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Article: Extended Analysis

Michael Feinberg: The Elvin Jones Project

Read "Michael Feinberg: The Elvin Jones Project" reviewed by Dave Wayne


Electronic boops and beeps are the first thing you hear on bassist Michael Feinberg's The Elvin Jones Project. This could either be a good sign or a bad one. Fortunately it's the former, and it acts as an effective reminder that drummer Elvin Jones was a pioneering and exploratory musician whose legacy extends well beyond his ...

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Article: Live Review

The Gil Evans Project directed by Ryan Truesdell at Jazz Standard

Read "The Gil Evans Project directed by Ryan Truesdell at Jazz Standard" reviewed by Dan Bilawsky


The Gil Evans Project directed by Ryan TruesdellJazz StandardNew York, NYMay 17, 2013 Somewhere along the way, the centennial of a notable jazz figure's birth became a major cause for celebration and reflection. Unfortunately, these celebrations have occasionally become last hurrahs for the dearly departed, as their life's work fades ...

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Article: Take Five With...

Take Five With Armen Nalbandian

Read "Take Five With Armen Nalbandian" reviewed by AAJ Staff


Meet Armen Nalbandian:Armen Nalbandian (b.1978 in Manchester, England) is a jazz pianist, composer and humanitarian.In addition to the piano, he has been known to perform on the prepared Fender Rhodes mechanical piano, and contributes to produce jazz, improvised and experimental music in California. Nalbandian is the composer of over 1200 works in ...

4

Article: Album Review

Geof Bradfield: Melba!

Read "Melba!" reviewed by Dan McClenaghan


Melba Liston (1926-1999) isn't one of the big names that comes up when great jazz composer/arrangers are mentioned, but it should be. Starting as a trombonist with some of the greats--Dizzy Gillespie, Dexter Gordon, Count Basie, Art Blakey--she soon began working with Randy Weston, arranging the pianist's composition on Uhuru Africa, (Roulette Records, 1960) and Highlife ...

12

Article: Interview

Ralph Bowen: The Power Play

Read "Ralph Bowen: The Power Play" reviewed by Diana Kondrashin


[Editor's Note: A shorter version of this interview was originally published at Jazz.Ru. It has been translated and expanded exclusively for All About Jazz.]Ralph Bowen was born in Canada but he has pursued a jazz career in the United States for over 20 years, as tenor saxophonist, composer and arranger. He strikes neatly with ...

2

Article: Album Review

Anders Jormin: Between Always And Never

Read "Between Always And Never" reviewed by Chris Mosey


Anders Jormin leads a remarkably busy life. Bassist with pianist Bobo Stenson's Trio, he has also played with the likes of saxophonists Lee Konitz, Joe Henderson, Charles Lloyd and Joe Lovano, as well as drummers Elvin Jones and Jack DeJohnette. He records under his own name, composes works for symphony orchestras, studies ethnic music in Cuba ...

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Article: Record Label Profile

Half Note Records: Live from the Blue Note

Read "Half Note Records:  Live from the Blue Note" reviewed by Bob Kenselaar


Jeff Levenson has been at the helm of Half Note Records since 2002, just a few years after it got off the ground. Through a combination of his leadership and vision and the great artistry of the musicians represented in its catalog--including McCoy Tyner, Elvin Jones, Lee Konitz and many others--the label has clearly made its ...

2

Article: Album Review

Pharez Whitted: For The People

Read "For The People" reviewed by Ian Patterson


Saxophonist Pharez Whitted has had an unusual recording career. Fourteen years separated Mysterious Cargo (Motown Records, 1996) from Transient Journey (Owl Studios, 2010), as Whitted dedicated himself to jazz education and sideman appearances with the likes of drummer Elvin Jones, trumpeter Wynton Marsalis and pianist Ramsey Lewis. In this context, For the People comes after a ...

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Article: Interview

John Beasley: Everyone Loves John

Read "John Beasley: Everyone Loves John" reviewed by Scott Mitchell


Keyboardist John Beasley (aka “The Bease" to friends and family) is a musician's musician and one of the busiest professionals in the game. His biography and list of credits are so broad and deep that they could fill an NFL playbook.If NASA or MIT were to invent a device that could measure creative and ...

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Article: Opinion

Death, Rebirth & New Revolution

Read "Death, Rebirth & New Revolution" reviewed by Ian Patterson


The death knell has often been sounded for jazz and many would argue that the last revolution in jazz took place as the '60s handed the baton to the '70s, with the electronic-influenced jazz typified by trumpeter Miles Davis' ground breaking albums In a Silent Way (Columbia, 1969) and Bitches Brew (Columbia, 1970). Many believe that ...


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