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Denny Zeitlin: Early Wayne: Explorations of Classic Wayne Shorter Compositions
by Dan McClenaghan
Pianist Denny Zeitlin's career in music started just a bit after saxophonist Wayne Shorter showed up on the scene. Shorter's debut album, Introducing Wayne Shorter (Vee Jay Records) arrived in 1959. Zeiltin's introduction to the jazz listening public came in 1963, in a sideman stint on flutist Jeremy Steig's Flute Fever (Columbia Records). A year later, ...
Ron Thomas/Paul Klinefelter: Duo
by Dan McClenaghan
Pianist Ron Thomas' talents range widely, from his Karlheinz Stockhausen-influenced electric outings like Elysium (Vectordisc, 2009), through his fluid free association piano trio sets, Music In Three Parts (Art Of Life Records, 2006) and Doloroso (Art of Life Records, 2006), to his mainstream outings that draw their inspiration from the late pianist Bill Evans--Two Lonely People ...
Jane Ira Bloom: Early Americans
by Dan McClenaghan
One jazz music's premier soprano saxophonists, Jane Ira Bloom, crafted a career-defining recording with Sixteen Sunsets (Outline Records, 2013). So how does she follow that up? With an alteration of her quartet trajectory. Bloom's recorded output has consisted, over a career that began in the late 90s, of a series of mostly quartet sets, featuring terrific ...
Autobahn: Of the Tree
by Dan McClenaghan
A jazz trio named Autobahn, from Toronto, Canada, with an unusual make-up--piano, sax and drums--is just asking to called “experimental" on their modernistic recording, Of The Tree. And why not? Eliminating the bass (the obvious missing link) makes for new atmospheres, and creates new spaces. Looking for comparisons, Momentum Space (Verve Records, 1999), a masterpiece of ...
Brad Mehldau Trio: Blues and Ballads
by Dan McClenaghan
Call Brad Mehldau's Blues and Ballads the pianist's “Every Man Set." There has been, from the beginning of Mehldau's career, a sense of the cerebral in his approach, with its classical music influences and his deep technical virtuosity. Throw the sometimes dense and erudite writing for selected liner notes (mostly earlier in his career) ...
Naftule's Dream: Blood
by Dan McClenaghan
Emerging from the ranks of the Boston area's Shirim Klezmer Orchestra, Naftule's Dream began with John Zorn's Tzadik Records when the label was young, offering up on the imprint Search for the Golden Dreydl (1997), Smash, Clap! (1998) and Job (2001). One thing about a large scale klezemer band--it offers up plenty of opportunity for madcap ...
Cuong Vu Trio With Pat Metheny: Cuong Vu Trio Meets Pat Metheny
by Dan McClenaghan
One of the most distinctive jazz sounds to have appeared this millennium has been shaped by Cuong Vu. Beginning with his It's Mostly Residual (ArtistShare, 2005) through Vu-Tet (ArtistShare, 2007) and into Leaps of Faith, (Origin Records 2011), the modernistic and often plugged-in trumpeter has crafted an assault of sound: a thick, sludgy, glow-in-the-dark, pugnaciously percussive ...
Masabumi Kikuchi: Black Orpheus
by Dan McClenaghan
Black Orpheus, the solo piano CD from Japanese-born pianist Masabumi Kikuchi, may be the starkest, loneliest music in the world. Masabumi Kikuchi (1939-2015) was a versatile, if ultimately idiosyncratic artist. Early in his career he worked with a panoply of mainstream music makers, everyone from drummer Elvin Jones, to producer arranger Gil Evans, tenor ...
Eduardo Elia: Solo
by Dan McClenaghan
Argentinian pianist Eduardo Elia, based now in his homeland, attended Berkelee College of Music in Boston. He has a handful of CD releases as a leader, and beyond that, information on the artist is hard to find. His internet profile is sketchy. So the review is all about the music, and maybe that's how ...
Corey Christiansen: Factory Girl
by Dan McClenaghan
Guitarist Corey Christiansen began his stint at Origin Records in 2008 with a top notch organ jazz outing, Roll With It. He followed that with an equally engaging disc featuring the same players, Outlaw Tractor on the label in 2010. On these two dates, Christensen and his superb band worked the soul jazz groove typical of ...
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