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Frank Wess: Trombones & Flute
One of my favorite small-group jazz albums of the mid-1950s is Frank Wess's Trombones & Flute. The album, recorded for Savoy in July 1956, paired Wess on flute with four trombonists—Jimmy Cleveland, Henry Coker, Benny Powell and Bill Hughes. They were backed by Ronnell Bright (p), Freddie Green (g), Eddie Jones (b) and Kenny Clarke (d). ...
Jive-Colored Glasses
by John Goodman
The following is an excerpt from “Chapter 4: Chicago" of Jive-Colored Glasses by John F Goodman (jg publications, 2015). Growing up in and around Chicago in the 1950s brought me to all kinds and flavors of jazz. Between the house parties, clubs and concerts, there was a menu to please everyone. The Rush Street ...
Alto Saxophone
by Bob Bernotas
Of the many members of the saxophone family, the alto and tenor have emerged as its most prominent siblings. From the mid-1920s onward, many big band alto saxophonists have filled a dual role, best personified by the multi-talented Benny Carter, serving as the lead voice in the saxophone section as well as a featured solo improvisor. ...
Glenn Zottola: A Jazz Life - Hollywood, the World and the Stars
by Nicholas F. Mondello
Part 1 | Part 2 | Part 3 World-renown trumpeter, saxophonist, musical director, producer and entrepreneur. These are but a mere handful of words that describe the vast talent in Glenn Zottola's bag of musical marvels. There are others: child prodigy, creative genius, “musical natural" and aural savant also percolate rapidly to mind. Now ...
Allison Neale: I Wished On The Moon
by Bruce Lindsay
Classic tunes, played by a young alto saxophonist with a distinctive tone, impeccable taste and a talent for recruiting three of the best bandmates around. Add a quartet of guest appearances by a fine young Milt Jackson-inspired vibes player. Do the music justice by ensuring high-quality sound. Presenting I Wished On The Moon, the third album ...
Magic 201
By Frank Wess
Label: IPO Recordings
Released: 2014
Track listing: It Could Happen to You; A Cottage for Sale; After Paris; The Summer
Knows; Embraceable You; Blues for Ruby; If You Can't Call, Don't Come;
If It's the Last Thing I Do.
Frank Wess: Magic 201
by Maurizio Zerbo
Maestro riconosciuto dell'arrangiamento per big band jazz, Frank Wess si distingueva altresì per le linee morbide e sinuose del suo sax tenore. In questa veste lo ritroviamo protagonista di questo CD, registrato due anni prima della sua scomparsa. Lo affianca un notevole quintetto che con classe e discrezione ripercorre un ammaliante filo della memoria, intriso di ...
Billy Hart: Welcoming New, Loving Old, Sounds
by R.J. DeLuke
The ubiquitous drummer Billy Hart brings a special energy to the many projects of which he is a part. A band leader, composer and educator, he's been on hundreds of albums. He has taken the stage with countless bands, adding his rhythmic pulse to formations led by a litany of the biggest names in the business. ...
Frank Wess: Magic 201
by Jack Bowers
The cover of the late Frank Wess' final album, Magic 201, closely resembles that of its predecessor, Magic 101--so much so that a reviewer who didn't look closely enough might assume he'd been sent a second copy of the earlier album by mistake. (Oops!) Wess recorded Magic 201 in September 2011, two months after Magic 101 ...
Frank Wess: Magic 201
by C. Michael Bailey
IPO Records has become the jazz destination for seasoned jazz veterans. Saxophonist James Moody (1925--2010) recorded his last two releases for the label: Moody 4A (2009) and Moody 4B (2010). Hard on Moody's heels is saxophonist Frank Wess (1922- -2013) who followed his Magic 101 (2013) with the predictable titled Magic 201. Pianist Kenny Barron and ...
