Home » Jazz Articles » Album Review » Jake Noble: Letting Go Of A Dream
Jake Noble: Letting Go Of A Dream
"What Could Have Been" took its inspiration from Bill Evans' "Time Remembered." Opening with an extended piano trio introduction, this wistful, bittersweet exploration of missed opportunities brightens with the entrance of Autumn Dominguez's sweet and sour alto saxophone tone. What could have been? What might have been? Truths we will never know; elusive truths that are well served by the musical examination here, with Dominguez taking the sound into the realm of anguish, and then regret.
"The Push Factor" has an upbeat, Kenny Garrett vibe, and "Acceptance of the Journey" goes through a half dozen gear shifts, mirroring the changes and stumbles and detours, the winding roads and inevitable switchbacks that life brings, while "Farewell To The Kid From Spring" is the first take laid down in the recording session, a duet featuring bassist Noble and pianist Seth Collins. This off-the-cuff warm-up has a sense of longing, of looking back and knowing it is an impossible direction; the journey only goes one way and must be accepted.
Noble wrote "Alice's Point Of View" was inspired by one of his New Orleans neighbors known for her positivity, while it nods to the Sammy Fain tune "Alice In Wonderland" (a Bill Evans favorite), written for the 1951 Disney tune of the same name, while the closer, "Theme For A New Age," featuring Mike Clement on guitar, seems to look to the future, in an optimistic mood.
Track Listing
What Could Have Been; The Push Factor; Acceptance Of The Journey; Farewell To The Kid From Spring; On The Up And Up; Alice's Point Of View; Theme For A New Age.
Personnel
Jake Noble
bassAutumn Dominguez
saxophone, altoSeth Collins
pianoTanner Gus
drumsMike Clement
guitarAdditional Instrumentation
Mike Clement: guitar (3, 7).
Album information
Title: Letting Go Of A Dream | Year Released: 2024 | Record Label: Self Produced
About Jake Noble
Tags
PREVIOUS / NEXT
Become a Sustaining Member
Since 1995, All About Jazz has championed jazz as an art form and supported the musicians who create it. Over three decades, it has grown into one of the world's leading jazz resources, serving hundreds of thousands of readers, musicians, presenters and industry professionals each month.
Help Build the Future of All About Jazz
Your support helps us continue building All About Jazz for the next generation—expanding our editorial coverage, preserving jazz history, developing new community features and creating better ways to discover the music and the people behind it.
Become a sustaining member for as little as $20 per year and you'll immediately enjoy an ad-free experience along with access to subscriber features and future articles for a full year.
Together, we're not simply sustaining All About Jazz—we're building its future. Thank you for being part of the journey.






