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New York Voices: Reminiscing In Tempo
by C. Michael Bailey
What the quartet New York Voices achieves with their performance of Dave Brubeck's “Blue Rondo Á La Turk" disguised as “Round, Round, Round" by lyricist Lauren Kinhan is nothing short of a schizophrenic jazz “Carmina Burana." Lithe, muscular, and smart, the performance is dense and thought-provoking, deftly navigating between its disparate 9/8 and 4/4 sections.
Mike Holober and the Gotham Jazz Orchestra: Hiding Out
by Karl Ackermann
Mike Holober's background as a classical pianist and conductor is just one thing that sets Hiding Out apart from the current crop of big band releases. Holober has worked in a variety of settings from solo, duo, and quintet to large ensembles. Two previous recordings with his Gotham Jazz Orchestra were the critically acclaimed Thought Trains ...
New York Voices: Reminiscing In Tempo
by Dan Bilawsky
Time flies, so why shouldn't New York Voices revel in that passage on life's jet stream? Reminiscing In Tempo marks the celebrated vocal quartet's 30th anniversary in style, presenting a dozen performances delivered with imaginative flair. The arrangements and vocals, not surprisingly, are airtight, and the joy in the music is palpable. Demonstrating ...
West Coast Piano: Dave Brubeck, Hampton Hawes, Nat King Cole (1944 - 1959)
by Russell Perry
In the last hour, we heard from Thelonious Monk, Elmo Hope and Herbie Nichols--three closely associated New York pianists in the 1950s. In this hour, we'll return to the West Coast and another trio of pianists representing some of the widely divergent strains of jazz in the 1950s. Nat “King" Cole was famous first as a ...
Grover Washington Jr.: Sacred Kind of Love: The Columbia Recordings
by Jakob Baekgaard
When saxophonist and composer Grover Washington Jr. (1943-1999) arrived at Columbia in 1986, he was already a fully formed artist. He had released a string of strong albums and had even landed a regular smash-hit with “Just the Two Us," his collaboration with singer Bill Withers. In other words, Washington had nothing to prove and could ...
Festival International de Jazz de Montréal 2019: Week 2
by Mark Sullivan
Various Venues Festival International de Jazz de Montréal Montréal, Canada July 2-6, 2019 The festival celebrated its 40th anniversary this year with the usual dazzling array of musical offerings. And a few that were unusual: including concerts celebrating the 50th anniversary of ECM Records (founder Manfred Eicher was awarded the Bruce ...
Nat Birchall: Obeah Man
by Chris May
Welcome to the latest analog-era time warp... the vinyl revival has rebirthed the 45rpm seven-inch jazz single. The format faded away in the 1960s. Even back then, chart hits such as Stan Getz's “Desafinado" (Verve, 1962) were freak events, but before the coming of album playing FM radio stations, an edited version of an album track ...
Mauricio de Souza: Five Roads
by Chris M. Slawecki
If your idea of a great drummer's album is an album full of sonic bombast, do not pick up Five Roads by drummer Maurício de Souza and his ensemble Bossa Brasil. If you love showy drum fills, histrionic drum solos, or volume masquerading as intensity, you'll find none here. Instead, the drummer leads Bossa Brasil down ...
Big Bands, Orchestras and Soft Machines
by Chris M. Slawecki
Randy Brecker & NDR Bigband Rocks Piloo Records & Productions LLC 2019 The easiest answer isn't always the best answer, but sometimes it is. So it's both easy and proper to point out that trumpet and flugelhorn master, composer, and bandleader Randy Brecker was kind enough ...
A Young Person's Guide to the Jazz Bastard Podcast
by Patrick Burnette
Dr. Michael Caldwell, a lecturer in humanities at San Diego State University, and Dr. Patrick Burnette, a lawyer's helper in central Indiana, or, as they are known on their podcast, “Mike and Pat," have been discussing jazz in public since December 5, 2012, when episode one of the Jazz Bastard Podcast went live. Since ...
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