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Results for "Dan McClenaghan"
Miguel Zenon: Golden City
by Dan McClenaghan
The alto saxophone rose to jazz prominence in the 1940s, under the influence of Charlie Parker and the birth of bebop. Important players such as Art Pepper, Lee Konitz and Ornette Coleman took the horn in their own directions, crafting distinctive alto saxophone voices. Moving ahead to the new millennium, no alto saxophonist has entered the ...
Chad McCullough: In These Hills, Beyond
by Dan McClenaghan
Trumpeter Chad McCullough started his recording career in Seattle at Origin Records, releasing five albums between 2009 and 2015 under his name or as a co-leader with pianist Bram Weitjers. It was a successful run that earned him the “Rising Star" tag. A move to Chicago to teach, the release of his “Best of Year" pick, ...
Alex Jenkins Trio: Black Bird
by Dan McClenaghan
An initial spin of Sacramento-based drummer Alex Jenkins' Black Bird--recorded by the Alex Jenkins Trio (AJT)--brings saxophonist Sonny Rollins' A Night At The Village Vanguard (Blue Note, 1958) to mind. Rollins rolled in the trio mode for these 1957 Vanguard shows with just his saxophone, bass and drums. Going on stage in 1957 without a chording ...
Patricia Brennan: Breaking Stretch
by Dan McClenaghan
On her first two albums, vibraphonist Patricia Brennan worked with a quartet comprised of three percussion instruments, herself on vibes and marimba, joined by percussionist Mauricio Herrera and drummer Marcus Gilmore, with a bassist Kim Cass. Momentum in large part, is the name of the game. For Breaking Stretch she expands her musical universe, adding trumpeter ...
John Fedchock: Justifiably J.J.
by Dan McClenaghan
J.J. Johnson saved his instrument from possible obscurity. Rarely used as a front-line instrument pre-Johnson, the trombone might have faded away when bebop came along. Bebop--all those rapid-fire notes from trumpeter Dizzy Gillespie and alto saxophonist Charlie Parker. At that time, the trombone was considered too cumbersome to navigate the chord changes and the rhythmic fury ...
Jake Noble: Letting Go Of A Dream
by Dan McClenaghan
Making art is about a search for authenticity, a search for the truth. But the truth is complicated, and our perceptions of it can change over time. The concept for Letting Go Of A Dream, the debut recording from New Orleans-based bassist Jake Noble, began as a tribute to some of his well-chosen truth-telling heroes: pianist ...
Greg Reitan: Bounding Line
by Dan McClenaghan
Los Angeles-based pianist/composer Greg Reitan jumped into the scene with an elegant splash in 2009 with his debut recording, Some Other Time (Sunnyside Records). He followed this up in 2010 with Antibes (Sunnyside Records). Both recordings were critically lauded, drawing comparisons to the work of legendary pianist Bill Evans. Reitan possesses a supple Evans-esque touch, with ...
Frank Ambrosetti & Strings: Sweet Caress
by Dan McClenaghan
Swiss flugelhornist/trumpeter Franco Ambrosetti teamed with pianist/arranger Alan Broadbent in 2022 for the exquisite Nora (Enja Records), a top-shelf orchestral jazz album with a core group of mainstream all-stars. Listening back to the history of the 'jazz with strings' sub-genre--the shot across the bow, Charlie Parker With Strings (Verve, 1950), followed in short order by Chet ...
June Yun: Enlightenment - Solid Waves
by Dan McClenaghan
South Korean vocalist June Yun's compositional debut, Enlightenment -Solid Waves, explores the feelings and emotions elicited by the concepts of light and dark. These things are difficult to describe in words but translate, with her music, into compelling, atmospheric soundscapes full of shadows, apparitions, angelic imagery and mystical moods. Vid Jamnic's resonant vibraphone murkiness lays a ...
Natsuki Tamura, Satoko Fujii: Aloft
by Dan McClenaghan
A lot of ink has poured from the pens of jazz writers in ruminations on the art of Satoko Fujii. With over a hundred album releases under her name and under the names of various groups she has led, she has given the scribes plenty to listen to and write about. Solo albums, big band albums ...
