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18

Article: Interview

Orrin Evans: Hot Irons In The Fire

Read "Orrin Evans: Hot Irons In The Fire" reviewed by R.J. DeLuke


A pianist with great chops, great touch and an attack that fancies many influences from fierce swing to gospel, Orrin Evans is one of the outstanding creative musicians on the New York City scene. His work, no matter what the context--and he loves different contexts--is downright riveting at times. But for the 38-year-old who ...

5

News: Festival

Vision Festival 19 Has The Matthew Shipp Trio In The Thick Of It

Vision Festival 19 Has The Matthew Shipp Trio In The Thick Of It

In many ways, Saturday is a miniature of the entire guiding outlook and purpose of this annual love labor from Arts For Art. All elements, discussion, youth support, poetry and a well sequenced array of distinct and personal performance statements are present and the stalwart Matthew Shipp Trio speaks to the element of continuity. A FUTURE ...

1

News: Festival

Vision 19 Honors A New Generation Of Vision Artists

Vision 19 Honors A New Generation Of Vision Artists

Honoring a New Generation of Vision Artists. Music and Art calls each generation. The Vision continues with important younger artists like Mary Halvorson and Susan Alcorn and Fay Victor with Tyshawn Sorrey. There are a few excellent young musicians playing with Charles Gayle, like Shayna Dulberger, Ingrid Laubrock and Mazz Swift. Michael Wimberly has put together ...

8

Article: Album Review

Eric Revis: Eric Revis: In Memory Of Things Yet Seen

Read "Eric Revis: In Memory Of Things Yet Seen" reviewed by John Sharpe


Although the title to bassist Eric Revis' quartet offering appears to pay homage to some of the early AACM documents (think pianist Muhal Richard Abrams' unaccompanied manifesto Things To Come From Those Now Gone (Delmark, 1975)), the actuality is a different animal entirely. Having rung the changes since the acclaimed City of Asylum, Revis' outfit acts ...

3

Article: Album Review

Eric Revis Quartet: In Memory of Things Yet Seen

Read "In Memory of Things Yet Seen" reviewed by Vincenzo Roggero


Nel corso degli anni la figura artistica di Eric Revis--giunto alla ribalta delle cronache jazzistiche per la lunga permanenza nel quartetto di Branford Marsalis, qui presente in due brani--è andata acquisendo i contorni di musicista che, pur senza la pretesa di cambiare le sorti del jazz, ne è diventato esponente di spicco, dalla consistente vena creativa ...

5

Article: Album Review

Orrin Evans' Captain Black Big Band: Mother's Touch

Read "Mother's Touch" reviewed by Jack Bowers


New York-based pianist / composer (and two-time Grammy Award nominee) Orrin Evans served notice with his first big-band album for Posi-Tone Records that there was an impressive new ensemble on the scene, a message that is firmly underscored by the second, the cryptically named Mother's Touch, whose tone and temperament mirror Evans' contemporary point of view. ...

9

Article: Album Review

Eric Revis Quartet: In Memory Of Things Yet Seen

Read "In Memory Of Things Yet Seen" reviewed by Glenn Astarita


Bassist Eric Revis has performed and recorded with saxophonist Branford Marsalis' bands since 1997, and is a first-call session artist. Marsalis appears on two tracks for the bassist's third solo date on the progressive Portugal-based label, Clean Feed Records. The core quintet features a formidable frontline with tenor saxophonist Bill McHenry and alto saxophonist Darius Jones. ...

6

Article: Album Review

Orrin Evans' Captain Black Big Band: Mother’s Touch

Read "Mother’s Touch" reviewed by Dan Bilawsky


The studio-versus-stage argument will forever rage on in music, but it really shouldn't. Each setting has its advantages and disadvantages. The jazz community has forever favored the stage, as many feel that jazz is meant to be experienced and created in the moment, with artist(s) feeding off the room and creating here-and-gone sounds. That preference is ...

6

Article: Album Review

Donald Edwards: Evolution of An Influenced Mind

Read "Evolution of An Influenced Mind" reviewed by Mark F. Turner


With Evolution of An Influenced Mind , drummer Donald Edwards makes a piercing statement about his percussiveness and musicality. Having gained attention for his craftsmanship on a number of noteworthy Criss Cross dates-- Introducing Opus 5 (2011) and Orrin Evans's excellent It was Beauty (2013)--Edwards's debut on the prolific Dutch jazz label is a cohesive work ...

4

Article: Album Review

Donald Edwards: Evolution Of An Influenced Mind

Read "Evolution Of An Influenced Mind" reviewed by Andrew Luhn


In recent years, Donald Edwards has become a familiar name in the Criss Cross catalogue. His drumming can be heard on six previous Criss Cross releases, but on Evolution of an Influenced Mind, Edwards makes his debut as a leader. His sensitive and protean drumming has made him a first-call sideman in New York, but this ...


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