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60

Article: Album Review

Devin Gray: Dirigo Rataplan

Read "Dirigo Rataplan" reviewed by Hrayr Attarian


Despite his youth, drummer Devin Gray has built an impressive resume and a well- deserved reputation as both an improviser and instrumentalist. His first CD as a leader, Dirigo Rataplan shows that he is not a slouch in the composition or bandleader department either. The record's title, loosely translated from Latin and French, ...

60

Article: Live Review

Pharoah Sanders Quartet: New York, March 20, 2012

Read "Pharoah Sanders Quartet: New York, March 20, 2012" reviewed by Bob Kenselaar


Pharoah Sanders QuartetBirdlandNew York, NYMarch 20, 2012Tenor saxophonist Pharoah Sanders has long embodied the tradition, the musical voice, and the spirit of John Coltrane. He is arguably among the most truly authentic of Coltrane's disciples, considering that he was a member of the saxophonist's band during the last two years of ...

100

Article: Profile

Jazz Musicians with Eccentricities

Read "Jazz Musicians with Eccentricities" reviewed by Chris May


Some of the 20th century's greatest eccentrics were jazz musicians. That is no surprise, given the link which psychologists long ago suggested exists between creative thinking and “abnormal" behavior, and which has been confirmed by recent neurological research locating both activities within the same area of the brain. Trumpeter and singer Louis Armstrong's lifelong ...

89

Article: Catching Up With

Catching Up With Gary Husband

Read "Catching Up With Gary Husband" reviewed by Ian Patterson


Gary Husband has wind in his sails these days. The pianist/keyboardist/drummer and composer has released three outstanding records in nearly as many years, all on Abstract Logix: the heady post-bop Hotwired (2009); the jazz-fusion all-star extravaganza Dirty & Beautiful Vol 1 (2010), and the eagerly awaited follow-up, 2012's Dirty & Beautiful Vol 2. His Dirty & ...

179

Article: Interview

Maxine Gordon: The Legacy of Dexter Gordon

Read "Maxine Gordon: The Legacy of Dexter Gordon" reviewed by Victor L. Schermer


Legendary tenor saxophonist Dexter Gordon was a focal point of the bebop and hard bop revolutions. Later in his career, he achieved the status of an American icon with his lead role in Bernard Tavernier's 1986 film, Round Midnight, which garnered him an Academy Award nomination. His “homecoming" in New York City, after living in Europe ...

38

Article: Album Review

Andrew Cyrille / Haitian Fascination: Route de Freres

Read "Route de Freres" reviewed by Raul d'Gama Rose


To experience ecstasy without the memory of it would certainly be a travesty. Fortunately, it may now be possible to have both--to have the near-perfect memory of being in the throes of ecstasy--and it is all because of the music on Route de Frères by Andrew Cyrille and Haitian Fascination. More specifically, it is because of ...

143

Article: Interview

Joe Lovano: Inimitable Streams of Expression

Read "Joe Lovano: Inimitable Streams of Expression" reviewed by Angela Davis


Penned as “one of the greatest musicians in jazz history," saxophonist Joe Lovano has successfully created a unique voice within the jazz tradition and has contributed significantly to the continuance and development of the idiom.In just over a quarter of a century he has created an expansive body of work that has covered a ...

87

Article: Album Review

Jessica Williams Trio: Freedom Trane

Read "Freedom Trane" reviewed by Jeff Winbush


It is no coincidence that pianist Jessica Williams draws inspiration and energy from saxophonist John Coltrane, another iconoclast whose dogged pursuit of his individalistic muse stood in defiance of trends, customs, critics, and marketplace concerns. Like Coltrane, Williams prides herself in being relentlessly faithful to her own standards of how to play and how to market ...

149

Article: Interview

Kenny Burrell: Every Note Swings

Read "Kenny Burrell: Every Note Swings" reviewed by Chris M. Slawecki


Kenny Burrell has appeared on so many essential jazz recordings that jazz history and his story seem irretrievably intertwined. Billie Holiday's valedictory rumination Lady Sings the Blues (Verve, 1956)? Jimmy Smith's epochal funk throwdown Back at the Chicken Shack (Blue Note, 1960)? Tony Bennett's Carnegie Hall debut? Kenny Burrell played guitar for them all. Even Jimi ...

127

Article: Album Review

Charlie Haden / Hank Jones: Come Sunday

Read "Come Sunday" reviewed by Mark F. Turner


Come Sunday continues the dialog between two jazz masters--bassist Charlie Haden and pianist Hank Jones--that began with 1995's Steal Away (Verve). The topic of discussion concerns hymns, spirituals, and beloved tunes which are, without a doubt, personal and familiar to both musicians. Jones (the elder sibling of jazz luminaries Elvin Jones and Thad Jones) was the ...


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