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Results for "Dan McClenaghan"
The Mark Masters Ensemble: Blue Skylight
by Dan McClenaghan
Mark Masters has made his name in the banderleader/arranger arena fronting The Mark Master Ensemble, in various forms, with personal tributes to past masters: saxophonist Dewey Redman, Duke Ellington, trumpeter Clifford Brown, and present master, alto saxophonist Lee Konitz, who played as the featured artist on One Day With Lee (Capri Records (2000). These are all ...
Rich Halley/Carson Halley: The Wild
by Dan McClenaghan
Saxophonist Rich Halley, home-based in Portland, Oregon, is a relentless creator of fine and oftimes fiery free jazz, averaging, since 2010, about two CD releases per year, including Creating Structure (2015); Eleven (2016); and Outlier, (2016), all on his Pine Eagle Records label. These were quartet outings, featuring like-minded free-jazzers--trombonist Michael Vlatkovich, bass man Clyde Reed ...
Trouble Kaze: June
by Dan McClenaghan
Avant-garde pianist/composer Satoko Fujii augments her quartet, Kaze, with an additional piano and another drummer, to create Trouble Kaze, for the release of June. In Fujii's eighty-plus CD discography, Kaze can be counted as one of her most adventurous modes of artistic expression. With trumpeters Natsuki Tamura and Christian Pruvost working an array of ...
Rema Hasumi: Billows Of Blue
by Dan McClenaghan
Pianist Rema Hasumi, Japanese-born and now New York City-based, calls her compositions sound stories. Those stories" sound like tales drifting out of a dream land: untethered to time and place, free-flowing and graceful, strikingly pretty, sometimes spooky, and starkly rendered, with the input of her empathic trio that includes bassist Masa Kamaguchi and drummer Randy Peterson, ...
Matt Mitchell: Forage
by Dan McClenaghan
Alto saxophonist Tim Berne could have been called, at the dawn of the new millennium, the American artist least likely to join the ECM Records roster. The thought here was that Berne's relentless momentum and frequent agitation and flat out wild man brazenness wouldn't fit in well enough with the European impressionism/Nordic cool approach (a definite ...
Erroll Garner: Ready Take One
by Dan McClenaghan
Erroll Garner (1923-1977) played the piano like all was well with the world, with a flashy and elegant panache. And sometimes that's just what we need. With a swinging style that bubbled up from the stride and ragtime traditions, and nudged into the bop arena, Garner's was an ebullient sound--virtuosic and embellished with ornamental phrasings and ...
Satoko Fujii: Invisible Hand
by Dan McClenaghan
In Satoko Fujii's extensive discography--about eighty releases, including recordings by several big bands and a variety a small combo groups--solo piano outings are scarce. There was Sketches (NatSat Records, 2004); and Gen Himmel (Libra Records, 2013), and not much else. Until now, with a Invisible Hand, a double CD set, recorded live at the jazz club ...
Trio Elf: Music Box Music
by Dan McClenaghan
German pianist Walter Lang leads something of a double life, musically. On the one hand, he fronts standard piano trios with an impressionist bent--in the mode of a Marc Copland--on recordings like Softly As In A Morning Sunrise (Hagel Neyer Records, 2005) and Eurasia (M & I Records, 2009); on another hand, he heads up Trio ...
Eyal Lovett Trio: Tales From A Forbidden Land
by Dan McClenaghan
It takes a high level of confidence to offer up a two CD set on a sophomore outing. Most artists wait for later in their careers for for this particular audaciousness. But Berlin-based pianist Eyal Lovett, originally from Israel, follows up his debut, Let Go (Self-Produced, 2013), with double CD offering Tales From A Forbidden Land. ...
Emmet Cohen Featuring Jimmy Cobb: Masters Legacy Series, Volume 1
by Dan McClenaghan
Pianist Emmet Cohen aims to honor the jazz masters. He starts with drummer Jimmy Cobb, on the Masters Legacy Series, Volume 1, a mostly piano trio affair featuring Cobb himself in the the drummer's chair. Cobb is best known for his participation in one of the jazz world's most famous recording, Miles Davis' Kind ...

