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Stix Hooper
Born:
A native of Houston, Texas, Stix developed an interest in music, drums and percussion at a very early age. Starting in junior high, under the direction of George Magruder, the school’s band director, Stix began devoting much of his time to the study of all aspects of music including composition, song writing, etc. Studying at Phillis Wheatley High School, spearheaded by band director, Sammy Harris, Stix eventually formed a band called the Swingsters, later on the Modern Jazz Sextet. While matriculating at Texas Southern University, Stix received continual coaching from members of the Houston Symphony Orchestra and other local professional musicians
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Billy Higgins
Born:
Billy Higgins was reportedly the most recorded jazz drummer in history, and certainly one of the most beloved. Higgins was one of the most musically sensitive jazz players around, with a light but active swing. His style did not draw attention to itself and could not be described by mannerisms; his musicianship simply raised the standard of every band he played in. Although he did release few records under his own name, Higgins was in great demand as a sideman, providing sensitive accompaniment in a variety of settings. Higgins was born in Los Angeles, on Oct. 11, 1936 and began playing drums at the age of 12
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Levon Helm
Born:
He saw the birth of rock and roll and though he's too much of a gentleman to say it, his role in helping to keep that rebellious child healthy is more than just instrumental. On May 26, 1940, Mark Lavon Helm was the second of four children born to Nell and Diamond Helm in Elaine, Arkansas. Diamond was a cotton farmer who entertained occasionally as a musician. The Helm's loved music and often sang together. They listened to The Grand Ole Opry and Sonny Boy Williamson and his King Biscuit Entertainers regularly on the radio. A favorite family pastime was attending traveling music shows in the area
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Albert Tootie Heath
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The younger brother of Percy and Jimmy Heath, Albert "Tootie" Heath has long been a top hard bop-based drummer with an open mind toward more commercial styles of jazz. After moving to New York (1957), he debuted on record with John Coltrane.
Albert Heath was with J.J. Johnson's group (1958-1960) and the Jazztet (1960-1961), worked with the trios of Cedar Walton and Bobby Timmons in 1961, and recorded many records as a sideman for Riverside during that era. He lived in Europe in 1965- 1968 (working frequently with Kenny Drew, Dexter Gordon, and backing touring Americans), and, after returning to the U.S., he played regularly with Herbie Hancock's sextet (1968-1969) and Yusef Lateef (1970-1974)
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Roy Haynes
Born:
Roy Haynes was born in Boston, March 13, 1925, and was keenly interested in jazz ever since he can remember. Primarily self-taught, he began to work locally in 1942 with musicians like the Charlie Christian inflected guitarist Tom Brown, bandleader Sabby Lewis, and Kansas City blues-shout alto saxophonist Pete Brown, before getting a call in the summer of 1945 to join legendary bandleader Luis Russell (responsible for much of Louis Armstrong's musical backing from 1929 to 1933) to play for the dancers at New York's legendary Savoy Ballroom. When not traveling with Russell, the young drummer spent much time on Manhattan's 52nd Street and uptown in Minton's, the legendary incubator of bebop, soaking up the scene.
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Louis Hayes
Born:
For more than forty years, drummer Louis Hayes has been a catalyst for energetic, unrelenting swing in his self led bands, as well as in those whose respective leaders reads like an encyclopedia of straight ahead post-bop modern jazz. Hayes himself an authentic architect of post-bop swing, began his professional activities at the tender age of 18. He started with tenor saxophonist, flautist and oboist Yusef Lateef who like Hayes is a Detroit native (other jazz luminaries hailing from the "motor city" include the Jones brothers, Elvin, Hank and Thad, guitarist Kenny Burrell, pianist Tommy Flanagan and many others)
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Billy Hart
Born:
His first steady gigs of note were with Shirley Horn and Buck Hill. In the 1960’s he toured with Jimmy Smith, Wes Montgomery, Eddie Harris, and Pharoah Sanders. In 1970 he joined Herbie Hancock’s Sextet, and after that band broke up in 1973 he joined first McCoy Tyner (two years) and then Stan Getz (four). In the 1980’s Hart was a regular with many bands and leaders: Gerry Mulligan, Billy Harper, Clark Terry, The New York Jazz Quartet, the Jazztet, Mingus Dynasty and most extensively with Quest (with David Liebman, Ritchie Beirach, and Ron McClure). In the 1990’s Hart was a member of the Charles Lloyd, Joe Lovano, and Tom Harrell groups, and in 1999 he began performing with the Three Tenors (Liebman, Lovano, and Michael Brecker). He is on about 500 hundred records as a sideman.
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Winard Harper
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Harper summarizes Jeli Posse's swing savvy, world spiced flavor when he shares, “Everything builds on everything as the values and traditions are passed down. From the African roots to today, many ingredients have been thrown into the pot. The band continues to expand on the the ground laid by the medicine men and messengers before us." The 2012 Album "Coexist" epitomises the band's multicultural approach. Harper's lifelong jazz apprenticeship has taken him around the world. It includes playing and recording with many greats, including Betty Carter, Johnny Griffin, Dr. Billy Taylor and Dexter Gordon
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Doug Hammond
Born:
Doug Hammond (born December 26, 1942) is a avant-garde jazz drummer, professor, composer, poet and producer from Tampa, Florida, U.S.A. His first major release was Reflections In The Sea Of Nurnen on Tribe Records. He has worked with musicians like Earl Hooker, Sonny Rollins, Charles Mingus, Sammy Price, Donald Byrd, Wolfgang Dauner, Ornette Coleman, Steve Coleman, Nina Simone, Betty Carter, Marion Williams, Carl Craig, Paquito D'Rivera, Arnett Cobb, James Blood Ulmer and Arthur Blythe. He currently lives and works in Linz, Austria. He was a professor at the Anton Bruckner Private University for Music, Drama, and Dance in Linz. He plays drums and is a percussionist
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Chico Hamilton
Born:
Legendary jazz drummer and bandleader Foreststorn ‘Chico’ Hamilton, born September 21st, 1921 in Los Angeles, had a fast track musical education in a band with his schoolmates Charles Mingus, Illinois Jacquet, Ernie Royal, Dexter Gordon, Buddy Collette and Jack Kelso. Engagements with Lionel Hampton, Slim & Slam, T-Bone Walker, Lester Young, Count Basie, Duke Ellington, Charlie Barnett, Billy Eckstine, Nat King Cole, Sammy Davis Jr., Billie Holiday, Gerry Mulligan and six years with Lena Horne established this young West Coast prodigy as a jazz drummer on the rise, before striking out on his own as a bandleader in 1955. Chico appears in the March Milastaire number in the film “You'll Never Get Rich” (1941) as part of the backing group supporting Fred Astaire, and performed on the soundtrack of the Bing Crosby/Bob Hope film “Road to Bali”. Chico’s impact upon jazz includes the introduction of two unique and distinct sounds: first in 1955 with his Original Quintet which combined the sounds of his drums, the bass of Carson Smith, the guitar of Jim Hall, the cello of Fred Katz, and the flute of Buddy Collette; and the second in 1962 with his own drums, the bass of Albert Stinson, the guitar of Gabor Szabo, the tenor sax of Charles Lloyd, and the trombone of George Bohanon. Recorded first lp as leader in '55 with George Duvivier and Howard Roberts for Pacific Jazz; in '55 formed an unusual quintet in L.A
