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Article: Album Review

Joshua Abrams Quartet: Unknown Known

Read "Unknown Known" reviewed by John Sharpe


"There are known knowns; there are things we know that we know. There are known unknowns; that is to say, there are things that we now know we don't know. But there are also unknown unknowns--there are things we do not know we don't know." Strangely, Donald Rumsfeld didn't mention the unknown known: the things we ...

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Article: Album Review

Roscoe Mitchell: Three Compositions

Read "Three Compositions" reviewed by John Sharpe


On Three Compositions, veteran Chicago saxophonist Roscoe Mitchell's scores are interpreted by an established grouping with an AACM lineage, namesake flautist Nicole Mitchell's Black Earth Ensemble, unlike his previous album of written material, Numbers (Rogue Art, 2011), which featured a varied cast of contemporary players. It makes all the difference. This performance was one of three ...

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Article: Extended Analysis

Nicole Mitchell: Arc Of O

Read "Nicole Mitchell: Arc Of O" reviewed by John Sharpe


Nicole MitchellArc Of ORogue Art2012Subtitled “for improvisers, chamber orchestra and electronics," flutist Nicole Mitchell's genre-busting Arc Of O resonates a little with the almost forgotten Third Stream. Coined by composer/educator Gunther Schuller as a term for a synthesis of classical music and jazz at the end of the ...

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Article: Album Review

Mike Reed's People, Places & Things: Clean on the Corner

Read "Clean on the Corner" reviewed by Troy Collins


Originally founded in 2008 to commemorate the lesser known “people, places & things" that have historically supported Chicago's progressive jazz scene, Mike Reed's ensemble of the same name continues to ply its bold interpretations of lesser known covers and swinging originals on Clean on the Corner, their fourth recording for 482 Music. Although this session breaks ...

463

Article: Album Review

Nicole Mitchell's Sonic Projections: Emerald Hills

Read "Emerald Hills" reviewed by Lyn Horton


All four of flutist Nicole Mitchell's groups reveal specific tangents which her music can follow. One of those groups--Sonic Projections, whose evolution grew out of paying tribute to George Lewis' book A Power Stronger Than Itself: The AACM and American Experimental Music (University of Chicago Press, 2008)--shows what Mitchell believes to be her rebellious side. Mitchell ...

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Article: Album Review

Mike Reed's People, Places & Things: Stories and Negotiations

Read "Stories and Negotiations" reviewed by Troy Collins


Stories and Negotiations is the final chapter in Chicago-based drummer Mike Reed's People, Places & Things trilogy. Debuting with 2008's Proliferation (482 Music), Reed founded this piano-less quartet to investigate an often overlooked period of Chicago's jazz history--the mid-1950s to early 1960s--when the city's after-hours jam session culture flirted with avant-garde collectivism, eventually giving birth to ...

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Article: Album Review

Mike Reed's People, Places & Things: About Us

Read "About Us" reviewed by Jeff Stockton


Mike Reed's People, Places & Things was conceived as a band dedicated to reviving and expanding on aspects of the Chicago jazz scene of the late 1950s, bringing a fresh approach and contemporary ideas to the music of that era. About Us continues in that vein, but as the title states, its focus is more on ...

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Article: Album Review

Mike Reed's People, Places & Things: About Us

Read "About Us" reviewed by Mark Corroto


The saying might go something like, “Those ignorant of history are doomed to repeat it." For composer/bandleader Mike Reed, his knowledge of jazz history allows him the freedom to cherish and exalt the past. Reed's prior disc, Proliferation (482 Music, 2008), revitalized Chicago jazz music from 1954-1960, covering tracks by under-appreciated artist Wilbur Campbell, ...

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Article: Live Review

30th Annual Tri-C JazzFest Cleveland

Read "30th Annual Tri-C JazzFest Cleveland" reviewed by Matt Marshall


30th Annual Tri-C JazzFest Cleveland Cleveland, Ohio April 23-May 3, 2009 Now in its 30th year, the Tri-C JazzFest Cleveland has always prided itself as much on its educational offerings as its concerts. The festival's Web site touts it as “the largest educational jazz festival in the country." This emphasis on ...


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