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15

Article: Live Review

Detroit Jazz Festival 2018

Read "Detroit Jazz Festival 2018" reviewed by C. Andrew Hovan


Detroit Jazz Festival Downtown Detroit Detroit, Michigan August 31-September 3, 2018 Over the course of its 39 year history, the largest free jazz festival in North America has seen its shares of up and downs. It once swelled to a five-day event starting on the Thursday evening before Labor Day and ...

9

Article: Album Review

Bob James Trio: Expresso

Read "Expresso" reviewed by Dan McClenaghan


Bob James wrote “Angela," the theme song to the popular late-1970s/early 1980s television show, Taxi, a feather in the cap that introduced his sound to millions of listeners who might not ever slip a jazz CD into the stereo. For those with an ear and a love of jazz, he is probably most familiar for his ...

4

Article: Album Review

Dexter Gordon: Tokyo 1975

Read "Tokyo 1975" reviewed by Mike Jurkovic


Though in many regards a standard, none-too-frenetic quartet setting, Dexter Gordon Quartet Tokyo 1975 is still as grand a starting point for Elemental Music's inaugural launch of previously unreleased jazz performances as can be. Gordon found himself exuberantly liberated from the antiquated (and sadly all too present) prejudices of America during his fourteen-year expatriation ...

4

Article: Jazz Journal

Summer 2018

Read "Summer 2018" reviewed by Doug Collette


Jazz Journal is a regular column consisting of pithy takes on recent jazz releases of note as well as spotlights on those titles in the genre that might otherwise go unnoticed under the cultural radar. Fred Hersch Trio Heartsong Sunnyside Records 2018 The longer Fred Hersch plays, the ...

4

Article: Album Review

Erroll Garner: Nightconcert

Read "Nightconcert" reviewed by Mike Jurkovic


Erroll Garner's exuberance and love for his instrument, his music, his players, and his audience breaks today's poisoned and polarized air from the very first note of “Where or When" from Nightconcert, the archival release from the Erroll Garner Project, released on Mack Avenue Records. Recorded with a visceral intimacy and immediacy on November ...

6

Article: Album Review

Woody Shaw: Tokyo 1981

Read "Tokyo 1981" reviewed by C. Michael Bailey


That trumpeter Woody Shaw is considered “underrated" may be a considerable understatement. Shaw died at age 44 in 1989, but he managed to release 33 recordings as a leader (27 in his lifetime) and worked in collaboration with Gary Bartz, Art Blakey, Chick Corea, Stanley Cowell, Eric Dolphy and most notably with Dexter Gordon, on his ...

2

Article: Album Review

Tia Fuller: Diamond Cut

Read "Diamond Cut" reviewed by Hrayr Attarian


The engaging and enjoyable Diamond Cut is saxophonist Tia Fuller's fifth release as a leader and the first without a pianist. Fuller deftly fronts a different rhythm section on each half of the album. The only constant is guitarist Adam Rogers, whose restless, explorative style is the perfect foil for Fuller's ardent, poetic wit.

6

Article: Album Review

Dexter Gordon Quartet: Tokyo 1975

Read "Tokyo 1975" reviewed by C. Michael Bailey


Elemental Music is a record label that can be uttered in the same breath with Omnivore Records and Resonance Records. These labels can be credited with significant additions to the universal jazz catalog. Near recent examples of unreleased performances put out by Elemental Music include: Art Pepper Live At Fat Tuesday's (2015) and Red Garland's Swingin' ...

3

Article: Album Review

Eddie Henderson: Be Cool

Read "Be Cool" reviewed by Mike Jurkovic


Though he's run the challenging career gamut from Miles Davis to Herbie Hancock's lauded explorations with Mwandishi--he was an integral part of 1973's watermark Sextant (Columbia Records)--to a doctorate in psychiatry and acclaimed records of his own, ie: '93's Inspirations (Milestone Records), '73's electronic spaciness Realization (Capricorn Records) among others, trumpeter Eddie Henderson has managed to ...

5

Article: Album Review

Christian Sands: Reach Further

Read "Reach Further" reviewed by Mike Jurkovic


With full gale Monk-ian intensity and flair, pianist Christian Sands' five song EP, Reach Further bursts open with “J-Street" like the grandest, most swinging first flower in the new jazz garden. Then you hit repeat. Repeat again. Then you remember there are four more songs and the garden bursts with color. Comprised of two ...


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