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Azymuth: Cascades/Rapid Transit
by Derek Taylor
Creators of the samba doido (“crazy samba”) the Brazilian power trio Azymuth reached their zenith of popularity during the early 1980s when the two albums paired on this Milestone reissue were first released. Theirs was a collective music infused with a variety of influences including everything from Bossa Nuevo and indigenous Indio rhythms to space rock ...
Joe Pass: Virtuoso
by David Rickert
A true virtuoso weds rich artistic sensibility with a mastery of the instrument the artist chooses to express it. Therefore, Art Tatum was a true virtuoso, whereas Miles Davis wasn't, he had artistic expression in spades, but his technique on the instrument was limited. It takes a lot of confidence (or gall) to label yourself a ...
Zoot Sims/Eddie "Lockjaw" Davis: The Tenor Giants with Oscar Peterson
by Dave Nathan
If nothing else, this album is reaffirmation that Zoot Sims could play any style of music, with any type of jazz artist and play it like he has been doing it forever. At first blush the teaming of Lester Young derived Sims with the hard driving, tough tenor Coleman Hawkins-influenced Eddie “Lockjaw" Davis seems out of ...
Eric Alexander: The First Milestone
by Jack Bowers
Eric Alexander, the most fearsome young lion of them all, even looks the part on his “official” debut recording for Milestone Records — pensive, unsmiling, saxophone case in hand, primed and ready for another day of jungle warfare whose chief purpose is not so much to vanquish his musical peers as to earn their respect, something ...
Kenny Burell/John Coltrane: Kenny Burrell and John Coltrane
by David Rickert
Albums in which one jazz great “meets" another jazz great hold a special fascination with listeners and usually the collaboration itself is enough of a selling point to include it as the title. Consider Gerry Mulligan, who tended to record his best playing in tandem with another, like Ben Webster, Paul Desmond, and Stan Getz. Another ...
The Elliot Lawrence Big Band: Swings Cohn and Kahn
by Jack Bowers
There's far more Cohn than Kahn on these studio / live dates from the '50s by the Elliot Lawrence Big Band, but that's not a criticism, merely an observation, as both Tiny and Al were superlative big--band writer / arrangers and this generously timed release includes topnotch material from both as well as several handsome charts ...
Nat Pierce, Dick Collins, Ralph Burns and the Herdsmen: Play Paris
by Jack Bowers
In early 1954, while Woody Herman’s Third Herd was touring Europe, a number of Woody’s sidemen took the opportunity to pick up some spare change by collaborating on a couple of sessions in Paris for French record executive Charles Delaunay. The results of the Paris dates are documented on tracks 1–8 of this reissue on Fantasy; ...
Thelonious Monk: Thelonius Monk Trio
by David Rickert
Ben Franklin reported in his autobiography that he once spent the better part of a day sharpening an old ax, determined to return it to its original luster. He finally gave up, concluding that perhaps “a speckled ax was best after all". By this he meant that sometimes the imperfections inherent in things are what make ...
Jimmy Smith: Fourmost Return
by David A. Orthmann
An informal, occasionally rambling conversation between longtime colleagues,Fourmost Returnconsists of seven previously unreleased tracks from a 1990 live performance at Fat Tuesday’s in New York City. With an emphasis on blues material, the record is a no frills blowing session, a format ideally suited to the individual talents of organist and leader Jimmy Smith, tenor saxophonist ...
Red Rodney: The Quintets
by Derek Taylor
There’s scene in Clint Eastwood’s biopic Bird that immediately springs to mind hearing these seminal Red Rodney sides. In the scene Rodney is forced to sing in front of an audience of rural Southerners under the dubious alias of blues singer in order to substantiate a ruse devised by Charlie Parker to camouflage his quintet’s racially-integrated ...
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