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Burgstaller Martignon 4: Mozart's Blues Dreams & Other Crossover Fantasies
by Dan McClenaghan
When the name Mozart is part of the title of a jazz disc, combined with the word blues, the safe bet is that it's a crossover listening experience at hand. Crossover is a newer term for the mix of classical and jazz sounds, but it works as well--better perhaps--than the Third Stream tag that was coined ...
Pablo Held: Forest of Oblivion
by Dan McClenaghan
In every review of Pablo Held's debut, Forest of Oblivion, the pianist's age will be discussed. Don't blame the writers. Held, hailing from Germany, was born in 1986. His age, at the time the CD was recorded, was 21. It's a remarkably tender age for having crafted an original musical statement; it's even more remarkable for ...
Rob Thorsen: Lasting Impression
by Dan McClenaghan
San Diego-based bassist Rob Thorsen seems to be shining up a '50's-'60's jazz classics lesson with the first four cuts on Lasting Impression. The set opens with Charlie Parker's Dexterity," a crisp, jaunty take on the classic, with Gilbert Castellanos--another San Diego jazz scene stalwart--sitting in on trumpet, giving the tune a bright, fluid feeling. John ...
Kyle Asche Organ Trio: Blues for Mel
by Dan McClenaghan
Chicago-based guitarist Kyle Asche opens his sophomore release, Blues for Mel, with the set's title tune, a tribute to Melvin Rhyne, the organist who most famously played with guitarist Wes Montgomery on four stellar Riverside releases in the late fifties and early sixties. The tune is a cool Montgomery-ish ride, drenched in the organ trio tradition. ...
Bob Dylan: Together Through Life
by Dan McClenaghan
Bob Dylan Together Through Life Columbia 2009 Let's put it out here right up front and not pussyfoot around: Together Through Life is one of the finest discs in singer/guitarist Bob Dylan's 40-plus album discography. It's up there with other benchmark Columbia releases like the groundbreaking Highway 61 ...
Arve Henriksen: Cartography
by Dan McClenaghan
The components of sound that make-up Arve Henriksen's Cartography, the trumpeter's debut as a leader on ECM, reads like a hyper-processed, low-nutrition, junk food for the ear brew: samples, treatments, synthesizer, dictaphone, programming, beats, voice samples. It is a stew of musical inputs, a layering of sounds that mixes ambient and electronica with snippets of soaring ...
Yotam Silberstein: Next Page
by Dan McClenaghan
The organ trio approach is one of the more drenched-in-the-tradition formats in jazz. From Wes Montgomery's Riverside recordings through Grant Green's Blue Note sets up to Dr. Lonnie Smith's innovations, there's always a feeling of timeless soulfulness to the grouping of guitar, Hammond B3 organ and drums.Tel Aviv-born guitarist Yotom Silberstein, on Next Page, ...
Thomas Marriott: Flexicon
by Dan McClenaghan
If Seattle, Washington-based Origin Records can be said to have a signature sound, trumpeter Thomas Marriott's Flexicon could be picked as an example. The music is mainstream, with two horns and a rhythm section, polished up and modernized with a nice edge, some luminous Fender Rhodes, a solid-yet-adventurous bassist, and a top notch, push-the-tradition-forward drummer. And ...
Fly in La Jolla
by Dan McClenaghan
FlyAthenaeum Jazz at the Neurosciences InstituteLa Jolla, CaliforniaApril 18, 2009It appeared an inauspicious venue for a jazz concert--a mile from Interstate Five in La Jolla, California, not in the village's quaint and stylish old sea-side downtown, but rather snugged in a tract of blocky and nondescript industrial type buildings housing a ...
Todd Bishop's Pop Art 4: 69 Annee Erotique
by Dan McClenaghan
69 Annee Erotique gets extra credit for off-the-beaten-path-ness. It is a work celebrating the music of the late French pop songster Serge Gainsbourg (1928- 1991), by Portland Oregon-based Todd Bishop's Pop Art 4. Gainsbourg, whose name may not be person-on-the-street familiar in the United States, was a pop icon in France from the late-1950s to the ...


