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Album

Résumé

Label: ECM Records GmbH
Released: 2012

45

Article: Album Review

Bugge Wesseltoft: Songs

Read "Songs" reviewed by John Kelman


After John Scofield released his balladic A Moment's Peace (EmArcy, 2011), the guitarist revealed, in an 2011 All About Jazz interview, that the original plan was to record with Norwegian pianist Bugge Wesseltoft. It may not have come to pass, but based on Songs, it sure sounds as though these two artists--geographically distanced by thousands of ...

175

Article: Interview

Enrico Rava: To Be Free or Not To Be Free

Read "Enrico Rava: To Be Free or Not To Be Free" reviewed by Ian Patterson


Freedom, it could be argued, is most deeply understood by those who have been somehow constrained against their will, or who have been prisoners of their own skewed vision of what it means to be free. Trumpeter Enrico Rava knows the meaning of musical freedom; he was part of the free-jazz scene of the 1960s and ...

239

Article: Record Label Profile

MoonJune Records: A Decade of Progressive Rock Documentation

Read "MoonJune Records: A  Decade of Progressive Rock Documentation" reviewed by Mark Redlefsen


On a moon of this past June, appropriately enough, Leonardo Pavkovic, owner of the progressive jazz label MoonJune Records, gave All About Jazz an interview at the label's office in Union Square, New York City. The name MoonJune Records, which Pavkovic started back in 2001, is taken from the title of a song, “Moon In June," ...

427

Article: Live Review

The Garana Jazz Festival: Garana, Romania, July 21-24, 2011

Read "The Garana Jazz Festival: Garana, Romania, July 21-24, 2011" reviewed by Adriana Carcu


The Garana Jazz Festival Garana, Romania July 21-24, 2011 Hidden in the heart of the Western Carpathians, the small village of Garana, --also called Wolfsberg by the Bohemian colonists who have inhabited it until some 30 years ago--has developed, during the last decades, into an international artist colony--hosting, for the 15th time this ...

343

Article: Take Five With...

Take Five with Simon Little

Read "Take Five with Simon Little" reviewed by AAJ Staff


Meet Simon Little: I'm a session bassist living in London. I was born in London and started learning the double bass at school in Dorset with Barry Glynn. I went on to study at The Guildhall School of Music & Drama in London (1999-2003) receiving tuition from Kevin Rundell, Jeff Clyne and ...

627

Article: Interview

Bill Frisell: The ECM Years

Read "Bill Frisell: The ECM Years" reviewed by John Kelman


Nothing trumps right place, right time. Sure, most artists pay plenty of dues-- sometimes in the public eye, oftentimes not--but for some, there's that serendipitous event that leads to greater visibility. Bill Frisell, surely one of the most important and influential guitarists of his generation, undoubtedly deserves all the accolades and artistic freedom he's achieved in ...

131

Article: Take Five With...

Take Five With Neil Alexander

Read "Take Five With Neil Alexander" reviewed by AAJ Staff


Meet Neil Alexander: Jazz musician Neil Alexander was performing, composing and arranging by age 14. In 2007 he released Tugging At The Infinite, his fourth CD with his contemporary electric/acoustic jazz ensemble NAIL. As well as managing his own electric and acoustic ensembles, he does sessions as both player and programmer, and works ...

129

Article: Album Review

Sebastian Liedke Trio: To Walk In The Past

Read "To Walk In The Past" reviewed by Karl Ackermann


It's possible to identify some of the more acoustic elements of the late Esbjörn Svensson's trio, e.s.t., in Berlin-based, Sebastian Liedke Trio's debut. The bassist's group appears ready to step into a creative breach, uniquely combining a strong sense of melody with imaginative variations. Within its creative process, the trio may be on its way to ...

824

Article: Take Five With...

Take Five With Yelena Eckemoff

Read "Take Five With Yelena Eckemoff" reviewed by AAJ Staff


Meet Yelena Eckemoff: Yelena Eckemoff was born and raised in Moscow, Russia. Her parents noticed that she had great musical potential when she started to play piano by ear at the age of four. Yelena's mother, Olga, a professional pianist, became her first piano teacher. At the age of seven Yelena was accepted into ...


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