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Manu Katche: Unstatic
by Dan McClenaghan
French drummer Manu Katche always seemed something of an odd man at ECM Records on his four solo discs--warm, groove-centric, gregarious sets competing with the Nordic cool of Tord Gustavsen, or the thoughtful melancholy of trumpeter Tomas Stanko and pianist Marcin Wasilewski. And--like few artists in the ECM stable--he crossed successfully into the rock world via ...
John Stowell/Michael Zilber Quartet: Basement Blues
by Dan McClenaghan
Basement Blues is the third Origin Records CD offering from the John Stowell/Michael Zilber Quartet, following Shot Through With Beauty (2009) and Live Beauty, (2013). Guitarist Stowell's approach is distinctive--silvery chords and pinprick single notes that reverberate from the rafters. Saxophonist Zilber is a flawless, soulful technician on soprano and tenor saxophones. Bassist John Shifflett and ...
Anthony Branker & Imagine: Beauty Within
by Dan McClenaghan
The “Rising Star" status isn't confined to fresh music school graduates. Dr. Anthony Branker, Educator--who, for twenty-seven years, was engaged in a big way with Princeton University's jazz program--has achieved a recent “rising star" tag as a composer. This after releasing seven top notch CDs for Origin Records, including the masterful Uppity (2013). “Composer/Musical ...
Karavika: Of Earth And Sky
by Dan McClenaghan
Can't find a musical genre that fits the needs of your means of artistic expression? Then create your own. That's what Karavika did, with their gorgeous and provocative debut, Sunrise ( Self Produced, 2012). Call it raga/chamber/folk music if you will, a blend of multiple influences from multiple cultures, with a South Asian foundation in Sri ...
The Fred Hersch Trio: Sunday Night At The Vanguard
by Dan McClenaghan
Reach up to the CD shelf and pull a handful of Fred Hersch CDS down. You'll find that the pianist has a good thing going with the Village Vanguard. Alive At The Vanguard (Palmetto Records, 2012) a stellar two CD set, and terrific solo set, Alone At the Vanguard (Palmetto Records, 2011), are Hersch's most recent ...
Denny Zeitlin: Early Wayne: Explorations of Classic Wayne Shorter Compositions
by Dan McClenaghan
Pianist Denny Zeitlin's career in music started just a bit after saxophonist Wayne Shorter showed up on the scene. Shorter's debut album, Introducing Wayne Shorter (Vee Jay Records) arrived in 1959. Zeiltin's introduction to the jazz listening public came in 1963, in a sideman stint on flutist Jeremy Steig's Flute Fever (Columbia Records). A year later, ...
Ron Thomas/Paul Klinefelter: Duo
by Dan McClenaghan
Pianist Ron Thomas' talents range widely, from his Karlheinz Stockhausen-influenced electric outings like Elysium (Vectordisc, 2009), through his fluid free association piano trio sets, Music In Three Parts (Art Of Life Records, 2006) and Doloroso (Art of Life Records, 2006), to his mainstream outings that draw their inspiration from the late pianist Bill Evans--Two Lonely People ...
Jane Ira Bloom: Early Americans
by Dan McClenaghan
One jazz music's premier soprano saxophonists, Jane Ira Bloom, crafted a career-defining recording with Sixteen Sunsets (Outline Records, 2013). So how does she follow that up? With an alteration of her quartet trajectory. Bloom's recorded output has consisted, over a career that began in the late 90s, of a series of mostly quartet sets, featuring terrific ...
Autobahn: Of the Tree
by Dan McClenaghan
A jazz trio named Autobahn, from Toronto, Canada, with an unusual make-up--piano, sax and drums--is just asking to called “experimental" on their modernistic recording, Of The Tree. And why not? Eliminating the bass (the obvious missing link) makes for new atmospheres, and creates new spaces. Looking for comparisons, Momentum Space (Verve Records, 1999), a masterpiece of ...
Brad Mehldau Trio: Blues and Ballads
by Dan McClenaghan
Call Brad Mehldau's Blues and Ballads the pianist's “Every Man Set." There has been, from the beginning of Mehldau's career, a sense of the cerebral in his approach, with its classical music influences and his deep technical virtuosity. Throw the sometimes dense and erudite writing for selected liner notes (mostly earlier in his career) ...
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