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Article: Take Five With...

Take Five With Matt Ridley

Read "Take Five With Matt Ridley" reviewed by AAJ Staff


Meet Matt Ridley: I graduated from Trinity College of Music in Greenwich, London in 2005 and have been a full time bassist since then. Music has taken me all around the world and I've been very privileged to perform regularly with some of the finest jazz musicians in UK like Jason Yarde, John Turville, and ...

17

Article: Interview

Franklin Kiermyer: Joy And Consequence

Read "Franklin Kiermyer: Joy And Consequence" reviewed by Ian Patterson


The tradition. It's common jazz terminology. What does it mean, though, to be “in the tradition"? The term usually confers on the musician a stamp of authenticity and infers working knowledge of the dominant idiom, as typified by the jazz cannon. It also perhaps implies a certain orthodoxy. It's strange to think, however, that a music ...

11

Article: Interview

Mark Sherman: Truth Of Who I Am

Read "Mark Sherman: Truth Of Who I Am" reviewed by DanMichael Reyes


Vibraphonist Mark Sherman likes using the term consummate to describe musicians and colleagues that he's played with. While it would be difficult to speak to every notable musician that Sherman's played for and ask about their opinion about Juilliard graduate and professor, it is safe to assume that they would also describe Sherman as a consummate ...

11

Article: Interview

Victor Lewis: The Drummer's Spirit

Read "Victor Lewis: The Drummer's Spirit" reviewed by Victor L. Schermer


For several decades, Victor Lewis has been one of the most in-demand drummers of the post-bop era and beyond. He has performed with Stan Getz, Dexter Gordon, J.J. Johnson, Chet Baker, George Cables, Woody Shaw, Kenny Barron, Bobby Watson, and others of similar stature. On account of his exceptional ability to push the envelope of musical ...

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Article: Album Review

John Brown: Quiet Time

Read "Quiet Time" reviewed by C. Michael Bailey


Bassist and bandleader John Brown was last heard backing Nneena Freelon on her Christmas (Brown Boulevard Records, 2013) release leading one of his decidedly larger ensembles. Quiet Time finds the bassist pared down to a classic trumpet-saxophone quintet size for a recital of after-hours tunes. Brown's fronting horns are trumpeter Ray Codrington and saxophonist Brian Miller. ...

3

Article: Album Review

Shirazette Tinnin: Humility: Purity of My Soul

Read "Humility: Purity of My Soul" reviewed by C. Michael Bailey


Drummer/percussionist Shirazette Tinnin releases her Hot Tone recording Humility: Purity of My Soul as part of a sonic shock-and-awe campaign initiated by bassist Mimi Jones with her recording Balance and joined by saxophonist ((Camille Thurman}} and her Origins. Both Jones and Thurman contribute to Tinnin's Humility, making things very much an integrated, house-band affair.

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Article: Extended Analysis

John Stowell / Dave Liebman: Blue Rose (2013)

Read "John Stowell / Dave Liebman: Blue Rose (2013)" reviewed by Victor L. Schermer


In the search for enriched jazz expressiveness, the duet format has been revived, giving the musicians greater space for improvising than a larger group and avoiding the overpowering influence of a rhythm section, while affording an opportunity to engage personalities and “swap notes" with another whose ideas and style are of special interest. Iconic saxophonist Dave ...

15

Article: Book Excerpts

How to Know: Spirit Music - Crazy Wisdom, Shamanism And Trips To The Black Sky

Read "How to Know: Spirit Music - Crazy Wisdom, Shamanism And Trips To The Black Sky" reviewed by Ken Hyder


The following is an excerpt from the “Instability as an Aid to Spirit Music" chapter of How to Know by Ken Hyder (Amazon Digital Services, 2013). There is a tension between precision and looseness. In jazz, the tension is minute, but it makes all the difference to whether the music swings ...

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Article: Bailey's Bundles

Notable & Nearly Missed in 2013

Read "Notable & Nearly Missed in 2013" reviewed by C. Michael Bailey


More music is released each year than can be realistically followed by a given writer. I typically listen to much more music than I write about, not because this music is not worthy somehow but there is so little time. So, this year, I am going to write a “Notable & Nearly Missed" column to catch ...

4

Article: Interview

Jaleel Shaw: Philly Soul

Read "Jaleel Shaw: Philly Soul" reviewed by George Colligan


[ Editor's Note: The following interview is reprinted from George Colligan's blog, Jazztruth ] Jaleel Shaw has been one of my favorite young alto players for about a decade. We first played together with the Charles Mingus Band, and we kept in touch over the years. I've worked a few times in his ...


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