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John Seman: The Story of Monktail

by Jack Gold-Molina
The director and cofounder of Monktail Creative Music Concern with drummer Mark Ostrowski, bassist/composer John Seman has spent much of his childhood and his entire adult life defining this band and his musical direction. A highly educated player with the kind of street sense that can only be gained through constant performing, recording and touring, he ...
Jazzfest Berlin 2012: Berlin, Germany, November 1-4, 2012

by Henning Bolte
Jazzfest Berlin 2012Berlin, GermanyNovember 1-4, 2012In 1964, famous pioneering jazz aficionado and impresario Joachim E. Behrendt founded the legendary Berlin Jazztage. The event, nowadays named Jazzfest Berlin, with its tumultuous history and multitude of faces, has since worked with a variety of different artistic directors. This year was the beginning of a new ...
Barry Guy / London Jazz Composers Orchestra: Harmos Live At Schaffhausen

by John Sharpe
Barry Guy / London Jazz Composers OrchestraHarmos Live At SchaffhausenIntakt2012For those who thought they had missed their chance to see one of the most impressive agglomerations of talent in European improvisation, the 2008 appearance of the London Jazz Composers Orchestra in Switzerland was manna from heaven. Having last ...
New improvised music label Fataka launches

by John Eyles
It is always a pleasure to welcome a new improvised music label, particularly when its initial releases give a strong indication that it will be releasing high quality recordings by some of the best improvisers around. That is certainly the case with Trevor Brent's Fataka, the newest label to emerge onto the London scene. As well ...
Paul Lytton / Nate Wooley / Ikue Mori / Ken Vandermark: The Nows

by Mark Corroto
Consider the great duos of the cinema, Spencer Tracy and Katharine Hepburn, Dean Martin and Jerry Lewis, Bruce Willis and Samuel L. Jackson and so on-what each successful duo has in common, is a chemistry, an attraction or spark between them. Such is the case with the musical duo of percussionist Paul Lytton and trumpeter Nate ...
Mats Gustafsson: Share The Moment

by John Sharpe
Reedman Mats Gustafsson resides at the center of a hurricane of activity: relentlessly touring, curating festivals and begetting record labels. He boasts one of most distinctive sounds in free jazz, combining the extremes of scalp prickling howls with adventurous exploration of minimalist tone and timbre. Although he's come a long way since his early days in ...
Larks' Tongues in Aspic (40th Anniversary Series Box)

by John Kelman
The idea of a 15-disc box set to commemorate the release of what was, in 1973, a single vinyl LP clocking in at a mere 46 minutes might seem a tad excessive, but when you're talking King Crimson and the seminal Larks' Tongues in Aspic, it's a whole other story. Beyond being an important addition to ...
Mikolaj Trzaska / Olie Brice / Mark Sanders: Riverloam Trio

by John Sharpe
Mikolaj Trzaska (pronounced Miko-why Chass-kuh") is not a name which drops off even the most assiduous jazz fan's lips. But on the evidence of this recording, it will become increasingly familiar outside his native Poland. Already the reedman has featured alongside American multi-instrumentalist Joe McPhee on the excellent Magic (Not Two, 2009), with reedman Ken Vandermark's ...
Kvintetten Som Sprängdes: Järnet!

by Eyal Hareuveni
Järnet!--the limited edition (300), vinyl-only debut of Gothenburg, Sweden-based Kvintetten Som Sprängdes (The Quintet That Blew Up)--features a unique musical language. Led by Niklas Persson, the saxophonist's compositions reference modern and free jazz heroes from both sides of the Atlantic--including saxophonist Ornette Coleman, reed multi-instrumentalists Eric Dolphy, Anthony Braxton and Evan Parker, and Swedish hero, saxophonist ...
Sam Newsome: The Art of the Soprano, Vol. 1

by Dan McClenaghan
Sam Newsome's The Art of the Soprano, Vol. 1 is a solo soprano saxophone outing, While not unprecedented--Steve Lacy and Evan Parker have done this before--it certainly is unusual. The straight horn all alone: no bass, no drums, no piano or guitar. Sounds lonely, and a little too sonically spare.But no one has gone ...