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Colombian Festivals: Exotic Jazz Cocktails

by Mark Holston
As the season of summer jazz festivals in the U.S. winds down to a precious few, including California's iconic, mid-September Monterey Jazz Festival, the eyes and ears of seasoned aficionados may be focused on options in other lands. Don't be surprised if an increasing number of North American fans will find much to their liking in ...
Edmar Castaneda World Ensemble - The Jazz Standard On August 11-12 - CD Release Gig

CD Release Gig! Live At The Jazz Standard Come and celebrate at the Jazz Standard on August 11th and 12th for the release party of the new album by the Edmar Castaneda World Ensemble. Experience these amazing musicians from all over the world who collaborated on this exciting new project—Live At The Jazz Standard. Featuring: Gregoire ...
Nutshell 2015

by Ian Patterson
Nutshell 2015 Bergen, Norway May 27-30, 2015 For a decade now, Nutshell has been an important engine in promoting Norwegian jazz talent abroad. This year, Nutshell's four-day program presented nine acts of quite diverse stripes to an audience of festival directors, radio programmers, booking agents and journalists from fifteen European countries.
2015 JJA Jazz Awards Honor Musical Excellence Randy Weston Praised For Lifetime Achievement

NEW YORK – The Jazz Journalists Association has announced winners of its 2015 JJA Jazz Awards for musical excellence in calendar year 2014 (see winners below), and released details about its annual public Jazz Awards party, at the Blue Note Jazz Club, 131 W. 3rd St., NYC, on June 16, from 3 pm to 5:30 pm. ...
Marshall Gilkes: Relishing Big Band Success

by R.J. DeLuke
Marshall Gilkes is a trombonist of monster chops and great taste whenever he puts the brass to his lips in any performance. He's seen sitting in the trombone section of the Maria Schneider Orchestra in recent years, and has associations with other big bands, either subbing in, or as a member of the WDR Big Band ...
Marshall Gilkes & The WDR Big Band: Köln

by Dan Bilawsky
In jazz journalism, it's de rigueur for writers to trace the evolution of an artist when covering their work. But encountering the likes of Marshall Gilkes makes that difficult: The Juilliard-trained trombonist seemed to arrive on the New York scene as a fully-formed entity, projecting a warm and full-bodied tone quality and possessing astounding lip flexibility. ...
Brandee Younger 4tet: Live At The Breeding Ground

by Dan Bilawsky
While a list of currently operating notables on nearly any given instrument could fill anywhere from a chapter to a book or two, a rundown of head-turning active jazz harpists might only fill out a very small portion of a leaflet. The most important among them--Latin jazz trailblazer Edmar Castaneda, refined role model Carol Robbins, and ...
Arturo O'Farrill & The Afro Latin Jazz Orchestra: The Offense Of The Drum

by Dan Bilawsky
The Offense Of The Drum may be the least cohesive record in Arturo O'Farrill's discography, but that's largely by design. Here, O'Farrill firmly adheres to his stated artistic vision"--"to bend what the world knows as Afro Latin jazz over the acoustic horizon"--better than anywhere else in his discography. Guests galore and a belief in Afro Latin ...
Edward Simon: Venezuelan Suite

by Angelo Leonardi
"Venezuelan Suite--ha detto Edward Simon--è nata dal desiderio di consolidare la mia eredità culturale, l'amore per la musica classica e la mia esperienza di musicista jazz." L'opera documenta anche il debutto discografico dell'Ensemble Venezuela, formazione fondata dieci anni fa dal pianista venezuelano che riunisce alcuni dei massimi strumentisti di quella nazione, il più famoso dei ...
Edward Simon: Venezuelan Suite

by Dan Bilawsky
Venezuelan Suite is pianist Edward Simon's love letter to his homeland, but that's not all it is; it's the perfect confluence of Venezuelan ideals, jazz language and chamber-esque sophistication. In short, it's a masterpiece. While every country has its musical adherents in American jazz circles, some are sorely underrepresented. That's why it's so ...