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Hampton Hawes: The Sermon

by C. Michael Bailey
Grace under pressure... While the West Coast Jazz pianist are not was well known as their East Coast brothers. However, the West Coast did produce their share of fine pianists. Dolo Coker, Carl Perkins, and Gene Russell just to mention three. Perhaps the best of the West Coast bunch was Hampton Hawes, a sort of Bud ...
Norman Granz' J.A.T.P.: Carnegie Hall, 1949

by David Rickert
This release, one might suspect, is a tribute to Norman Granz, who died late last year. A tireless promoter of jazz, one of Granz’s first projects was the Jazz at the Philharmonic series, which successfully presented jazz to a more cultured audience. Although criticized by some as vaudeville for pandering to the masses, the concerts were ...
Joe Pass: The Joe Pass Trio Live At Donte's

by C. Michael Bailey
Urbane virtuosity Any discussion of Jazz guitar will usually lead with three names: Charlie Christian, Wes Montgomery, and Joe Pass. A native of New Brunswick, New Jersey, Pass performed in the swing bands of Tony Pastor and Charlie Barnett. He spent time in the army, took ten years off with a nagging heroin addiction and in ...
Thelonious Monk: Monk's Music

by David Rickert
Monk’s Music is the session where Thelonious famously told a frustrated Coltrane and Hawkins that, given the talent between the two of them, they should certainly be able to figure out how to handle his songs. Playing with Monk was more like a 5K run than a walk in the park, yet everyone who gigged with ...
Cannonball Adderley: Know What I Mean?

by David Rickert
It must have seemed like a winning combination at the time; Evans and Addereley, two contributors to the Kind Of Blue album, paired with the bassist and drummer from the Modern Jazz Quartet. Unfortunately the results are less than stellar, resulting in a merely good album instead of a classic one. In actuality Evans and Adderley, ...
Sonny Rollins: The Sound of Sonny

by David Rickert
There was once a time when Sonny Rollins frequently battled Stan Getz for the top spot in the critics’ polls. The two are more alike than one might think; like Getz, Rollins possesses a flawless technique that manages to be both bold and unassuming and frequently does his best work in relatively straightforward settings. This session ...
Milt Jackson/Wes Montgomery: Bags Meets Wes

by David Rickert
It’s unfair to blame Wes Montgomery for the soulless work of those who claim him as an influence; his trademark octave runs became a cash cow for the smooth jazz associated with the piped-in music of doctor’s offices and grocery stores. In reality, Montgomery was a much sought-after player by many; even Coltrane played with him ...
Joe Pass Trio: Live at Donte's

by Derek Taylor
There’s a popular, if somewhat misguided tendency amongst critical circles to rank musicians by relating them to those who have come before. Specific attention to the standing each one holds in relation to his or her peers in the areas of prowess, impact and artistic originality are just some of the prime determinants. Norman Granz is ...
JATP: Carnegie Hall 1949

by Derek Taylor
Home to the filibustering solo and crowd pleasing barrages of bombast, Norman Granz's JATP extravaganzas were a direct populist affront to the intellectualism that invaded jazz in the wake of the bebop revolution. Often taking a carnival barker's stance Granz made no bones about his emphasis on saturating his concerts with thrills even when it came ...
Lucy Reed: This is Lucy Reed

by David Rickert
Can excellent arrangements prop up a merely good singer? Listen to this session and be the judge. Lucy Reed is an obscure singer who counted Woody Herman and Charlie Ventura among her admirers; from this session, one can only guess that from those endorsements she was having an off day. Two thirds of the sessions are ...