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261

Article: Album Review

Lee Konitz: Live-Lee

Read "Live-Lee" reviewed by Derek Taylor


Few jazz musicians have made as successful and long-running use of the name-based pun as Lee Konitz. Sharing phonetic semblance to an almost ubiquitously applicable suffix certainly helps. In fact, that other famous Lee (Morgan that is) probably came closest in number with these sort of clever play-on-words compositions. Had the trumpeter been blessed with the ...

145

Article: Album Review

Jimmy Scott: Moonglow

Read "Moonglow" reviewed by C. Michael Bailey


There is something strangely perfect about Jimmy Scott’s singing. And I do not attribute this to his well-documented Kallman’s Syndrome, a condition that has preserved his beautiful high tenor. Mr. Scott’s recordings are characterized by an uncharacterizable voice and delivery that keeps the listener off center. This works both to his advantage and disadvantage. While “Moonglow" ...

123

Article: Album Review

Bill Smith: Folk Jazz

Read "Folk Jazz" reviewed by David Rickert


Those few who recognize Bill Smith probably remember the recordings he made with the Dave Brubeck quartet replacing Paul Desmond in the horn chair (and fewer still have probably actually heard these recordings.) Yet the presence of West Coast luminaries like Jim Hall, Monty Budwig, and Shelley Manne certainly offers the possibility of a little-heard West ...

135

Article: Album Review

Jimmy Woods Sextet: Conflict

Read "Conflict" reviewed by David Rickert


Jimmy Woods was a talented musician who made few recorded appearances before vanishing into obscurity. Conflict is the second of two '60s solo records on Contemporary, the first already reissued in a previous batch of limited edition releases. It’s tempting to judge Woods solely on the company he keeps--certainly the likes of Andrew Hill, Elvin Jones, ...

527

Article: Album Review

Tony Bennett / Bill Evans: The Tony Bennett / Bill Evans Album

Read "The Tony Bennett / Bill Evans Album" reviewed by C. Michael Bailey


I suspect it would be rank hyperbole to state that Tony Bennett and Bill Evans were soul mates. No, that would probably be inaccurate. Actually, the two artists had very little in common aside from the fact that they were both jazz musicians. Bennett--a virile, muscular jazz singer with a conservative yet extroverted style--shared few obvious ...

301

Article: Album Review

Vince Guaraldi: Jazz Impressions of Black Orpheus

Read "Jazz Impressions of Black Orpheus" reviewed by David Rickert


If Vince Guaraldi is known for anything beyond the Charlie Brown specials, it will be a catchy little tune called “Cast Your Fate in the Wind.” Originally the B-side to an abbreviated version of “Samba de Orfeu,” the instantly appealing tune became a radio hit and the album was repackaged to feature the song prominently on ...

409

Article: Album Review

McCoy Tyner: 13th House

Read "13th House" reviewed by Steven Robinson


Piano master McCoy Tyner's latest release, 13th House, is a truly unusual recording that deserves particular attention. Mr. Tyner's scintillating, rapid fire eighth notes in the right hand, the subterranean rumbles from the piano's lower register, and of course, the thundering chords that have made his sound instantly recognizable to generations of admirers are all here ...

189

Article: Album Review

Jim Snidero: Strings

Read "Strings" reviewed by C. Michael Bailey


Jazz soloists especially like to make two types of recordings--those in duo with piano and those with strings . Art Pepper, Frank Morgan, Dizzy Gillespie and Jon Faddis made very fine piano duet recordings (Pepper and Morgan with the same pianist, George Cables, Gillespie and Faddis with Oscar Peterson). But seemingly, the Holy Grail of jazz ...

293

Article: Album Review

Sonny Rollins: With the Modern Jazz Quartet

Read "With the Modern Jazz Quartet" reviewed by David Rickert


First off, don't be misled by the title--Rollins and the Modern Jazz Quartet only appear together on four of the thirteen selections. This CD is in fact comprised of three separate sessions from 1951- 53: one track recorded at the tail end of a Miles Davis session, eight done by Rollins' working quartet, and four featuring ...

307

Article: Album Review

Horace Silver: Paris Blues: Olympia Theater, Paris, 1962

Read "Paris Blues: Olympia Theater, Paris, 1962" reviewed by C. Michael Bailey


This is the classic Horace Silver Quintet. It existed and recorded here while Miles was between his two great quintets, just before Art Blakey recorded Caravan with Curtis Fuller and Wayne Shorter, and while John Coltrane was assembling his classic quartet. This concert takes place almost half way between Finger Poppin' With the Horace Silver Quintet ...


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