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Results for "Fats Waller"
Working the Rhythm Section: Tom Lawton, Lee Smith, and Dan Monaghan
by Victor L. Schermer
As Duke Ellington's standard goes, “It Don't Mean a Thing if it Ain't Got that Swing." The rhythm section (piano, bass, drums, with guitar and percussion sometimes added) is the core of the typical jazz ensemble. They set the frame for the leader, singer, and soloists and contribute their own solos as well. Even though they ...
New Jazz Film "They Died Before 40" Seeks Help With Photographs
They Died Before 40, a new jazz film with licensing concerns needs help from the jazz community. In order for the film to be shown publicly all photographs and music must be licensed. There are over 600 photographs and graphic images in the film. It has been determined that about 100 are in the public domain ...
Jean-Michel Pilc: What Is This Thing Called?
by Mark Corroto
Jean-Michel Pilc's solo piano recording What Is This Thing Called? might have been titled “Thirty-one Conversations About One Thing." That 'one thing' being his 31 variations on Cole Porter's composition “What Is This Thing Called Love." Why record 31 versions of one song? Maybe ask yourself why Claude Monet created so many paintings of the same ...
UNT Two O'Clock Lab Band: Two Music: It Don't Mean a Thing, If It...
by Jack Bowers
As has been pointed out a number of times before, there's no audible difference between the University of North Texas' One O'Clock and Two O'Clock Lab Bands, which are customarily named for rehearsal times but based on performance alone could well be designated One O'Clock and One-Fifteen. This is not meant to devalue the One O'Clock ...
1950s and ‘60s Blue Note – Is It All the Same?
by Marc Davis
A few years ago, a reader from California named Charlie F. started a provocative discussion in the All About Jazz forums with the title: “I've decided not to buy any more Blue Note albums." Oh boy. He began, “Recently, I came to notice something about Blue Note albums of the 50s-60s, which was that ...
Jason Moran: Joyful Proclamations
by Franz A. Matzner
Jason Moran requires no introduction, either as an artistic alchemist or a spokesperson and educator. Moran has left an indelible mark on modern jazz and is now seated at one of the nation's most preeminent performing spaces--the Kennedy Center--as its artistic director for jazz. Already, his capacity for insight, humor, and innovation have launched a new ...
Jason Moran: All Rise: A Joyful Elegy for Fats Waller
by Mark F. Turner
Jason Moran is an artist who is not afraid to look back while constantly pressing forward. The 2010 MacArthur Fellow is a leading jazz pianist with moments of kinetic energy, agility, and sensitivity, the likes of his one-time teacher, the great Jaki Byard. Whether performing with varied ensembles and musicians, bringing new perspectives as the Artistic ...
On Highway 61: Music, Race, and the Evolution of Cultural Freedom
by Dennis McNally
The following is an excerpt from the “Spirituals to Swing" chapter of On Highway 61: Music, Race, and the Evolution of Cultural Freedom by Dennis McNally (Counterpoint Press, Berkeley, 2014). Danny Barker, who in the 1930s was Cab Calloway's guitarist, told a particularly revealing story of working at the Nest Club, a Harlem ...
Eric Revis: Trajectory From The Tradition
by R.J. DeLuke
The development of an individual voice on the contrabass is important to Eric Revis, one of the strongest players on the scene. His power and musicianship has endeared him to some of the finer musicians, and bands, in jazz. But Revis isn't content to let things lie there. Not that he has to be ...
Jazz on the Screen: A Jazz and Blues Filmography
by AAJ Staff
This article appears courtesy of David Meeker and the Library of Congress. Learn more about Jazz on Screen. Overview of Jazz on the Screen By David Meeker The cultural, sociological and technical histories of jazz and motion pictures have run in parallel, sometimes intersecting, lines ever since both forms emerged ...
