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Arseny Ryklov: Forgotten Melody
by Peter J. Hoetjes
Released on the St. Petersburg-based Rainy Days label, Arseny Ryklov's Forgotten Melody is categorized, by the pianist himself, as “contemporary jazz." While undoubtedly true, this is an interesting classification, given his background. “There are two styles that made the biggest impact on me," Ryklov states, “ECM and classical music, particularly impressionists and Russian composers." While this ...
John Coltrane: An Alternative Top Ten Albums
by Chris May
Miles Davis once said that you could recite the history of jazz in just four words: Louis Armstrong, Charlie Parker. To that you need to add two more: John Coltrane. A giant during his lifetime, Coltrane continues to shape jazz and inspire musicians decades after he passed. No other player has come remotely close to eclipsing ...
Seeing Jazz: The Photography of Luciano Rossetti
by Karl Ackermann
As a jazz venue, the mid-town Manhattan club Royal Roost had a short life span. The Royal Roost opened in 1948, but the jazz scene had moved past it less than two years later. In Greenwich Village, twenty-five-year-old photographer Herman Leonard had just opened his first photography studio to the south. A bebop fan, he was ...
Guitar Gods & Goddesses: An Alternative Top Ten Albums
by Chris May
Although it has been present in jazz since the 1920s, when it was routinely used in rhythm sections, as a solo instrument the guitar struggled to make itself heard--literally--until the second half of the 1930s, when reliable pick-ups and portable amplifiers became available. Foremost among the pioneers of the electrified instrument was Charlie Christian, a member ...
Marty Elkins: 'Tis Autumn
by C. Michael Bailey
There exists a group of jazz musicians dedicated to pre-bebop jazz who have traditionally populated the catalogs of the Nagel-Heyer and Arbors record labels. These musicians include Herb Pomeroy, Max Kaminsky, Randy Sandke, Harry Allen, and Dave McKenna. Central to this group is vocalist Marty Elkins who, while in college, discovered the recordings of Ella Fitzgerald, ...
Ian Patterson's Best Releases Of 2020
by Ian Patterson
A year like no other produced a terrific amount of great music, much of inspired by--or in spite of—the surreal circumstances. Here, in no particular order, are some of my favorite releases of the year. A huge thank you to all the musicians, record labels, studios, agents, promotors and virtual technicians who helped keep us relatively ...
Hanksgiving - A Tribute to Hank Mobley - Companion Mixtape
by Ludovico Granvassu
This mixtape is a fun-filled companion to the two parts of our show “Hanksgiving -A Tribute to Hank Mobley," giving even more insight in the legacy of Hank Mobley as a saxophonist and composer through some of his gems and some of the best renditions of his tunes. [Listen to Part 1 and Part 2]
John Densmore: The Seekers: Meetings With Remarkable Musicians (And Other Artists)
by Doug Collette
The Seekers: Meetings With Remarkable Musicians (and Other Artists) John Densmore 240 pages ISBN: #978-0306846236 Hachette Books2020 John Densmore's third book, The Seekers, carries the unusual distinction of featuring a blurb on its back cover that actually speaks accurately to the contents inside. John Doe, co-founder of seminal punk ...
Allison Miller: Driving the Balance
by John Pietaro
Allison Miller sits at the vintage Camco drumkit in her Brooklyn home, playing post-bop over a rolling samba. Within the shimmer of an age-darkened cymbal, she switches from sticks to brushes, filling the room with the shush of summer rain, then a sudden hailstorm as her arms, aerial, traverse snare, tom-toms and cymbals in a blurring, ...
Pharoah Sanders: An Alternative Top Ten Albums To Feed Your Head
by Chris May
Fellow tenor-wielding sonic adventurer Albert Ayler famously described his own and Pharoah Sanders' relationships with their mentor John Coltrane thus: “Trane was the Father, Pharoah was the Son, I am the Holy Ghost." The epigram goes some way to capturing the scorched-earth ferocity of much, though not all, of Sanders' music in the 1960s. But Ayler ...
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