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Article: Book Review

Tasty Jazz Jams For Our Times

Read "Tasty Jazz Jams For Our Times" reviewed by David A. Orthmann

by David A. Orthmann

Tasty Jazz Jams For Our Times Debbie Burke 463 PGWA ISBN: #9781079108323 Self Published 2019 Tasty Jazz Jams For Our Times represents a kind of broad, sprawling, inconclusive entry into various aspects of the present state of jazz. While we're accustomed to weighing perspectives on the history of ...

6

Article: Reassessing

In The Moment

Read "In The Moment" reviewed by David A. Orthmann

by David A. Orthmann

The trail of splendid hard bop influenced recordings extends well beyond the genre's heyday of the 1950s and '60s. A case in point is trumpeter John Swana's appropriately titled In The Moment. The 1996 release on the Criss Cross Jazz imprint merits the exalted status of its celebrated predecessors. Captured in a one-day studio session, despite ...

1

Article: Album Review

Michael Dease: Never More Here

Read "Never More Here" reviewed by David A. Orthmann

by David A. Orthmann

Perhaps the most significant thing about Never More Here, trombonist Michael Dease's seventh outing for the Posi-Tone imprint, is the striking polarity of two of the disc's four outstanding tracks, “Mirror Image" and “Blue Jay." In a recording filled with compositions by J.J. Johnson, John Lewis, Jackie McLean and Jimmy Heath, pianist Renee Rosnes' ...

6

Article: Album Review

Tom Tallitsch: Ten

Read "Ten" reviewed by David A. Orthmann

by David A. Orthmann

Ten is a recording that resides and functions well in a stylistic no man's land. Tenor and soprano saxophonist Tom Tallitsch and his clever band display little interest in paying homage to easily recognizable jazz styles; yet, they don't make a point of abandoning traditional practices either. Taking a stab at some basic descriptions of some ...

5

Article: Album Review

Andy Fusco: Vortex

Read "Vortex" reviewed by David A. Orthmann

by David A. Orthmann

Vortex, Andy Fusco's fourth release on the SteepleChase imprint in as many years, is cause for celebration. Until recently, recordings by the veteran alto saxophonist as a leader have been few and far between. The date reunites Fusco with tenor saxophonist Walt Weiskopf, who composed four of the selections and arranged nine of the ten tracks. ...

3

Article: Book Review

Rabbit's Blues: The Life and Music of Johnny Hodges

Read "Rabbit's Blues: The Life and Music of Johnny Hodges" reviewed by David A. Orthmann

by David A. Orthmann

Rabbit's Blues: The Life and Music of Johnny Hodges Con Chapman 218 ISBN: #978-0-19-0655390-3 Oxford University Press 2019 It's difficult to fathom the existence of a jazz musician in the position of a featured soloist of an internationally recognized large ensemble, year in and year out, for decades, making ...

6

Article: Live Review

Leonieke Scheuble: June 2019 Tour

Read "Leonieke Scheuble: June 2019 Tour" reviewed by David A. Orthmann

by David A. Orthmann

Located right in front of a train station, the South Orange Gazebo is an uncommonly boisterous location for a jazz concert. Whistles blowing, brakes screeching, trains arrive and depart every ten minutes or so. Automobiles access parking lots via a rotary about fifteen feet away. Their horns and sound systems blare as drivers compete for space. ...

1

Article: Live Review

John Richmond at The Turning Point Cafe

Read "John Richmond at The Turning Point Cafe" reviewed by David A. Orthmann

by David A. Orthmann

John Richmond The Turning Point Cafe Annual Gemini Birthday Bash Piermont, NY June 10, 2019 The night began with a question of the identity of an alto saxophonist on a Miles Davis recording that was playing on The Turning Point Café's sound system. John Richmond, tenor saxophonist and the Monday ...

7

Article: Album Review

Matt Olson: 789 Miles

Read "789 Miles" reviewed by David A. Orthmann

by David A. Orthmann

One of the most interesting things about tenor saxophonist Matt Olson's 789 Miles is something it lacks: An anxious, overriding eagerness to impress or knock the listener out at every turn. Instead, the record virtually looks you in the eye, shakes your hand, and then cordially invites you along for the ride. Olson, Hammond B-3 organist ...

4

Article: Album Review

Patrick Cornelius: This Should Be Fun

Read "This Should Be Fun" reviewed by David A. Orthmann

by David A. Orthmann

This Should Be Fun occupies middle ground between the various modes of experimentation that infuse present-day jazz, and a fealty to traditional practices. Alto saxophonist Patrick Cornelius and an exceptional band of peers haven't completely abandoned twentieth century jazz orthodoxy, yet their work doesn't flaunt or reference specific, easily recognizable influences. If you're looking for song ...


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