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Stan Killian: Unified
by Raul d'Gama Rose
Stan Killian is one of those voices that doesn't make a great deal of noise, especially on Unified. His tenor saxophone is by no means a quiet one, but his is a voice filled with a mature gravitas that seems to emerge from a deeper sense of wisdom. His tone is resonant and echoes with mellow ...
Curtis Macdonald: Community Immunity
by Dan Bilawsky
"The Jazz Community" is a phrase that shows up in more than a few album reviews, but what does it really mean? Like-minded jazz musicians certainly gravitate toward one another, but they don't live in some massive, hippie-like commune where people play John Coltrane and Charlie Parker licks ad infinitum and bow down in front of ...
David Binney: Graylen Epicenter
by Ian Patterson
Undoubtedly one of the great alto saxophonists, David Binney's reputation as an original, exciting composer has also grown steadily since his debut recording, Point Game (Owl Records, 1989). Binney is so prolific a musician that it's sometimes hard to stay abreast of his current projects. However, there is little chance of Graylen Epicenter going unnoticed. With ...
John Escreet: The Age We Live In
by Mark F. Turner
John Escreet just keeps pressing forward with recordings that are not stuck in the quagmire of normalcy. From his auspicious debut, Consequences (Posi-tone, 2008), to his equally ambitious sophomore release, Don't Fight The Inevitable (Mythology Records, 2010), the young pianist has demonstrated imagination and abilities in the same vein as Jason Moran and Craig Taborn. His ...
Paul Motian: New York, NY, May 20 2011
by Warren Allen
Paul Motian Quartet “Tribute to the MJQ"Village VanguardNew York, NYMay 20, 2011 The boundary between past and present in jazz has, over the years, become a source of overwrought debate. The rise of “Tribute" shows at New York City's big name clubs gives ammunition to those who say that jazz ...
Jen Shyu and Theo Bleckmann: Breaking the Song Barrier
by Daniel Lehner
Before Robert Moog came out with the first synthesizer, before Adolphe Sax invented his famous reed instrument, before the trumpets sounded at Jericho, even before the world's ancient tribes tightened their animal skins to make drums, humanity's first instrument was the voice. Not that this is of particular consequence to Theo Bleckmann. “To me, that argument ...
Craig Taborn: Avenging Angel
by John Kelman
He puts out albums under his own name so rarely, while amassing a discography as a sideman/co-leader that's almost unparalleled in its sheer size and stylistic breadth—with over 100 recordings to date, since he first showed up in saxophonist James Carter's groups of the mid-1990s—that it's cause for celebration any time pianist Craig Taborn gets around ...
Take Five With Lars Dietrich
by AAJ Staff
Meet Lars Dietrich: Born in Amsterdam, Netherlands, Lars was introduced to the saxophone at the age of 10. After performing a duo TV show with famed jazz pianist Herbie Hancock, Dietrich decided to pursue a career in music. At the age of fifteen he got accepted to study saxophone at the Conservatory of Amsterdam. In 2005 ...
David Binney's 'Graylen Epicenter' Marks Creative Breakthrough for Jazz Saxophonist
Alto saxophonist David Binney has been on the New York jazz scene for years now, collaborating regularly with fellow saxophonists Chris Potter or Donny McCaslin, or playing the hired gun for icons like Jim Hall, Bill Frisell and countless others. He's released several records as a leader on his own label and smaller European imprints, becoming ...
The Jasper Blom Quartet: Dexterity
by John Kelman
With the impossible volume of music released each and every week, there's always that sinking feeling that something's being missed. When saxophonist Jasper Blom and his quartet delivered their showcase performance at Dutch Jazz & World Meeting 2010, it became immediately clear that this was a contemporary group well worth investigating. Blom is a part of ...
