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Mark Masters Ensemble: Ellington Saxophone Encounters
by Greg Simmons
It could be argued that the core of bandleader Duke Ellington's wonderful textural sound was the way he harmonized his reed section, with great woody chords and lush polyphonic melodies. That reed section, with the great Johnny Hodges leading on alto, stalwarts like Paul Gonsalves on tenor and Harry Carney on baritone, as well as shorter-term ...
Hristo Vitchev Quartet: Familiar Fields
by Sammy Stein
Hristo Vitchev is an impressionistic jazz guitarist and composer; born in Belgium but now residing in San Francisco, he leads several modern jazz formations, from duets to quartets. His debut, Song For Messambria (Orbit Sounds, 2009), received positive reviews internationally, and his studio album with Latin Grammy-nominated pianist Weber Iago, Secrets of An Angel (Orbit Sounds, ...
Polkastra: “I Do” The Wedding Album
by C. Michael Bailey
The international group Polkastra is the brainchild of one Lara St. John. Yes, that Lara St. John--the Bach enfant terrible of the mid-1990s who evolved to record a definitive set of The Six Sonatas and Partitas for Solo Violin inagurating her own Ancalagon label in 2007 , followed by notable recordings of Hindson, Vivaldi, Mozart and ...
Wayne Shorter Quartet: Without a Net
by John Kelman
Since convening a new quartet for the 2001 tour that resulted in Footprints Live! (Verve, 2002), soon-to-be-octogenarian saxophonist Wayne Shorter has found himself in the company of a group that's not just turned out to be, hands-down, his most exciting and exploratory acoustic ensemble in a career well into its sixth decade, but now, a dozen ...
Miles Davis Quintet: Live in Europe 1969: The Bootleg Series Vol. 2
by John Kelman
While the quintet heard on this first-time commercial issue of four live dates from 1969 was, in fact, already uncovered on the November 4, 1969 Copenhagen concert DVD included in the Bitches Brew: 40th Anniversary Collector's Edition and Legacy Edition (both Columbia/Legacy, 2010) and a portion of Bitches Brew Live (Columbia/Legacy, 2011)--as well as in sextet ...
Various Artists: Work Hard, Play Hard, Pray Hard
by Skip Heller
There is always complaint that American contemporary musical life is at turns either too glitzy or overly-intellectualized. Either claim is overly simplistic, neither completely wrong. And in no area is it more true than country music. On one hand, there is the proud stupidity of Toby Keith and Gretchen Wilson. On the other, the self-consciously literate ...
Chris Potter: The Sirens
by John Kelman
The appearance of saxophonist Chris Potter as a leader on ECM may come as a surprise to some, but a look back at the label's 44-year history makes The Sirens--his label debut and 19th as a leader since first emerging with trumpeter Red Rodney before he'd turned twenty, and releasing his own debut, Presenting Chris Potter ...
Jazz on Film: Beat, Square & Cool
by Skip Heller
Again presenting eight film scores spread across five discs, packaged in a gorgeous box and enclosed with a beautifully illustrated and comprehensively notated booklet, the Moochin' About staff (who are also the force behind the excellent British magazine Jazzwise) have returned with their second installment of noir and near-noir jazz movie music. As with their previous ...
John Hollenbeck: Songs I Like a Lot
by John Kelman
It's hard to resist, at the very least, looking at an album with as honest and unassuming a title as Songs I Like a Lot; but it's even harder to resist when it turns out that the instigator is John Hollenbeck, founder of and primary composer for Claudia Quintet--the chamber jazz ensemble which has, over the ...
Courtney Pine: House of Legends
by Ian Patterson
Though multi-reedist Courtney Pine has been playing soprano for almost 30 years, this is the first occasion he's recorded an entire album with the instrument. Following his bass clarinet adventures on the European roots album Europa (Destin-E, 2011) it's clear that the modern British jazz legend doesn't tire of setting himself new challenges. Taking as his ...


