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299

Article: Live Review

Ottawa Jazz Festival, Days 1-3: June 23-25, 2011

Read "Ottawa Jazz Festival, Days 1-3: June 23-25, 2011" reviewed by John Kelman


Days 1-3 | Days 4-6 TD Ottawa International Jazz Festival Ottawa, Canada June 23-25, 2011 2011 represents something of a gamble--and no shortage of controversy--for the TD Ottawa International Jazz Festival. After a financial loss in 2010 that wasn't especially large in relative terms, but was nevertheless significant, the ...

234

Article: Extended Analysis

Jokleba: Jokleba! / nu jok?

Read "Jokleba: Jokleba! / nu jok?" reviewed by John Kelman


Jøkleba Jøkleba! / nu jøk? Universal Music AS, Norway 2011 (1992) It was the show of the year. When veteran bassist Dave Holland had to pull out of his performance at Norway's Vossa Jazz 2011 due to a serious family illness, the festival approached another veteran with a desperate plea ...

426

Article: Album Review

Laszlo Gardony: Signature Time

Read "Signature Time" reviewed by Bruce Lindsay


According to his liner notes, pianist Laszlo Gardony's Signature Time is “a tribute to all African-inspired sound." It's a tribute that recognizes the centrality of African music in so many contemporary genres, showing this recognition in the creation of some fine original music and the reworking of some classic songs. Gardony was born ...

334

Article: Interview

Kyle Eastwood: Movies, Motown & Monterey

Read "Kyle Eastwood: Movies, Motown & Monterey" reviewed by Bruce Lindsay


Bassist/composer Kyle Eastwood can whistle. It's a talent to which few musicians lay claim, but it's one which he puts to good use on his version of Bob Haggart's “Big Noise (From Winnetka)," a tune that serves as a popular encore to his live set. The fact that Eastwood whistles in concert says much about the ...

45

Song of the Day

Pass It On

Album:
By
Label: Dare2 Records
Released: 2008
Duration: 7:56

286

Article: Interview

Jen Shyu and Theo Bleckmann: Breaking the Song Barrier

Read "Jen Shyu and Theo Bleckmann: Breaking the Song Barrier" reviewed by Daniel Lehner


Before Robert Moog came out with the first synthesizer, before Adolphe Sax invented his famous reed instrument, before the trumpets sounded at Jericho, even before the world's ancient tribes tightened their animal skins to make drums, humanity's first instrument was the voice. Not that this is of particular consequence to Theo Bleckmann. “To me, that argument ...

260

Article: Extended Analysis

Gwilym Simcock, Mike Walker, Steve Swallow, Adam Nussbaum: The Impossible Gentlemen

Read "Gwilym Simcock, Mike Walker, Steve Swallow, Adam Nussbaum: The Impossible Gentlemen" reviewed by Chris May


The Impossible GentlemenThe Impossible GentlemenBasho Records2011 You may not have heard of The Impossible Gentlemen, for this is the group's first album, and you may not have heard of one of its two chief protagonists, as he has chosen to spend most of his career away from ...

121

Article: Album Review

Sam Trapchak's Put Together Funny: Lollipopocalypse

Read "Lollipopocalypse" reviewed by Mark F. Turner


Bassist Sam Trapchak's debut, Lollipopocalypse, is inspired by a character who experiences some very unsavory candy in the Toni Morrison novel Song of Solomon. But Trapchak and his curiously named group, Put Together Funny, dish out some palatable music with a release that is equally accessible and stimulating. Replete with infectious melodies, risk-taking compositions, and cohesive ...

434

Article: Interview

Matt Penman: Down on James Farm

Read "Matt Penman: Down on James Farm" reviewed by R.J. DeLuke


Matt Penman and his bass have inhabited a variety of musical places and spaces in recent years, all of them on a very high level. That speaks to his abilities on his instrument, and his adaptability to diverse situations. He of the fluid hands, rich sound and steady, melodic pulse always comes through. That's why he's ...

554

Article: Interview

Rudresh Mahanthappa: Hybrid Energy

Read "Rudresh Mahanthappa: Hybrid Energy" reviewed by Anil Prasad


Rudresh Mahanthappa is a man on a mission. He's driven to integrate the saxophone into a vast panorama of settings far beyond its typical range. His output is often reflective of his Indian-American heritage, with an engaging hybrid approach that merges avant-jazz and South Asian elements. His current quartet, also consisting of microtonal guitarist David Fiuczynski, ...


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