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Size Matters: (Mostly New) Jazz for Big Bands and Orchestras, Part 4
by Ludovico Granvassu
In the early days of jazz, “Orchestra" was used to identify bands larger than a septet. Nowadays, jazz orchestras and big bands are much larger than that, like those we feature in our final installment of our mini-series dedicated to (mostly new and upcoming) releases by big bands and orchestras which can be found at the ...
England vs. Italy: A Jazz Re-match, Second Half
by Ludovico Granvassu
Welcome to the second half of England-Italy, a jazz rematch [for the first half click here]. England and Italy have both championed jazz very early on, and they have been among the first European jazz scenes to develop a recognizable accent in how they speak the jazz language, light-heartedness and sense of humour being integral aspects ...
Julian Siegel Jazz Orchestra: Tales from the Jacquard
by Angelo Leonardi
L'eredità orchestrale britannica, rappresentata dagli eclettici lavori di Mike Gibbs, Mike Westbrook, Django Bates e Colin Towns, si rinnova in questo brillante debutto da bandleader di Julian Siegel. Nato a Nottingham 55 anni fa, Siegel è uno dei massimi sassofonisti del Regno Unito, leader di un quartetto e sideman in molte formazioni orchestrali: da ...
Giant Steps: Diverse Journeys in British Jazz
by David Burke
The following is a revised excerpt from “Chapter 3: Full Force Gail" of Giant Steps: Diverse Journeys in British Jazz by David Burke (Desert Hearts, 2021). In the 1980s, a new generation of black British musicians began to reconfigure the country's jazz scene, changing the face -and sound-of what had previously been a ...
Ken Stubbs - Big Hush: I Us
by Claudio Bonomi
Ken Stubbs (classe 1961) diventa musicista dopo aver visto la morte in faccia all'età di 14 anni quando salta da un treno in corsa pieno di tifosi, suoi compari, dei Glasgow Rangers. Tanta paura, diverse costole rotte e la decisione di chiudere con il calcio e di cambiare passione. Si innamora del sassofono alto e, dopo ...
Mauro Sigura Quartet: Terra Vetro
by Chris May
Although the Italian oud player and composer Mauro Sigura bills his band as a world-jazz group which combines traditional Ottoman-Mediterranean music with modern European jazz, the band's sophomore album is not full-on, capped-up World Jazz in the manner of, say, fellow oudist Anouar Brahem's Blue Maqams (ECM, 2017). That album, made with double bassist Dave Holland, ...
Tenacity
By Django Bates
Label: Lost Marble
Released: 2020
Track listing: Cordial; Ah Leu Cha; Donna Lee; Laura; Confirmation; We Are Not Lost, We Are
Simply Finding Out Way; The Study of Touch; My Little Suede Shoes; Star Eyes;
Tenacity.
Jim Rattigan: When
by Chris May
Composer-arrangers as diverse as Gil Evans and Charles Mingus have employed the French horn, but it remains something of a niche instrument in jazz. Why? The same question applies to the almost complete absence of trombones in West African jazz and Afrobeat, and their ubiquity in Brazilian samba. The first convincing explanation in the Comments box ...
Friedrich Kunzmann's Best Releases Of 2020
by Friedrich Kunzmann
Coronavirus, lockdown, election recount, fake news, inspector Javert, Hans Gruber and Lord Voldemort. So, now that most of the uncomfortable topics are dealt with, let's get to the joyful part of 2020, namely the music. As is increasingly the case during the course of the 21st century, the year was filled to the brim with it. ...
Elina Duni & Rob Luft: Songs Of Love And Exile
by Chris May
The British guitarist Rob Luft has already released one of the great albums of 2020 with Life Is The Dancer (Edition), which came out back in the spring. Now Luft notches up another 2020 highlight with the collaborative Lost Ships (ECM), jointly conceived and co-led with the Albanian-Swiss singer Elina Duni. By turns passionate and grave, ...
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