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Women in Jazz, Pt. 2: The Girls From Piney Woods
by Karl Ackermann
In Part 1 of Women in Jazz we looked at the historical position of women in early jazz. Despite their influence in shaping the art, their talent as composers, arrangers, instrumentalists, and band leaders, women have often been token additions; marginalized window dressing in a male-dominated world. One hundred years after Lil Hardin held ...
Making Miles For Kids
by Keith Henry Brown
Miles Davis has been many things, but had not yet been the star of his own children's book. That is what I realized after being contacted by Kristen Nobles, the smart, resourceful editor of the newly formed children's' picture book imprint, Page Street Kids. I had just barely decided to give it a go in the ...
Dizzy Gillespie, Charlie Porter and More
by Joe Dimino
The 587th Episode of Neon Jazz is ushered in by the sounds of Lewis Porter on the keys and followed by those of his friend Dizzy Gillespie. From there, we look into Kansas City-born, New York-based trumpeter Dave Scott with a cut off his new CD In Search of Hipness. We then move on to the ...
Chet Baker’s Singing: A Cultural Shift
by S.G Provizer
We think of the 1950's as a time of relative social conformity, but in fact, there were significant cultural shifts happening. For one, male stereotypes were being unpacked and to some degree, unfrozen. Where once films and music gave us male characters that were either hyper-macho or limp-wristedly homosexual, male characters and performers who showed emotional ...
Bobby Sparks II: Schizophrenia: The Yang Project
by Roger Farbey
Listening to this incredible double CD it's hard to believe that this is Bobby Sparks II's first album under his own name. Granted he has contributed to many records in his quarter-century career, notably with the likes of Kirk Franklin, Roy Hargrove, Marcus Miller, Fred Hammond and Annie Clark (aka St. Vincent). However, this prodigious double-album ...
“Harlem 1958” - Celebrazione di un evento irripetibile
by Gaetano Fiore
Una foto, semplicemente una “foto," non uno scatto veloce, affrettato o rassicurante come per il “digitale," bensì qualcosa di tangibile, quasi materico, che fa pensare a quanta fatica e desiderio siano stati spesi per generare un'immagine tanto bella e significativa. Sì, un'immagine poi diventata manifesto emblematico nonché straordinaria celebrazione di un evento irripetibile. Appassionati, conoscitori, esperti ...
Ehud Asherie Trio: Wild Man Blues
by Dan McClenaghan
Ehud Asherie must have an old soul. The pianist's 2016 release, Shuffle Along (Blue Heron Records), explored the music from the 1921 Eubie Blake/Noble Sissle Broadway musical, Wild Man Blues. The disc at hand opens with the title tune, penned by Louis Armstrong and recorded with his Hot Seven in 1927. A relaxed and gorgeous take ...
Byron Stripling and the Philly Pops at the Kimmel Center
by Victor L. Schermer
Byron Stripling and the Philly Pops “Uptown Nights" The Kimmel Center for Performing Arts Philadelphia, PA March 1, 2019 The Philly Pops' “Uptown Nights," as the title implies, revealed itself to be a festive show that featured the music of the 1920s through the 1940s when ...
The Entertainers – Louis Armstrong, Cab Calloway and Lionel Hampton (1929 - 1940)
by Russell Perry
Jazz has often been looked at through the lens of the conflict between art and commerce. In the 1930s, several artists successfully blurred these distinctions. Louis Armstrong adopted popular song as his vehicle for a successful career shift into the mainstream. Cab Calloway defined his popular hipster persona while fronting one of the most professional big ...
Carlos Henriquez: Dizzy Con Clave
by Dan Bilawsky
In closing out the liner essay to this savory set recorded live at Dizzy's Club Coca-Cola, bassist Carlos Henriquez succinctly summarizes one of many important points worth noting about the legendary honoree: “Dizzy Gillespie is and always will be the American bridge to Afro-Cuban music," he states. But it need be noted that he doesn't just ...
