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Rob Garcia: Drum Solos For Dancers Only

by David A. Orthmann
There's more than enough artistry, craftsmanship and ingenuity in Rob Garcia's Drum Solos For Dancers Only to please the sedentary jazz aficionado. Although the thirteen tracks are intended to spur bodies in motion, his drumming merits scrutiny on purely musical terms. For the most part Garcia executes swinging rhythms much like the ones that drove the ...
Dmitry Baevsky / Jeb Patton: We Two

by David A. Orthmann
Alto saxophonist Dmitry Baevsky and pianist Jeb Patton constitute a crackerjack, precision jazz instrument, stretching and bending the fundamentals of bebop into full-blown statements that render the absence of a bassist and drummer superfluous. The individual heroics that one expects of bop are in evidence, but it's the ways in which the duo maneuvers as a ...
Michael Dease: Bonafide

by David A. Orthmann
Listening critically to recently produced mainstream-jazz recordings often feels like prospecting for gold amidst the dross of familiar templates, all-too-common stylistic references, and unremarkable performances. However, occasionally, even when a record doesn't hang together particularly well and is likely to disappear under the weight of scores of similar sounding releases, diligence is rewarded by a track ...
Doron Tirosh: Simply Because It's Winter

by David A. Orthmann
Drummer/composer Doron Tirosh's Simply Because It's Winter brings to mind the adage good things come in small packages." The six tracks comprise a coherent piece of work in twenty-five minutes of running time. Along with pianist Michael Kanan and bassist Neal Miner, Tirosh achieves a kind of courtly, non-doctrinaire bebop essence. It's jazz that doesn't need ...
The Other Night at Quinn's

by David A. Orthmann
The Other Night at Quinn's: New Adventures In The Sonic Underground Mike Faloon 269 Pages ISBN: #978-1-941576-24-3 Razorcake / Gorsky Press 2018 In addition to absorbing the sounds on recordings and live performances, the traditional route to an appreciation of jazz and improvised music usually entails seeking out the ...
Brian Charette Trio with Ed Cherry at The Turning Point Cafe

by David A. Orthmann
Brian Charette Trio with Ed Cherry The Turning Point Cafe Piermont, NY July 15, 2018 Eight selections into an eighty-minute set Brian Charette looked over at Ed Cherry and asked what kind of ballad he wanted to play. In an instant Cherry answered with his guitar, kicking off Duke Ellington's In ...
Tom Tallitsch: Wheelhouse

by David A. Orthmann
Tom Tallitsch's Wheelhouse is a recording in which something honest and genuine springs from the soil of a long established, familiar jazz style. Although pinning a hard bop label on the music is fairly accurate, ultimately it amounts to a quick, glib, descriptive fix that may distort or diminish the character of the record. The same ...
Ted Chubb Band at Trumpets Jazz Club

by David A. Orthmann
Ted Chubb Band Trumpets Jazz Club Montclair, NJ June 21, 2018 The other night I went to Trumpets Jazz Club to check out the Ted Chubb Band without any preconceptions as to what I was about to hear. I was nonetheless interested in answers to some basic questions. Knowing nothing about ...
Uncharted: Creativity and the Expert Drummer

by David A. Orthmann
Uncharted: Creativity and the Expert Drummer Bill Bruford 282 Pages ISBN: #9780472053780 University of Michigan Press 2018 Uncharted: Creativity and the Expert Drummer isn't the place to look for colorful, gossipy stories about Bill Bruford's celebrated years as a prog rock architect and drummer with Yes, King Crimson, Genesis, ...
David Ake: Humanities

by David A. Orthmann
The group that pianist/composer David Ake assembles for Humanities thrives on change and doesn't care all that much for boundaries, familiar stylistic references, or decorum. Distinctions between written material and improvisation, soloists and accompaniment, are subject to transformation, collapse, consolidation and mutation. Nothing stays on exactly the same course for very long. Featuring Ake, Ralph Alessi's ...