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Gary Bartz At 80: On Jazz Is Dead, Miles Davis And Why Improvisation Is A Dirty Word
by Rob Garratt
It's hard to talk to Gary Bartz about music. Not because he's a difficult or reluctant interviewee—quite the opposite. In fact, the 80-year-old saxophonist is refreshingly unguarded and garrulous when looking back over his formidable six-decade musical career. It's just finding the right words that's the tricky part. Like many musicians, jazz isn't one ...
Fela Kuti plus Femi and Made Kuti: Challenging Debilitating Corruption with Dramatic Music
by Scott Gudell
It's impossible to neatly sum up Fela Kuti's chaotic life, but a record company bio for a disc of the Afrobeat icon tried: “Fela's life as musician, political activist, rebel, and notorious free spirit has made him a larger-than-life icon of world music: the ultimate political artist who has survived beatings, imprisonment, government assaults and more." ...
Pino Palladino: The Craftsman from Wales
by Ludovico Granvassu
Refined craftsmanship is in small supply in today's music business, especially in the music business that fills sports arena or large music venues. Pino Palladino belongs to the small guild of refined craftsmen whose membership is reserved to musicians who do not seek the spotlight but pursue beauty through art, because that is what they were ...
Pino Palladino: Eclettismo al Servizio della Musica
by Serena Antinucci
Capita raramente di ascoltare un disco che sprigiona endorfine così benefiche, che ci concede la possibilità di separarci momentaneamente dalla realtà, spingendoci fino al nucleo generativo della musica stessa. Proprio lì dove la composizione prende forma in uno spazio neutro, senza confini, entriamo nel sistema musicale di Notes With Attachments del bassista Pino Palladino e del ...
Nicola Conte: Good Juju From Italy’s Spiritual Jazz Shaman
by Chris May
Ever since his debut album, the acid-jazz masterpiece Jet Sounds (Schema), in 2000, the producer, composer, DJ and guitarist Nicola Conte has kept the jazz world guessing by constantly moving the goal posts. The trumpeter Miles Davis famously said, “I always gotta change. It's like a curse." But with Conte, it feels more like a blessing, ...
The Word from Johannesburg, Part II: Brenda Sisane and The Art of Sunday
by Karl Ackermann
Brenda Sisane has been in broadcasting in Johannesburg, South Africa for over twenty-five years while simultaneously heading up her International Relations and Creative Arts public relations firm. Ms. Sisane is also CEO of SPIN Productions and its Non-Profit sister organization, The SPIN Foundation NPC, which both serve the international and domestic arts and music and culture ...
Fela's First
By Fela Kuti
Label: Cadillac Records
Released: 2020
Track listing: Side One: Fela’s Special; Aicana. Side Two: Highlife Rakers Calypso No. 1; Wa Ba Mi Jo Bosue.
Perambulator
By Fela Kuti
Label: Partisan / Knitting Factory
Released: 2020
Track listing: Perambulator; Frustration.
Fela Kuti: King Grenade
by Mick Raubenheimer
His Dark Majestic. Fela Kuti was born royalty, despite coming from a middle class family. One of those gifted spirits whose very presence teems with potency, Olufela Olusegun Oludan Ransome-Kuti (Fela to his friends and fans) was majestic, arresting the attention or desire of all who encountered him. He was also a rousing rebel, ...
Tamar Osborn: From Kalakuta To Collocutor: New Directions In Jazz
by Chris May
She has been likened to Gil Evans, Fela Kuti, Pharoah Sanders, Bismillah Khan and Mulatu Astatke, and the traditions represented by those musicians are all to be heard in the music of baritone saxophonist and composer Tamar Osborn. Osborn's aesthetic, however, is her own, and her band, Collocutor, is among the most distinctive on the British ...
