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Results for "Elvin Jones"
Filippo Vignato
by Paolo Peviani
Il tratto principale della mia musica Il contrasto tra melodia e rumore. La qualità che desidero nei musicisti che suonano con me La possibilità di una profonda comunicazione reciproca. Come musicista, il momento in cui sono stato più felice Ogni volta in cui riesco a stabilire un'empatia con chi ...
Nick Brignola: Between A Rock And The Jazz Place
by Rob Rosenblum
Party 1 | Part 2 This interview was originally published in 1969 in an Albany, New York area arts publication called Transition. It documents a time when saxophonist Nick Brignola was in the process of trying to break out of the confines of bebop and incorporate some of the elements of fusion that was ...
Lew Tabackin: A Life in Jazz
by Rob Rosenblum
Tenor saxophonist and flutist Lew Tabackin is known as a forceful and dynamic soloist, both in small group and big band settings. His views of the jazz music scene, both past and present, are equally compelling. Recently, I had the opportunity to spend several hours with Mr. Tabackin for this interview. Rather than insert ...
Meet John Reilly
by Tessa Souter and Andrea Wolper
John Reilly--yet another of our Super Fans who works for the city of New York--was born on Staten Island, where he still lives. We don't know if it's something to do with working for the city, or just a function of growing up in the capital of jazz, but John is the real thing. The son ...
Lee Konitz: Frescalalto
by Luca Canini
Lo sfizio del primo disco su Impulse! se l'è tolto alla soglia dei novanta, ennesima tappa di una carriera che per raccontarla non basterebbero due Treccani con relative appendici. Una vita in jazz come poche ce ne sono state, e come mai più (forse) ce ne saranno, quella di Lee Konitz. Dagli esordi ...
Bill Frisell: A Portrait
by John Kelman
Bill Frisell Bill Frisell: A Portrait A Film by Emma Franz2017 Not long after the film Bill Frisell: A Portrait begins to roll, Bonnie Raitt--one of the many high profile names that lend their thoughts about one of the most influential guitarists and composers of the past forty years to ...
Tim Armacost: Time Being
by Roger Farbey
Tim Armacost may not be the most well-known jazz musician on the planet but he's certainly one of the best. His early life was spent in Tokyo, and Washington, then moving to Los Angeles at the age of 18. He travelled to Amsterdam and India where, in the spirit of The Beatles and John McLaughlin he ...
Charles Mingus and Miles Davis: Changing Moods
by Mark Werlin
The recordings of Charles Mingus in the mid-1950s document a musical voice so distinctive that they are immediately recognizable today. But Mingus' obsessive commitment to the primacy of the composition was not always shared by his peers, nor understood by his critics. A public feud between Mingus, who was struggling unsuccessfully to win critical ...
Stephan Crump: Stephan Crump's Rhombal
by Stefano Merighi
Il nome di Stephan Crump viene in genere associato al jazz della scena recente, specie per la sua militanza nel trio del pianista Vijay Iyer. In realtà il bassista di Memphis vive a Brooklyn da oltre vent'anni e può vantare il curriculum di un veterano. Ha firmato da leader una decina di dischi, ha studiato ad ...
Peeter Uuskyla / Tellef Øgrim / Anders Berg: Ullr
by Mark Corroto
Thirty years ago, the trio Power Tools made a one-off recording Strange Meeting (Antilles New Directions, 1987). The long out-of-print LP by Bill Frisell, Melvin Gibbs, and Ronald Shannon Jackson is on many a collector's want list. While only a short-lived band, its memory persists. It was for many, a perfect storm of free-metal-jazz music. If ...
