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Eddie Gomez: The Playing is Free
by Donald Elfman
Eddie Gomez is known throughout the world as a consummate bassist, sterling educator and a musician active in a wide variety of musical settings. He has been on the music scene for more than 40 years and has worked with everyone from Bobby Darin to Giuseppi Logan. Gomez moved from Puerto Rico as a child and ...
Jazz Master Hank Jones Passes Away
Hank Jones, pianist and jazz legend, beloved husband of Theodosia, dear uncle to his nieces and nephews across the country, friend to music, inspiration to countless musicians, died May 16, 2010 in New York City, after a brief illness. He was 91 years old, and would have been 92 on July 31st. Jones' longtime manager and ...
Allison Miller: Breaking Ground
by Franz A. Matzner
It takes a rare individual to excel in multiple artistic genres, particularly when success unfolds in the public spotlight and presents very different contexts. Certainly technical ability is important, but it also takes a peculiar blend of flexibility, curiosity, and determination. Perhaps that is what makes drummer, composer, bandleader, and outspoken feminist Allison Miller such a ...
Graham Collier: Darius / Midnight Blue / New Conditions
by Nic Jones
Graham Collier Music Darius / Midnight Blue / New Conditions BGO 2009 The benefit of hindsight reveals how the three LPs, recorded in the mid-1970s, collected here form the bridge between British bassist, composer and bandleader Graham Collier's early small group work and the expansion of tonal palette and compositional ...
Drummer Mike Reed Interviewed at AAJ
There is not a name yet for what Mike Reed does on drums. Elvin Jones created polyrhythmics; Rashied Ali, multi-directionalism. Reed is delivering something related but distinct. It has as much to do with tonal complexity as with keeping the beat, but the complexity goes beyond that, into a recombination of the many drumming styles of ...
Mike Reed: The Drum Thing
by Gordon Marshall
There is not a name yet for what Mike Reed does on drums. Elvin Jones created polyrhythmics; Rashied Ali, multi-directionalism. Reed is delivering something related but distinct. It has as much to do with tonal complexity as with keeping the beat, but the complexity goes beyond that, into a recombination of the many drumming styles of ...
Keeping Up With The Joneses: The Jones Name In Jazz
by Dan Bilawsky
"What's in a name?"This question, written by Shakespeare and spoken from the mouth of his Juliet, really touches on an important line of thought. Juliet continued and said, “That which we call a rose by any other name would smell as sweet." While she was dealing with the Montague/Capulet issue, she sought to downplay ...
Don Preston: Just Another Duo From LA
by Rex Butters
Just a few miles east of the Whisky a Go Go, where they stunned the world over 40 years ago with the classic Mothers of Invention, keyboardist Don Preston and saxophonist Bunk Gardner returned to Sunset Blvd. as The Don and Bunk Show, reviving their duo homage to the early music of Frank Zappa. Dolores Petersen ...
Joe Corsello: Strong Second Act
by David A. Orthmann
In the notes to an unfinished novel, the celebrated 20th Century author F. Scott Fitzgerald wrote, “there are no second acts in American lives." The vicissitudes of the lives of many jazz musicians, some of whom drop out of sight for years or even decades, are exceptions to Fitzgerald's often quoted dictum.The first act ...
Take Five With Matt Slocum
by AAJ Staff
Meet Matt Slocum:“Matt Slocum's multicolored traps--at times forceful or delicate, creatively painting varied tempos with the essence of swing--define the drummer's debut, Portraits. Hailing from St. Paul, Minnesota, Slocum's introduction carries forward the torch of patriarchs Max Roach and Elvin Jones amongst others, but he also carves out his own rhythmic patterns with young ...
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