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363

Article: Take Five With...

Take Five With Daniel Volovets

Read "Take Five With Daniel Volovets" reviewed by AAJ Staff


Meet Daniel Volovets: Daniel Volovets, 17, has been studying classical, brazilian, and flamenco guitar for almost 10 years. His love affair with music began at the age of 7, when he began studying with classical guitarist Anatoly Shapiro. He has also studied with Tony Hauser, concentrating heavily on Brazilian and flamenco music, and with James Flegel ...

Album

Saudações

Label: Carmo
Released: 2009

433

Article: Album Review

Youn Sun Nah: Voyage

Read "Voyage" reviewed by Ian Patterson


Although her UK debut at London's Vortex was in May 2009, South Korean singer Youn Sun Nah has been a figure on the French jazz scene since the mid '90s when she moved there to study jazz and French chanson.Voyage, her sixth release sees her deftly accompanied by some of the top names in European jazz. ...

Article: Album Review

Egberto Gismonti: Saudações

Read "Saudações" reviewed by AAJ Italy Staff


Ci sono voluti 12 anni prima di poter ascoltare un nuovo album di Egberto Gismonti, decisamente troppi data l'importanza dell'artista; l'ultimo suo lavoro pubblicato risale infatti al 1997 (Meeting Point, registrato nel 1995). C'era stato anche In Montreal, in duo con Charlie Haden, nel 2001, ma in quel caso le registrazioni, benché inedite, risalivano addirittura al ...

447

Article: Album Review

Marcus Tardelli: Unha e Carne (Interpretations of Guinga)

Read "Unha e Carne (Interpretations of Guinga)" reviewed by Raul d'Gama Rose


Even if Guinga never pronounced that Marcus Tardelli as “the greatest acoustic guitarist that Brazil has produced in history," the musical evidence on Unha e Carne (Fingernail and Flesh), would certainly put him on a pedestal right next to Egberto Gismonti, Sergio and Odair Assad. In fact, based on technique, expression, intonation and dynamics, there is ...

1,304

Article: Live Review

ECM at 40: Enjoy Jazz Festival: Days 3-6, October 22-25, 2009

Read "ECM at 40: Enjoy Jazz Festival: Days 3-6, October 22-25, 2009" reviewed by John Kelman


Days 1-2 | Day 3-6 | Days 7-10 | Days 11-12 ECM at 40. It's hard to believe that a record label responsible for stretching the boundaries of modern music has survived the various crises that have threatened and, in some cases, decimated so many others. With Enjoy Jazz's “The Blue Sound: 40 Years ...

1,077

Article: Live Review

Enjoy Jazz Festival: Days 1-2, October 20-21, 2009

Read "Enjoy Jazz Festival: Days 1-2, October 20-21, 2009" reviewed by John Kelman


Days 1-2 | Day 3-6 | Days 7-10 | Days 11-12 Situated along the Neckar River in the central part of Germany, Heidelberg may seem like an unlikely place for a six-week jazz festival in the middle of the fall each year. But Enjoy Jazz, now in its eleventh year, has been bringing an ...

106

News: Festival

The Blue Sound – 40 Years of ECM at Enjoy Jazz and More

The Blue Sound – 40 Years of ECM at  Enjoy Jazz and More

The Blue Sound – 40 Years of ECM At Enjoy Jazz – 11th International Festival for Jazz and More As a main programmatic feature this year, the International Festival for Jazz and More, Enjoy Jazz, will present a special festival to commemorate 40 years of the ECM label. From the 22 to 25 October, ...

342

Article: Album Review

Sofia Tosello: Alma y Luna

Read "Alma y Luna" reviewed by Raul d'Gama Rose


There is a story that bears telling about Brazilian musician/multi-instrumentalist Egberto Gismonti and legendary teacher, Nadia Boulanger. Upon hearing him and evaluating his technique and higher knowledge of harmonic devices, the story goes that Boulanger said to him afterward, “Go back and learn the music of your country. This will unlock your voice and the world ...

376

Article: Album Review

Egberto Gismonti: Saudacoes

Read "Saudacoes" reviewed by John Kelman


It's been over a decade since Egberto Gismonti released the ambitiously symphonic Meeting Point (ECM, 1997). Saudações continues to expand this Brazilian composer/pianist/guitarist's ouevre, with one disc devoted to a sprawling, seven-part work for Camerata Romeu, a 16-piece Cuban string ensemble; and the second an intimate series of guitar duets and solos, featuring Gismonti and his ...


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