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Joe Corsello: Strong Second Act
by David A. Orthmann
In the notes to an unfinished novel, the celebrated 20th Century author F. Scott Fitzgerald wrote, “there are no second acts in American lives." The vicissitudes of the lives of many jazz musicians, some of whom drop out of sight for years or even decades, are exceptions to Fitzgerald's often quoted dictum.The first act ...
Take Five With Matt Slocum
by AAJ Staff
Meet Matt Slocum:“Matt Slocum's multicolored traps--at times forceful or delicate, creatively painting varied tempos with the essence of swing--define the drummer's debut, Portraits. Hailing from St. Paul, Minnesota, Slocum's introduction carries forward the torch of patriarchs Max Roach and Elvin Jones amongst others, but he also carves out his own rhythmic patterns with young ...
John McLaughlin and The 4th Dimension: John McLaughlin and The 4th Dimension: To The One
by John Kelman
After two studio albums that fell into the category of special projects--the large-casted but surprisingly cohesive Industrial Zen (Verve, 2005) and synth-laden Floating Point (Abstract Logix, 2008), where the iconic guitarist flipped his past concerns of playing eastern music with a western sensibility by recruiting a largely Indian group to play some very western fusion--John McLaughlin ...
David Binney: Aliso
by Dan Bilawsky
Finding musical parallels to David Binney's work is not always an easy task. As a composer, he has managed to create a distinctive sound, yet no single quality can properly define his work. Binney wears his influences on his sleeve throughout Aliso, choosing to touch on the work of Wayne Shorter, Sam Rivers, Thelonious Monk and ...
Rufus Reid: Out Front
by Ken Dryden
Long a first-call bassist, Rufus Reid has played with numerous greats since arriving on the jazz scene in the early '70s, including Dizzy Gillespie, Thad Jones and Mel Lewis, Dexter Gordon, Lee Konitz, Art Farmer and Jimmy Heath, to name just a few, in addition to a number of dates as a leader. His fat tone ...
Monkadelphia: All Monk, All the Time
by Victor L. Schermer
Over the past several years, there has been a revival and reconsideration of the music of Thelonious Monk. No one embodies this trend better than Monkadelphia, a group of Philadelphia-based jazz musicians who play his music exclusively--a difficult challenge which they embrace with vitality, panache, and sophistication. With Chris Farr on saxophone, Tony Miceli on vibes, ...
Lew Tabackin
by Ken Dryden
Lew Tabackin needs no introduction to serious jazz fans. The tenor saxophonist and flutist worked with Maynard Ferguson, Thad Jones-Mel Lewis Orchestra, Joe Henderson, Duke Pearson, Donald Byrd, Elvin Jones and The Tonight Show Band; was a star soloist with the Danish Radio Orchestra in the late '60s; and joined alto saxophonist Phil Woods for a ...
Antonio Ciacca: Lagos Blues (with Steve Grossman)
by George Kanzler
There's a good reason most “real" jazz radio stations tend to favor the modern mainstream jazz of the post-bop era codified by such record labels from the mid-20th Century as Blue Note, Columbia's jazz division, Prestige, Riverside and Impulse. It's creative jazz with a comfortingly substantial physicality, clean lines and rhythmic heft still anchored to a ...
McCoy Tyner Quartet with Joe Lovano at the Kimmel Center
by Victor L. Schermer
Kimmel Center for the Performing ArtsVerizon HallPhiladelphia, PAFebruary 19, 2010 Whenever you go to hear McCoy Tyner, it's never a question of how well he's going to play. For half a century, during and after his legendary tenure with the quintessential John Coltrane Quartet that also included Jimmy Garrison and Elvin ...
Take Five With Vinson Valega
by AAJ Staff
Meet Vinson Valega: Vinson grew up in a musical family near Washington, D.C., studying classical piano from age seven until switching to the drums when he was 12. He played drums for three years in the All-County Jazz Ensemble during high school and subsequently held the drum chair in the University of Pennsylvania Big ...
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