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Ennio Morricone

Ennio Morricone was born in Rome on 10 November 1928. His long artistic career includes a wide range of composition genres, from absolute concert music to applied music, working as orchestrator, conductor and composer for theatre, radio and cinema. In 1946, Ennio received his trumpet diploma and in 1954 he received his diploma in Composition at the Conservatorio di Santa Cecilia under the guidance of Goffredo Petrassi. He wrote his first concert works at the end of the 1950s, then worked as arranger for RAI (the Italian broadcasting company) and RCA-Italy. He started his career as a film music composer in 1961 with the film Il Federale directed by Luciano Salce

Green Man Interviews: Alabaster DePlume

Read "Green Man Interviews: Alabaster DePlume" reviewed by Martin Longley

Alabaster DePlume has a softness of saxophone tone. He also has a hardness of poetic intent. These divergent aspects of this multi-instrumentalist, London-living bon vivant can be heard on an impressive pair of recent releases. To Cy & Lee: Instrumentals Vol. 1 (International Anthem Recording Co.) finds DePlume at his most introspective, making music ...

ARTICLE: INTERVIEW

Rosario Giuliani: Tradurre l'amore in musica

Read "Rosario Giuliani: Tradurre l'amore in musica" reviewed by Paolo Marra

A fine gennaio è uscito per l'etichetta Jando Music e Via Veneto Jazz il nuovo disco del sassofonista Rosario Giuliani dal titolo Love in Translation, registrato assieme al vibrafonista americano Joe Locke, il bassista Dario Deidda e il batterista Roberto Gatto. Un disco che fra riletture di standards e brani originali ci porta a sondare le ...

ARTICLE: LIVE REVIEW

Umbria Jazz Winter 2020

Read "Umbria Jazz Winter 2020" reviewed by Libero Farnè

Orvieto Varie sedi, 28.12.2019--1.1.2020 Le cinque giornate di Umbria Jazz Winter si sono aperte nel segno del cordoglio per la triste notizia della scomparsa di Mario Guidi, manager di grande competenza e padre del pianista Giovanni. Il suo funerale si è tenuto a Foligno il 29 dicembre con la partecipazione larga e ...

ARTICLE: ALBUM REVIEW

Big Lazy: Dear Trouble

Read "Dear Trouble" reviewed by Jerome Wilson

The trio Big Lazy plays a frisky type of instrumental music which draws on jazz, surf rock, country and other genres. In the tradition of versatile guitarists like Danny Gatton and Duane Eddy, Stephen Ulrich's lean, twanging sound creates a sonic landscape full of dusty highways and shadowy streets. He billows, trembles and chugs through leisurely ...

ARTICLE: LIVE REVIEW

Bologna Jazz Festival 2019

Read "Bologna Jazz Festival 2019" reviewed by Libero Farnè

Bologna, Modena, Ferrara, Forlì Varie sedi, 25.10-26.11.20019 Il Bologna Jazz Festival 2019 ha confermato, ampliandole, le linee guida delle due passate edizioni, proponendo per un mese intero concerti esclusivamente serali, anche in contemporanea. Per quanto riguarda l'offerta musicale non si sono riscontrate univoche scelte stilistiche, ma soprattutto si è teso ad estendere ...

ARTICLE: LIVE REVIEW

Jazzkaar 2019

Read "Jazzkaar 2019" reviewed by Martin Longley

Jazzkaar Tallinn, Estonia April 23-28, 2019 Towards the second half of Jazzkaar, there was an invasion of starry Americans, overwhelming the normally quite striking wealth of indigenous Estonian talent. As ever, the fundamental structure of this 10-dayer revolved around its two main stages in the Telliskivi Creative City, Vaba Lava ...

ARTICLE: RADIO

Moaning, Whistling, Sighing and Other Jazz Sounds

Read "Moaning, Whistling, Sighing and Other Jazz Sounds" reviewed by Ludovico Granvassu

Jazz--the quintessential open door genre--has a capacity to beautifully integrate all kinds of sources. From music from faraway places to compositions written and instruments used for completely different genres. When it comes to the human voice, jazz has shown an uncanny openness to its endless possibilities finding a musical role for all sorts of non verbal ...

ARTICLE: ALBUM REVIEW

Carlos Franzetti: Ricordare

Read "Ricordare" reviewed by Maurizio Zerbo

Il titolo del CD e il suo brano manifesto sono emblematici nell'esplicare il debito artistico di Carlos Franzetti per Ennio Morricone. Al di là dell'affinità con le colonne sonore italiane e francesi, il settantenne musicista argentino possiede ben altre e più rigogliose frecce al suo arco. Lo testimonia una poliedrica cifra espressiva, che spazia dal tango ...

ARTICLE: YEAR IN REVIEW

Jerome Wilson's Best Releases Of 2018

Read "Jerome Wilson's Best Releases Of 2018" reviewed by Jerome Wilson

It may be unwieldy to keep a large jazz ensemble together for economic reasons but this year was still full of outstanding big band recordings, whether done through commissions, arrangers working with established orchestras or even actual working ensembles. Several of the releases on my list are examples of that. Also this year had the usual ...


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