Mauricio de Souza: Five RoadsBy
Born in Brasilia, the national capital located in the Federal District of Brazil, de Souza began studying drums at age eleven. As a high school junior, he spent his summer vacation studying with drummer Joe Morello, a legitimate legend from his pliant but sturdy work with Dave Brubeck, in New Jersey. He returned to the US after graduating high school to continue studying with Morello, and in 2004 settled in northern New Jersey to engage with the New York jazz club scene. Later that year, de Souza formed the Maurício de Souza Group to play straight-ahead jazz, and Bossa Brasil to focus on the different styles of music from his homeland.
(We should note that ANY artist who willingly leaves Brazil for New Jersey is truly devoted to their craft.)
Morello is an excellent example of de Souza's own style and sound in Bossa Brasil. He doesn't play to be noticed. He plays what the music needs, no more and no less, right when the music needs it. So when your ear is drawn toward soloists Andrew Beals (alto saxophone) and especially Bob Rodriguez (piano) in the bouncy "Bebeto," de Souza and bassist Gary Mazzaroppi keep the supporting rhythm in perfect flow. Same for the sly dance of "BB," where de Souza's brushes seem to caress instead of strike, gently pulling rhythms and notes out from, his instrument like it's a magician's hat.
The ensemble approaches "Bate Papo" with such skillful reverence that its gentle jazz seems almost religiously beautiful. de Souza's arrangement of Schubert's "Ave Maria" is truly religiously beautiful. Everything about this stellar arrangement, performance, and recording informs you that this beautiful piece was originally a hymn.
Pianist Rodriquez steps into beautiful Brazilian jazz solos in "Bate Papo" and "Folclórica." But as the leader and drummer, de Souza opens up the music for each member of his quartet (plus bassist Charlie Doughtery, who sits in for Mazzaroppi on a live version of "Valsinha Para Elvira") to find their own way along Five Roads.
Estações; Bebeto; Folclórica; Bate Papo; BB; Paisagens; Ave Maria; O Barquinho; Valsinha Para Elvira (Live).
Andrew Beals: alto saxophone; Bob Rodriguez: piano, Gary Mazzaroppi: bass (all studio tracks), Charlie Dougherty: bass (live track); Mauricio de Souza: drums.
Title: Five Roads | Year Released: 2018 | Record Label: Self Produced
Post a comment about this album
FOR THE LOVE OF JAZZAll About Jazz has been a pillar of jazz since 1995, championing it as an art form and, more importantly, supporting the musicians who create it. Our enduring commitment has made "AAJ" one of the most culturally important websites of its kind, read by hundreds of thousands of fans, musicians and industry figures every month.
WE NEED YOUR HELPTo expand our coverage even further and develop new means to foster jazz discovery and connectivity we need your help. You can become a sustaining member for a modest $20 and in return, we'll immediately hide those pesky ads plus provide access to future articles for a full year. This winning combination will vastly improve your AAJ experience and allow us to vigorously build on the pioneering work we first started in 1995. So enjoy an ad-free AAJ experience and help us remain a positive beacon for jazz by making a donation today.
About Mauricio de Souza
Instrument: DrumsArticle Coverage | Calendar | Albums | Photos | Similar Artists