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Jam Session: How Armenian Jazz Improvised Its Way Onto The World Stage
by Michael Sarian
Note: Originally published in the December 2021 issue of AGBU Magazine. At the turn of the 20th century, world events began to mark a major shift in the cultural and socio-political landscape that would reverberate across the globe for the next hundred years. During this period, as the drum beat of existential ...
Meet Clifford Bass
by Tessa Souter and Andrea Wolper
Our newest super fan's first jazz record was The Best of Nat King Cole, which he chose at just ten years old! The bug bit him so hard that, by age 14, he was listening obsessively to A Love Supreme. He is now such a fan of improvisational, in-the-moment performance that he rarely listens to recordings, ...
Not Like Before: Michael Robinson's Jazz Without Borders
by Michael Robinson
Playing my personal vision of jazz, claiming that name as part of my heritage, I endeavor feeling the rhythms of life in the present, past and future, entering into them through touch and nuance at the piano, connecting rajas, sattva and tamas; circular movement, cohesion and disintegration. I've been fortunate to know masters of improvised ...
Aruán Ortiz Trio: Serranias: Sketchbook For Piano Trio
by Dan McClenaghan
Pianist Aruan Ortiz hails from Santiago de Cuba, but he has resided in the United States for two decades. Musically he is a first cousin to pianist Matthew Shipp with his approachable and often intense and avant-garde keyboard style; and he seems a stylistic grandson to Thelonious Monk with his joyful angularities and off-kilter interludes. But ...
3D Jazz Trio: 9 to 5
by Dan Bilawsky
One can't help but learn about the meaning of style and sophistication from the 3D Jazz Trio. Since the release of its debut--3Divas (Self-Produced, 2017)--pianist Jackie Warren, bassist Amy Shook and drummer Sherrie Maricle have proven to be a collective paragon of taste. Whether swinging for the fences, setting scenes ablaze in Latin quarters, captivating with ...
Bacharach to the Future - Part 2
by Ludovico Granvassu
As a young adult, Burt Bacharach used fake IDs to get into 52nd Street jazz clubs to have his mind blown by heroes of the bebop revolution like Charlie Parker and Dizzy Gillespie. Those early impressions could not but leave a mark in his sophisticated pop songs, seeds that would later make those very same songs ...
Wayne Shorter remembered as Jazz's Shaman Of Musical Influence
by Doug Hall
The voice, tone, phrasing--in effect, the signature sound of the saxophone has distinguished a number of artists. The late Wayne Shorter, having just passed away at 89, has been a profound force of interpretation on the tenor, and on the soprano--there is no greater master. He remained at the forefront of influence with his instrument and ...
Dizzy Gillespie and His Orchestra, 1946-'49
In 1946, Dizzy Gillespie figured out how to get an elephant to dance on an overturned shot glass. As one of bebop's creators, Gillespie was at heart a big-band man and yearned to lead one. While he initially launched bop as a small-group form, Gillespie wanted to see if it could be leveraged credibly for 15 ...
A Fireside Chat With Wayne Shorter
by AAJ Staff
This article was first published at All About Jazz in October 2002. I have done my fair share of Firesides (500 or so last census). I have favorites. Certainly, the first Sonny Rollins was memorable. Cecil Taylor, Charles Lloyd, Joe Chambers, and Lester Bowie were provocative. Willie Nelson was high (allegedly) and Tony Bennett ...
John Bailey: Time Bandits
by Jack Bowers
After working and recording for decades with some of the jazz world's best and brightest talents, trumpeter John Bailey released his first album as leader of his own group in 2018, the second in 2020 and, in 2023, his third, Time Bandits, which shares a name but nothing more with Terry Gilliam's 1981 film fantasy.
