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220

Article: Album Review

Anat Fort: And If

Read "And If" reviewed by Dan McClenaghan


Working with legendary drummer Paul Motian on her first ECM release, A Long Story (2007), must have been a formative experience for pianist Anat Fort. On And If, her second release for the German label, she opens and closes the set with two readings of “Paul Motian." These are inward, time-standing-still tunes, showcasing Fort's spare and ...

488

Article: Album Review

Matt Jorgensen: Tattooed by Passion: Music Inspired by the Paintings of Dale Chisman

Read "Tattooed by Passion: Music Inspired by the Paintings of Dale Chisman" reviewed by Dan McClenaghan


Drummer Matt Jorgensen pushes a bit out of the relative comfort zone of his longstanding Matt Jorgensen + 451 ensemble, to pay homage to his late father-in-law, abstract expressionist painter Dale Chisman, with Tattooed by Passion. With his + 451 group, Jorgensen crafted a distinctive modern-leaning sound on CDs Hope (Origin Records, 2004) and Another Morning ...

380

Article: Album Review

Hadley Caliman / Pete Christlieb: Reunion

Read "Reunion" reviewed by Dan McClenaghan


Reunion showcases a couple of old saxophone pros diving deep into the jazz mainstream, backed by an energized rhythm section. Tenor men Hadley Caliman and Pete Christlieb worked together on the Los Angeles Central Avenue jazz scene back in the 1960s, at a club called Marty's, where Caliman was the mentor. Forty-plus years later, they're back ...

499

Article: Album Review

Nick Fiore: Nick Fiore 4

Read "Nick Fiore 4" reviewed by Dan McClenaghan


Bassist Nick Fiore started his professional music life in Philadelphia back in 1949, then moved to Detroit in '52, where he spent a half a century playing the Motor City Jazz scene, including a three-year stint at the Rooster Tail Night Club, with The Johnny Trudell Band, backing up stars like Tony Bennett, Steve Allen, Dionne ...

181

Article: Album Review

Mercury Falls: Quadrangle

Read "Quadrangle" reviewed by Dan McClenaghan


It begins with a stark electric drone, an eerie, throbbing repetition from which the familiar cry of a saxophone emerges. The tune is “Spring Pools," and it sounds like music that swells out of the quiet after the Apocalypse. The group is Mercury Falls, a saxophone/guitar/bass/drums ensemble with some deft electronic embellishments. The music could be ...

223

Article: Album Review

Laurie Antonioli: American Dreams

Read "American Dreams" reviewed by Dan McClenaghan


In order to have specifically American Dreams, exile may be necessary. An extended stay in a foreign country lends a certain detached perspective on the homeland. For returning San Francisco-based jazz vocalist Laurie Antonioli, that foreign stay was in Graz, Austria, at KUG University, where she taught vocal jazz from 2002 until 2006.A fortuitous ...

433

Article: Album Review

Kerry Politzer Quartet: Blue in Blue

Read "Blue in Blue" reviewed by Dan McClenaghan


Two of the most enduring and popular ensemble set-ups in jazz are the piano trio--piano/bass/drums--and the piano trio, with a saxophone joining in. Pianist Kerry Politzer combines formats on Blue in Blue, with six tunes featuring her trio and four more with guest saxophonist Donny McCaslin.While You Took Me In (Polisonic Records, 2007) featured ...

266

Article: Album Review

The Vocal Jazz Collective: Redefinition

Read "Redefinition" reviewed by Dan McClenaghan


Jeff Baker, one of the best male jazz vocalists around today, is also the vocal director at ArtsWest School for Performing Arts in Eagle, Idaho. Working with high school age performers must be a gas, because Baker has produced a very engaging vocal jazz outing, featuring his students backed by an Origin Records all-star band, with ...

266

Article: Album Review

Dino Saluzzi: El Encuentro

Read "El Encuentro" reviewed by Dan McClenaghan


On El Ecuentro, Argentine bandoneon master Dino Saluzzi teams with saxophonist brother Felix Saluzzi and cellist Anja Lechner in a meeting with Holland's Metropole Orchestra. It is Saluzzi's first recorded encounter with an orchestra, and his first ever live recording. More familiar ground for Saluzzi is his work with Lechner, on Ojos Negros (ECM, 2007), and ...

947

Article: Interview

Jessica Williams: Musical Truths

Read "Jessica Williams: Musical Truths" reviewed by Dan McClenaghan


Pianist Jessica Williams begins a free-wheeling and fascinating conversation with a fan by thanking him for the kind words he has spoken about her music. Then she adds: “But you don't always have to say kind words, you know, as long as you always say the truth." It's advice that is very much in ...


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