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6

Article: Album Review

Tom Tallitsch: Ten

Read "Ten" reviewed by David A. Orthmann


Ten is a recording that resides and functions well in a stylistic no man's land. Tenor and soprano saxophonist Tom Tallitsch and his clever band display little interest in paying homage to easily recognizable jazz styles; yet, they don't make a point of abandoning traditional practices either. Taking a stab at some basic descriptions of some ...

5

Article: Album Review

Andy Fusco: Vortex

Read "Vortex" reviewed by David A. Orthmann


Vortex, Andy Fusco's fourth release on the SteepleChase imprint in as many years, is cause for celebration. Until recently, recordings by the veteran alto saxophonist as a leader have been few and far between. The date reunites Fusco with tenor saxophonist Walt Weiskopf, who composed four of the selections and arranged nine of the ten tracks. ...

3

Article: Book Review

Rabbit's Blues: The Life and Music of Johnny Hodges

Read "Rabbit's Blues: The Life and Music of Johnny Hodges" reviewed by David A. Orthmann


Rabbit's Blues: The Life and Music of Johnny Hodges Con Chapman 218 ISBN: #978-0-19-0655390-3 Oxford University Press 2019 It's difficult to fathom the existence of a jazz musician in the position of a featured soloist of an internationally recognized large ensemble, year in and year out, for decades, making ...

6

Article: Live Review

Leonieke Scheuble: June 2019 Tour

Read "Leonieke Scheuble: June 2019 Tour" reviewed by David A. Orthmann


Located right in front of a train station, the South Orange Gazebo is an uncommonly boisterous location for a jazz concert. Whistles blowing, brakes screeching, trains arrive and depart every ten minutes or so. Automobiles access parking lots via a rotary about fifteen feet away. Their horns and sound systems blare as drivers compete for space. ...

1

Article: Live Review

John Richmond at The Turning Point Cafe

Read "John Richmond at The Turning Point Cafe" reviewed by David A. Orthmann


John Richmond The Turning Point Cafe Annual Gemini Birthday Bash Piermont, NY June 10, 2019 The night began with a question of the identity of an alto saxophonist on a Miles Davis recording that was playing on The Turning Point Café's sound system. John Richmond, tenor saxophonist and the Monday ...

7

Article: Album Review

Matt Olson: 789 Miles

Read "789 Miles" reviewed by David A. Orthmann


One of the most interesting things about tenor saxophonist Matt Olson's 789 Miles is something it lacks: An anxious, overriding eagerness to impress or knock the listener out at every turn. Instead, the record virtually looks you in the eye, shakes your hand, and then cordially invites you along for the ride. Olson, Hammond B-3 organist ...

4

Article: Album Review

Patrick Cornelius: This Should Be Fun

Read "This Should Be Fun" reviewed by David A. Orthmann


This Should Be Fun occupies middle ground between the various modes of experimentation that infuse present-day jazz, and a fealty to traditional practices. Alto saxophonist Patrick Cornelius and an exceptional band of peers haven't completely abandoned twentieth century jazz orthodoxy, yet their work doesn't flaunt or reference specific, easily recognizable influences. If you're looking for song ...

4

Article: Album Review

Josh Lawrence: Triptych

Read "Triptych" reviewed by David A. Orthmann


Triptych succeeds on the connection between Josh Lawrence's writing and a coterie of players with whom he has been associated for several years. A brilliant, enterprising band comprised of the leader's trumpet, pianist Zaccai Curtis, his brother, bassist Luques Curtis, alto saxophonist Caleb Curtis (no relation), and drummer Anwar Marshall readily embrace the contours of Lawence's ...

2

Article: Album Review

David Hazeltine: The Time Is Now

Read "The Time Is Now" reviewed by David A. Orthmann


David Hazeltine's thirty-fourth date as a leader juxtaposes his strengths as a composer, interpreter of standard material, improviser, as well as the capacity to converse and interact with his peers. There's something magical about the ways in which the pianist employs these skills, avoiding emphasizing one at the expense of the others, and in doing so ...

7

Article: Album Review

Lucas Pino: That's a Computer

Read "That's a Computer" reviewed by David A. Orthmann


Lucas Pino's No Net Nonet has claimed a piece of turf within the vast, sprawling, crowded field of the jazz mainstream. Its brilliantly conceived and executed efforts resist additional stylistic distinctions. Teamwork, mutually reinforcing concerns and a spirit of adventure infuse the seven tracks of That's A Computer. The compositions and arrangements by the leader, as ...


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