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Charlie Parker: At Birdland 1950 Revisited
by Chris May
When it comes to live recordings of Charlie Parker, Jazz At Massey Hall, from a concert in Toronto in May 1953, has been widely considered the slam-dunk number one ever since Charles Mingus released it on his Debut label in 1956. Forensicists might favour the 7-CD The Complete Dean Benedetti Recordings Of Charlie Parker (Mosaic, 1990), ...
The New York Art Quartet and the Noah Howard Quartet on Ezz-thetics
by John Eyles
Although the Ezz-thetics label has been issuing a steady stream of classic albums from the '50s and '60s, some of the label's releases cannot be called classics but are of great historical interest and significance nonetheless. Some such albums are discoveries which have never before been released, while others are reissues of albums which were outshone ...
Wayne Shorter: Adam's Apple To Super Nova Revisited
by Chris May
In the three and a half years which separate the recording of the Blue Note albums Adam's Apple, in February 1966, and Super Nova, in August and September 1969, jazz went through a paradigm shift going on profound identity trauma. In 1966, though it was already past peak popularity, hard bop was still an important soundtrack ...
Archie Shepp: Four For Trane To Live Newport 1965 Revisited
by John Eyles
Ezz-thetics have already released several '60s albums featuring Archie Shepp which were recorded before or after the music on Four For Trane to Live Newport 1965 Revisited. These have included the New York Contemporary Five's Copenhagen 1963 Revisited plus Shepp's Fire Music To Mama Too Tight Revisited, recorded in 1965 and 1966, and Blasé and Yasmina ...
Eric Dolphy: Outward Bound To Out To Lunch Revisited
by John Eyles
Ask any jazz aficionado for their favourite jazz albums of the '60s and the chances are that, alongside such decade-defining choices as Jimmy Giuffre's Free Fall (Columbia, 1963), John Coltrane's A Love Supreme (Impulse, 1965), Andrew Hill's Point of Departure (Blue Note, 1965) and Albert Ayler's Spiritual Unity (ESP, 1965), they will select Eric Dolphy's Out ...
Ornette Coleman: Ornette At 12, Crisis To Man On The Moon, Revisited
by John Eyles
The re-release albums on Ezz-thetics, by jazz legends from the 1940s, '50s and '60s, have been widely praised, particularly for their sound quality which is invariably much improved compared to the originals or later rereleases. Another impressive aspect of these re-releases is the behind-the-scenes detective work which has tracked down rarities by some iconic musicians. One ...
Albert Ayler: Summertime To Spiritual Unity Revisited
by Chris May
This landmark reissue contains consummately remastered cuts of the killer (among killers) track from Albert Ayler's relatively unknown My Name Is Albert Ayler (Debut 1964) plus the justly celebrated Spiritual Unity (ESP-Disk, 1965) in its entirety. Summertime To Spiritual Unity Revisited starts with “Summertime" from the 1964 album. In his survey The Jazz ...
Joe Harriott: Free Form & Abstract Revisited
by Stefano Merighi
La serie “revisited" della ezz-thetics, prodotta da Werner Uehlinger, ha raggiunto ormai un cospicuo numero di CD, tale da costituire un effettivo e riassuntivo corpo sonoro, a disposizione per ri-sistematizzare la storia del jazz d'avanguardia degli anni Sessanta del secolo scorso. Certe edizioni però sono più importanti di altre, nel senso che meritavano sul ...
Horace Silver: Live New York Revisited
by Stefano Merighi
Benchè il profilo artistico di Horace Silver sia preso a modello in modo paradigmatico per definire lo stile hard bop nel jazz moderno, è altresì interessante notare come Silver, sin dalle sue prime uscite, abbia sempre cercato di evitare gli schemi predeterminati che soprattutto le etichette discografiche cercavano di replicare dopo aver trovato la formula del ...
Miles Davis: Miles Davis With Tadd Dameron Revisited
by Chris May
1949 was a year of massive change for Miles Davis, and not in a good way. It began, in January, with him fronting the first of the recording sessions, made with a nonet, that became generically known as The Birth Of The Cool and which, if he had achieved nothing else of note, would have secured ...
