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Take Five With Jerry Senfluk
by AAJ Staff
Meet Jerry Senfluk: Born in Prague, Czechoslovakia (NOT the Czech Republic), on St. Patrick's Day, 1946. As the younger son of a pianist mother and a cellist father. he enjoyed thorough musical education from his distinguished parents in playing the piano, intonation and musical theory. He received private tuition from the Principal Clarinetist of ...
Dreyfus Records: Crossing Continents with Music
by Jakob Baekgaard
Music, at its best, has the ability to reach across boundaries of nationality, gender and age. If there's a message in music, it's about communication, and about getting to the essence of everything: the beating pulse of a human heart. In an increasingly commercial market, where it has become more important to make music that opens ...
Nobu Stowe: Beyond Free
by Glenn Astarita
The music of NS (Nobu) Stowe is synonymous with the musical storytelling characterized with spontaneity and melodic romanticism--a true rarity in the field of fully improvised music. Stowe has not only mastered the art of total improvisation--a method of fully improvised music that embraces song-like melody, tonal harmony and rhythmic propulsion as well as more commonly ...
Evan Christopher's Django a la Creole: Finesse
by Raul d'Gama Rose
The epithet flawless technique" does not even begin to describe Evan Christopher's manner of playing, perhaps, the most challenging reed instrument: the clarinet. His polished intonation is marked by the perfect annunciation of the notes that gush forth from his clarinet sometimes at great speed. His rhythmic attack is so full of surprise, especially when he ...
Lawrence Lebo: Rhythm and Roots
by C. Michael Bailey
A myth exists in singer Lawrence Lebo's family that the pixie-banged brunette with the warm and humid presence, and encyclopedic American musical view, was conceived during a Saturday night re-run of the Lawrence Welk show--hence, the name. That name. Lawrence Lebo. Delicately avoiding strict political correctness, what kind of name is that for ...
Various Artists: Into the Light - Korean Music III - Traditional Music & Korean Jazz
by Ian Patterson
Various Artists Into the Light: Korean Music III: Traditional Music & Korean Jazz KAMS 2010 Although the differences in beat, rhythm and harmony that separate traditional Korean music and jazz may partially explain why jazz has been approached only relatively recently in Korea, in fact Korean traditional musicians ...
24 Hours of Umbria Jazz 2010
by Sara Villa
Imagine traveling by car for hours in the summer heat of Italy's July 2010. At last it is early evening, and you reach the borders of a breathtaking medieval town. A soft breeze blows around you while you walk through the steep slopes which lead you to the centre. You follow the sounds you so eagerly ...
Festival International de Jazz de Montreal: July 2-5, 2010
by Peter Walton
Festival International de Jazz de MontréalMontréal, Quebec, CanadaJuly 2-5, 2010I arrived in Montréal mid-week, the Festival International de Jazz de Montréal already in high gear. Closing off six square blocks of downtown Montréal, an area commanding six major outdoor stages and several indoor theaters and concert halls, the Festival International de ...
David Leonhardt Trio: Bach to the Blues
by Ian Patterson
Pianist David Leonhardt's sideman credentials are impeccable, with ten years supporting the great jazz singer Jon Hendricks and twenty with Ray Charles' longstanding saxophonist, David “Fathead" Newman. Bach to the Blues, his twentieth album as a leader, may not radically alter his status as a respected but lesser known veteran, but the subtle pleasures it provides ...
Joelle Leandre: Last Seen Headed (Live at Sons D’Hiver); Trace & Duo (Heidelberg Loppem) 2007
by Wilbur MacKenzie
Joëlle Léandre/François Houle/Raymond StridLast Seen Headed (Live at Sons D'Hiver) Ayler2010 Joëlle Léandre/Maguelone Vidal/Raymond BoniTraceRed Toucan2009 Anthony Braxton/Joëlle LéandreDuo (Heidelberg Loppem) 2007 Leo2009




