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43

Article: From the Inside Out

Missives from Distant Fronts

Read "Missives from Distant Fronts" reviewed by Chris M. Slawecki


Bio RitmoLa Verdad Electric Cowbell Records2011 In September 2011, Bio Ritmo, the ten-piece salsa band from Richmond (Virginia), celebrated twenty years together, no small accomplishment for a band originally formed (says its official company bio) “as a percussion ensemble brought together by two misplaced Puerto Ricans who met ...

37

Article: Album Review

Karl Berger and Dom Minasi: Synchronicity

Read "Synchronicity" reviewed by Eyal Hareuveni


Pianist/vibraphonist Karl Berger and guitarist Dom Minasi are both forward-thinking and experienced composers, improvisers and educators, with discographies that goes back to the 1960s--including, in the case of Berger, collaborations with Ornette Coleman, Don Cherry and Carla Bley; and, with Minasi, 1970s work with Joe McPhee and Matthew Shipp. Synchronicity's twelve freely improvised ...

22

Article: Album Review

Tomas Fujiwara & The Hook Up: The Air Is Different

Read "The Air Is Different" reviewed by Robert Bush


Boston-born and Brooklyn-based drummer Tomas Fujiwara has been stirring things up in the New York City creative music scene for some time now, working with a wide variety of players including cornetist Taylor Ho Bynum and guitarist Mary Halvorson.His working ensemble, Tomas Fujiwara & The Hook Up, features Halvorson--one of the brightest voices in ...

90

Article: What is Jazz?

The Beginnings of Free Form

Read "The Beginnings of Free Form" reviewed by Sammy Stein


"Free form" is a term used to encompass a whole genre--or genres--outside mainstream jazz. Jazz has its roots in spiritual music, Dixieland, New Orleans, blues and ragtime, and after the 1940s these became fused into a catch-all assignation of genre. Jazz took on a predictability that was largely influenced not by the limitations of the players, ...

109

Article: Interview

Joe McPhee: Artistic Sacrifice from a Musical Prophet

Read "Joe McPhee: Artistic Sacrifice from a Musical Prophet" reviewed by Lloyd N. Peterson Jr.


He could have easily chosen a different path: a more successful one or, perhaps we should say, a more commercial one. But that has never been the style or the character of multi-instrumentalist Joe McPhee. His saint-like humility reflects a gentle and wise creative spirit; his music and poetry are a mirror into the human condition. ...

68

Article: Album Review

Hasler / Paeffgen / Berger: Hasler / Paeffgen / Berger

Read "Hasler / Paeffgen / Berger" reviewed by John Sharpe


At first sight, the main talking point on the eponymous offering from trumpeter Werner Hasler, drummer Gilbert Paeffgen and Karl Berger is the vibraphonist's co-optation into the multinational trio. That impression lasts no longer than the first listen to this fresh and open collaboration. Berger, a German-born, New York-based veteran, has a long-held interest in world ...

78

Article: Album Review

Hera: Where My Complete Beloved Is

Read "Where My Complete Beloved Is" reviewed by Eyal Hareuveni


It may be symbolic that the albums of the innovative Polish ensemble Hera are released by the label Multikulti. After all, the label's name follows Don Cherry's all-embracing vision of a new world music, a vision where distant and foreign traditions enrich each other, artificial genre distinctions and geographical boundaries are blurred, and stereotypical divisions between ...

76

Article: Album Review

Anders Jormin: Ad Lucem

Read "Ad Lucem" reviewed by John Kelman


It may be frustrating when an artist releases albums infrequently, but when quality trumps quantity all is forgiven. Swedish bassist Anders Jormin's discography as a leader remains small--just eleven records as a leader since his auspicious 1988 Dragon debut, Eight Pieces. Still, with a high profile résumé sporting fellow ECM label mates such as pianist Bobo ...

126

Article: Reassessing

Ornette Coleman: The Missing Years, 1968-1972

Read "Ornette Coleman: The Missing Years, 1968-1972" reviewed by Eric Miller


Among Ornette Coleman's periods of relative quiet, the turn of the 1960s into the 1970s may well be the most frustrating. More than three years of musical life--from the final Blue Note sessions of April-May 1968 to the release of Science Fiction on Columbia in 1972--remain shrouded in mystery and obscurity. Every recording made under Coleman's ...

74

Article: Album Review

Iskra 1903: Goldsmiths

Read "Goldsmiths" reviewed by Raul d'Gama Rose


Iskra is the name of a group comprised of ingenious British improvising musicians on the very edge what is idiomatically modern. Iskra is Russian for “spark," and also happens to have been the name of the paper that Lenin edited before the Russian Revolution. Add to the equation Goldsmiths, a venue for their breathless, expressive music. ...


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