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Kenny Werner: Effortless Mastery In Motion
by Dan Bilawsky
In the early moments of Effortless Mastery: The Four Steps, pianist Kenny Werner notes that he never aspired to be a guru; nevertheless, he's viewed as one by a significant number of musicians. If Werner had never put a single word on paper or shared a single thought about the art of playing, ...
Celebrating Blue Note Records 75th With Delicious Vinyl
by Mark Corroto
Everything old is new again. Except of course for the timeless music of Blue Note Records which celebrated its 75th anniversary this year. The recordings Alfred Lion and Francis Wolff produced starting in 1939 have been collector's items since day one. While much of the label's music has been re-released in digital format, CDs and in ...
Justin Faulkner: Serving the Music
by Paul Naser
The rare balance of passionate ambition and mature dedication that are the hallmark of young professionals puts them in a category all their own. More often than not they began honing their skills at an early age and it seems as if life conspired to help them succeed. Justin Faulkner, the young drummer for the legendary ...
Getting To Know Ras Moshe
by Dom Minasi
Ras Moshe is not a name most people are familiar with. If you listen to straight ahead jazz you probably wouldn't know Ras. Now if you go to some of the 'downtown' performances in New York City and Brooklyn you probably have seen him play. I heard him ten years ago playing Tenor Sax at the ...
Take Five With Matt Ridley
by AAJ Staff
Meet Matt Ridley: I graduated from Trinity College of Music in Greenwich, London in 2005 and have been a full time bassist since then. Music has taken me all around the world and I've been very privileged to perform regularly with some of the finest jazz musicians in UK like Jason Yarde, John Turville, and ...
Franklin Kiermyer: Joy And Consequence
by Ian Patterson
The tradition. It's common jazz terminology. What does it mean, though, to be “in the tradition"? The term usually confers on the musician a stamp of authenticity and infers working knowledge of the dominant idiom, as typified by the jazz cannon. It also perhaps implies a certain orthodoxy. It's strange to think, however, that a music ...
Mark Sherman: Truth Of Who I Am
by DanMichael Reyes
Vibraphonist Mark Sherman likes using the term consummate to describe musicians and colleagues that he's played with. While it would be difficult to speak to every notable musician that Sherman's played for and ask about their opinion about Juilliard graduate and professor, it is safe to assume that they would also describe Sherman as a consummate ...
Victor Lewis: The Drummer's Spirit
by Victor L. Schermer
For several decades, Victor Lewis has been one of the most in-demand drummers of the post-bop era and beyond. He has performed with Stan Getz, Dexter Gordon, J.J. Johnson, Chet Baker, George Cables, Woody Shaw, Kenny Barron, Bobby Watson, and others of similar stature. On account of his exceptional ability to push the envelope of musical ...
John Brown: Quiet Time
by C. Michael Bailey
Bassist and bandleader John Brown was last heard backing Nneena Freelon on her Christmas (Brown Boulevard Records, 2013) release leading one of his decidedly larger ensembles. Quiet Time finds the bassist pared down to a classic trumpet-saxophone quintet size for a recital of after-hours tunes. Brown's fronting horns are trumpeter Ray Codrington and saxophonist Brian Miller. ...
Shirazette Tinnin: Humility: Purity of My Soul
by C. Michael Bailey
Drummer/percussionist Shirazette Tinnin releases her Hot Tone recording Humility: Purity of My Soul as part of a sonic shock-and-awe campaign initiated by bassist Mimi Jones with her recording Balance and joined by saxophonist ((Camille Thurman}} and her Origins. Both Jones and Thurman contribute to Tinnin's Humility, making things very much an integrated, house-band affair.
