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Introducing Trumpeter Kal Ferretti
by Sanford Josephson
When she was attending the LaGuardia High School of Music & Art, Kal Ferretti rode the subway to Manhattan from her home in Staten Island. The music on her phone was Art Blakey's Moanin' (Blue Note, 1958). “I would wear that out every train ride," she said. The 22-year-old Ferretti always wanted to play the trumpet, ...
Brad Mehldau Trio Groovin' High at SFJAZZ
by Roy Strassman
Brad Mehldau Trio SFJAZZ Center San Francisco, CA April 3, 2025 SFJAZZ Center honored the Bay Area's jazz fans with the Brad Mehldau-Christian McBride-Marcus Gilmore trio, in town for a four-night run from April 3-6, 2025. Opening night was a real treat for the ear, eye, and soul. Casually dressed, the ...
Under Review: The Not-So-Simple Art Of Book Reviewing
by Duncan Heining
Jazz books occupy a tiny sector of the publishing industry, within which any book selling between 500-1000 copies counts as a success. Biographies of major figures might command mid-four figure sales but even then come nowhere near troubling the best-seller tables in the New York Times or Guardian. On All About Jazz, between 900 book reviews ...
Freddie Hubbard: On Fire: Live From The Blue Morocco
by Pierre Giroux
Freddie Hubbard was never one to play it safe. Even at a time when jazz was bending in myriad directions--from the structural freedom of Ornette Coleman's harmolodics to the modal explorations of Miles Davis--Hubbard maintained a singular focus on the power of his horn. In the newly unearthed performance On Fire: Live from Blue Morocco, Resonance ...
Freddie Hubbard: On Fire--Live From The Blue Morocco
by Jack Kenny
Freddie Hubbard is a conundrum. His style has varied significantly over the years, as though he were unsure of himself at a deep level. There were the Blue Note years, then the funk years, where he gained money and lost credibility. The all-encompassing technique was displayed in so many contexts, with Art Blakey, Ornette Coleman, John ...
Freddie Hubbard: On Fire: Live from the Blue Morocco
by Thierry De Clemensat
If Resonance Records did not exist, it would have to be invented, for it fills the hearts of jazz lovers with such joy that they eagerly anticipate each new release, especially one as extraordinary as this. On Fire: Live from the Blue Morocco is a previously unreleased recording of the legendary jazz trumpeter Freddie Hubbard, captured ...
Kenny Dorham: Blue Bossa in the Bronx: Live from the Blue Morocco
by Troy Dostert
On their 1955 live recording At the Cafe Bohemia (Blue Note), the Jazz Messengers' Art Blakey introduced his trumpet player, Kenny Dorham, as the “Uncrowned King," a title that was perhaps fitting at the time given Dorham's still-rising trajectory. But even in his prime, Dorham arguably never received his proper accolades, and he would typically be ...
New Releases, Record Store Day Specials, And Ivo Perelman On Leo Records
by Bob Osborne
This show includes many new releases and lots of those are self produced demonstrating the healthy state of independent music production in the industry. There is some classic jazz meets rock from over 20 years ago plus three outstanding live albums from Resonance Records for Record Store Day 2025. In addition with the planned release of ...
Crate Digging in the East Village + RSD Releases
by David Brown
This week's episode highlights some enlightening archival live recordings from Kenny Dorham, Freddie Hubbard, and Charles Mingus, recently issued on Record Store Day. The program also features finds uncovered during a recent crate-digging trip to New York's East Village, including selections by Wayne Horvitz, Dorothy Donegan, Terry Gibbs, Jimmy Giuffre, and Joanne Brackeen. The show opens ...
Freddie Hubbard: On Fire: Live At The Blue Morocco
by Dan McClenaghan
Trumpeter Freddie Hubbard (1938 -2008) began his professional jazz journey in 1960 as a full-blooded hard bopper, recording his first album in that year for Blue Note Records, Open Sesame. Much of the ensuing decade saw him in several Blue Note outings under his own name and as a side man. He also recorded sets for ...
