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Jeff Gauthier: Fiddling with the Future

by Rex Butters
With over three decades playing in some of L.A.'s most innovative and interesting musical projects, violinist/composer Jeff Gauthier threatens to succumb to the irony of being better known as the founder/CEO of Cryptogramophone Records. Now in their tenth year, Cryptogramophone has outgrown underground status, even meriting a feature in trendy Details magazine. Boasting a roster including ...
The Jazz Journalists Association Announces 2008 Jazz Award Winners

The Jazz Journalists Association announces winners of the 2008 Jazz Awards, the non-profit professional organization's 12th annual celebration of excellence in jazz and jazz journalism, and induction of an A Team" of activists, advocates, altruists, aiders and abettors of jazz, The Jazz Awards are engraved statuettes, handed to attending recipients by jazz journalists and their supporters ...
Marc Ribot's Ceramic Dog: Party Intellectuals

by Troy Collins
Ceramic Dog, legendary guitarist Marc Ribot's new power trio, opens their appropriately titled debut album, Party Intellectuals, with a riotous statement of intent; tearing through a grungy surf-punk take on The Door's Break on Through," the trio proves they're here to party, political puns notwithstanding. Ribot's renowned sideman work with Elvis Costello, Tom Waits, ...
Todd Sickafoose: Tiny Resistors

by Sean Patrick Fitzell
With lush orchestrations of finely honed compositions, bassist Todd Sickafoose's Tiny Resistors reveals a broad musical vision. A stalwart of the new music scene, playing improv and indie-rock projects and blurring those distinctions, Sickafoose's third CD highlights his maturation as a composer and talents as a multi-instrumentalist, with pieces incorporating a swath of stylistic influences--rock, Americana, ...
Miguel Zenon: Awake

by Tom Greenland
From its very first notes (played by a string quartet), Awake is identifiably Miguel Zenon: lyrical, spiritual and original. For his fourth date as a leader Zenon reunites his go-to posse--Luis Perdomo (piano) and Hans Glawischnig (bass)--but with a key change in the drum chair, Henry Cole replacing Antonio Sanchez. The strings are ...
Bennie Maupin: Early Reflections & The Jewel In The Lotus

by Andrey Henkin
Bennie Maupin Early Reflections Cryptogramophone 2008 Bennie Maupin The Jewel In The Lotus ECM 2007 The reascendence of Bennie Maupin is a heartening story. After an almost ...
The Jeff Gauthier Goatette: House of Return

by Troy Collins
Los Angeles based violinist Jeff Gauthier's fifth recording as a leader, House of Return is the third album to feature the capable talents of his self-coined Goatette. A veteran quintet of stellar West Coast improvisers, Gauthier and company work from a varied palette to explore a mix of sound worlds, ranging from thorny progressive fusion and ...
Fieldwork: Door

by Troy Collins
In the three years since their sophomore recording, Simulated Progress (Pi Recordings, 2005), the collective trio Fieldwork has expanded its scope beyond sophisticated M-Base funk to delve into more expansive territory on Door. Comprised of pianist Vijay Iyer, saxophonist Steve Lehman and drummer Tyshaw Sorey, Fieldwork operates as a true cooperative, offering a model of balanced ...
Todd Sickafoose: Tiny Resistors

by John Kelman
An active sideman, bassist Todd Sickafoose is best-known for his work with DIY singer/songwriter Ani DiFranco. But he's also been very busy on the outer edges of jazz, working with artists including John Zorn on Voices in the Wilderness (Tzadik, 2003), Tin Hat Trio on The Rodeo Eroded (Ropeadope, 2002), and Scott Amendola Band on the ...
Saxophone Summit: Joe Lovano, Dave Liebman, Ravi Coltrane: Seraphic Light

by John Kelman
Formed in the mid-1990s by three of jazz's leading post-Coltrane exponents--not just to pay homage to the saxophone legend's exploratory latter period work, but to advance his collaborative and collective soloing aesthetic into a fully contemporary context nearly thirty years after his death--Saxophone Summit was dealt a tremendous blow, as was the entire jazz world, when ...