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Michael Dease: Relentless
by Dan Bilawsky
While rising star trombonist Michael Dease's previous albums have all been small group affairs, much of his sideman work has marked him as something of a large ensemble specialist. He's put his slide to good use in numerous big bands and jazz orchestras, including those led by Christian McBride, Charles Tolliver, Roy Hargrove, Rufus Reid, and ...
Jangeun Bae: JB
by Ian Patterson
Since her debut, The End and Everything After (Kang Music, 2006), Korean pianist Jangeun Bae has largely followed her personal muse, writing original compositions and reworking Korean folk tunes, with the occasional jazz standard thrown in for good measure. She's also refashioned Mozart on Mozart and Jazz (Universal Music, 2007) and recorded with saxophonist Greg Osby. ...
The Bill McBirnie Trio: Find Your Place
by Edward Blanco
Canadian jazz flautist Bill McBirnie fronts a unique organ trio on Find Your Place, his sixth album as a leader. McBirnie lends his “Extreme" flute and award-winning chops to an array of swing, Latin-flavored, bossa nova, shuffle and ballads in one audacious outing. Joining forces with fellow Canadians Bernie Senensky on Hammond B3 organ and Anthony ...
The Interplay Jazz Orchestra: My Love You're Free
by Dan Bilawsky
Is there any sound as glorious as that of a big band in full swing? While that question is somewhat rhetorical, there's no question about the fact that the big band was once synonymous with all that was right, good and adventurous in jazz. While it's true that these large ensembles haven't ruled ...
The Bill McBirnie Trio: Find Your Place
by Dan McClenaghan
The standard organ trio doesn't usually include a flute. On paper, it sounds like a bad idea. It seems as if the cool breeze aspects of the airy blowing of the flute would get lost in the organ's electric woosh. As it turns out, flutist Bill McBirnie's Find Your Place, proves those seemingly similar sounds to ...
Roberto Magris: Cannonball Funk 'n Friends / One Night in with Hope . . . Vol. 2
by Jack Bowers
Pianist Roberto Magris, who logs so much time in studios that he should be awarded Frequent Recording points, is back with two more albums, the first by a quintet with alto Jim Mair sitting in for Julian “Cannonball" Adderley and trumpeter Hermon Mehari for Cannonball's brother, Nat, the second a trio session billed as Vol. 2 ...
The Jazz Professors: Live from the UCF-Orlando Jazz Festival / Do That Again
by Jack Bowers
The Jazz Professors aren't wearing any hats they don't own; the fact is, they really are Professors in the Jazz Studies program at the University of Central Florida in Orlando. Instead of letting the students have all the fun, however, the Professors have recorded three albums of their own, the second Live from UCF-Orlando Jazz Festival, ...
Wallace Roney: In the Realm of Anti-Gravity
by R.J. DeLuke
Much is made of trumpeter Wallace Roney coming from the Miles Davis school, a mentor-protégé situation that blossomed in the 1980s that Roney is very proud of. But that wouldn't be telling the whole story of the Philadelphia native who, in his prime years, has become one of the world's finest trumpet players, and a musician ...
Rivorecords: Blue Notes from Buenos Aires
by Jakob Baekgaard
In the New Grove Dictionary of Jazz, a blue note is defined as: “A microtonally lowered third, seventh, or (less commonly) fifth degree of the diatonic scale, common in blues, jazz and related musics." Moving beyond musical theory, the term is most commonly associated with the groundbreaking jazz label Blue Note, founded in 1939 ...
Swingadelic: Toussaintville
by Dan Bilawsky
It's tempting to say that the great Allen Toussaint is a musical phoenix who rose out of the ashes of a Katrina-ravaged New Orleans, but that's not really true. Toussaint wasn't reborn when his city was in ruins; people just started to wake up and take notice of him again in the wake of that tragedy. ...
