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Yuri Honing: Sounds And Vision

by Ian Patterson
Strange that such a gruesome tale, drowning in blood, could have inspired so much great art. So it goes with Bluebeard, the seventeenth century French folktale, which continues to inspire artists to this day. Dutch saxophonist/composer Yuri Honing's Bluebeard (2020)-- his fourth album on Challenge Records with his acoustic quartet--is not just a highly personal take ...
Enrico Pieranunzi: Il Respiro Profondo di un racconto in musica

by Paolo Marra
Se come scriveva il poeta brasiliano Vinicius De Moraes La vita è l'arte dell'incontro" allora può succedere che l'intervista con uno dei più apprezzati pianisti italiani, Enrico Pieranunzi, diventi senza una ragione evidente una lunga e piacevole conversazione per parlare della sua lunga carriera artistica scandita da altrettanti incredibili incontri che nel tempo hanno cucito i ...
Trout Mask Replica

by Eric Gudas
No Instruction Sheet": Trout Mask Replica's Unfathomable Origin Story If you were a teenager who liked freaky stuff, on a June day in 1969 you could bicycle down to your local record store and buy a brand-new, shrink-wrapped album with a man covering his entire face with an actual fish head on the cover. A double-LP ...
Chris McCarthy: Still Time to Quit

by Paul Rauch
From 2017 to 2020, composer and pianist Chris McCarthy charted a path as a noted sideman for such notables as Jerry Bergonzi, Ben Allison and Jason Palmer. He was often seen performing with vibraphonist Sasha Berliner and in duet with vocalist Clotilde Rullaud. In short, he has gained a reputation for imaginative and supportive playing.
James Brandon Lewis / Chad Taylor: Live In Willisau

by Mark Corroto
Saxophonist James Brandon Lewis and drummer Chad Taylor's 2017 studio session Radiant Imprints (Musicube/Off, 2018) was hailed by many critics and fans alike as one of the best recordings of 2018. It was indeed a true revelation, yet that recording wasn't the genesis of a major talent. Lewis' inaugural release Divine Travels (Okeh, 2014) accomplished that ...
James Brandon Lewis and Chad Taylor: Live In Willisau

by Troy Dostert
Somewhat forgotten amidst the excitement surrounding James Brandon Lewis' UnRuly Manifesto (Relative Pitch, 2019) was the excellent release that preceded it. Radiant Imprints (Off, 2018), a duo release with drummer Chad Taylor, put the focus squarely on Lewis' extraordinary tenor saxophone prowess and his strong accord with one of the most in-demand drummers in creative jazz. ...
Juan Vinuesa Jazz Quartet: Blue Shots From Chicago

by Mark Corroto
Chicago, a city of big shoulders, continues to present proof of poet Carl Sandburg's words from the poem of the same name... Come and show me another city with lifted head singing so proud to be alive and coarse and strong and cunning." Why is this? Because Chicago in 2020 remains the same as evoked in ...
Results for pages tagged "Dewey Redman"...
Dewey Redman

Born:
Dewey Redman - tenor saxophone (1931 - 2006) Texas-born jazz saxophonist Dewey Redman crossed the United States as a freelance musician during the early-to-mid 1960s before finding success within New York City's avant-garde jazz community. This success was founded by his membership in the Ornette Coleman Quartet, a group he was a part of from 1967-74. A child of the Depression era, Redman might have stayed the safe and secure course of his early career as an educator in his native Forth Worth, but he chose instead to seek his fortune in the jazz clubs of Manhattan. From Texas, Redman migrated westward to California where he honed his craft before moving to New York
2019: Striking A Balance In Review, Part 2

by Henning Bolte
Part 1 | Part 2This is the second part of an article that looks back and reflects on experiences with live music in 2019. This part deals with a musician's legacy (Ornette Coleman) and continues with an examination of artistic developments and dynamics in the jazz field in a festival (Jazzfest Berlin) and related ...
Antoine Berjeaut, Jeff Parker, Rita Marcotulli and More New Releases

by Ludovico Granvassu
Mondo Jazz's final stash of new releases of 2019 is the perfect way to end a year that has been generous and full of surprises. During this first hour we'll sample the music of many 'bands without borders' as well as tributes to Mose Allison, Dewey Redman and Bernard Herrmann. Happy listening!