out of the flying cross-rhythms set up by Opsvik's gigantic bass and the rest of the rhythm section. On the ...

102

Article: Album Review

Matt Renzi: The Cave

Read "The Cave" reviewed by Dan McClenaghan


From reedman Matt Renzi's wanderlust comes The Cave, music inspired by a four-year period when the musician lived in Japan, New York, India, and Italy.On this approachable trio effort, Renzi and company have crafted a sound that walks a line between the familar and the exotic, a music full of cool tones and wandering ...

95

Article: Album Review

Don Peretz: Foremen

Read "Foremen" reviewed by Glenn Astarita


Drummer Don Peretz is onto something here as he pilots this New York City-based quartet through an expansive musical aura where improvisation and compositional structure attain a happy medium. Take for example, Russ Johnson's crybaby-like muted trumpet choruses on “Simple Man, as Perez and bassist Dave Ambrosio lay down a tight groove amid a tunefully, blues-oriented ...

136

Article: Album Review

Sergi Sirvent: Free Quartet

Read "Free Quartet" reviewed by AAJ Staff


Sergi Sirvent is an interesting young pianist whose style is hard to pigeonhole. To his credit, he is shaping a thoroughly original approach to jazz piano improvisation. On the other hand, his improvisations sound fragmented at times, almost as if they were a series of isolated phrases and ideas with insufficient connective tissue. In ...

159

Article: Album Review

Dave Allen: Untold Stories

Read "Untold Stories" reviewed by Donald Elfman


The Fresh Sound label and its owner, Jordi Pujol, continue to mine untapped wealth in New York with the New Talent series, discovering scores of fine musicians playing and writing under the radar, extending the jazz tradition by exploring new colors in which to improvise. The label's latest release is guitarist Dave Allen's debut.Allen--who ...

108

Article: Album Review

Alexander Schimmeroth Trio: Arrival

Read "Arrival" reviewed by AAJ Staff


Arrival marks the debut of German pianist Alexander Schimmeroth as a leader, and based on this album, he appears to be a budding individualist and a stimulating, thoughtful, even witty improviser. Schimmeroth's approach can be deceptive. With his nuanced touch and manner of voicing chords, he sounds much like a capable, albeit not especially ...


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