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Charlie Haden
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“No other instrument in jazz is more essential than the bass, both backbone and heartbeat, and Haden is its master.” (Francis Davis /August, 2000 issue of The Atlantic Monthly)
Time Magazine has hailed jazz legend {{m: Charlie Haden = 7320}} as “one of the most restless, gifted, and intrepid players in all of jazz.” Haden's career which has spanned more than fifty years has encompassed such genres as free jazz, Portuguese fado and vintage country — the last of which is featured on his latest album, Rambling Boy — not to mention a consistently revolving roster of sidemen and bandleaders that reads like a list from some imaginary jazz hall of fame.
Rachele Amore: Rarichi
by Neri Pollastri
Un originale album di ricerca, questo Rarichi della cantante Rachele Amore, che mescola generi e sonorità, forme espressive e stilemi. Il titolo è un termine usato in Sicilia, terra d'origine della cantante, per indicare le radici, quelle che il disco vuole esplorare tenendo la tradizione isolana sempre presente in filigrana, come elemento portante di una musica ...
Scott Kinsey: Thought Distortions and the Art of the Left Turn
by Mike Jacobs
Keyboardist Scott Kinsey's multi-decade musical odyssey reads a bit like a novella in spots: The Berklee student who landed the keyboard chair in fusion stalwarts Tribal Tech before graduating, cementing the band's definitive lineup while exerting a major influence on its musical direction. The ardent admirer of Weather Report founder Joe Zawinul ...
Texas Tenors and the Big Beat
by Marshall Bowden
This article first appeared on All About Jazz in July 2002. Texas is a miniature of the cultural and musical melting pot that is American music. Texas shares a border with Louisiana, inheriting some of that state's French and Caribbean roots, and when it comes to the blues, Texas has its own style. Texas ...
Charlie Haden: Anatomy of a Jazz Classic
by John Ephland
It was a phoner from the suburban Chicago offices of DownBeat to bassist Charlie Haden in L.A. Our talk, which was held on September 15, 1991, was periodically interrupted by his needing to say, Hold on one second." The occasion? The 30th anniversary of the release of saxophonist Ornette Coleman's groundbreaking LP Free Jazz: A Collective ...
The Warm Glow of ECM Vinyl: Tomasz Stańko, Bill Connors, and Mick Goodrick
by C. Andrew Hovan
In an oft-quoted phrase from a 1971 magazine article, ECM founder and producer Manfred Eicher described the label's ethos as the most beautiful sound next to silence." From the start, the label's eloquent sound--captured expertly by house engineers Martin Wieland and Jan Erik Kongshaug--transferred beautifully to vinyl, and original pressings remain highly prized among collectors. So ...
Mick Goodrick: In Pas(s)ing
by Frank Housh
In Pas(s)ing, originally released in 1979, was Mick Goodrick's first and last ECM Records recording as a leader. Indeed, aside from an appearance on Charlie Haden's recording of ECM's musical manifesto The Battle Of The Fallen (1983) by the Liberation Music Orchestra, Goodrick never again appeared on an ECM recording. In Pas(s)ing will be re-issued July 10, 2026 as part of ECM's ...
John Clayton: The Two-o Duo Project
by Pierre Giroux
The album the two-o duo project, a collaboration between bassist John Clayton, vocalist René Marie and pianist Gerald Clayton, quietly draws the listener into their world through intimacy, trust and a shared musical understanding. Rooted in the art of duo playing, the album expands naturally into trio performances, creating a gathering of old friends discovering music ...
Otherlands Trio at BOP STOP
by John Chacona
Otherlands Trio BOP STOP at the Music SettlementCleveland, OHJune 18, 2026 Cleveland's New Ghosts presenting organization was named in honor of Albert Ayler, perhaps the city's most notable jazz player. That said, any notion that the astonishing, two-hour concert by Otherlands Trio--bassist Stephan Crump, Darius Jones on alto saxophone, and drummer ...
Mick Goodrick & Fred Hersch: Feebles, Fables And Ferns
by Neil Duggan
Feebles, Fables and Ferns captures a rare duo session between guitarist Mick Goodrick and pianist Fred Hersch. Recorded in August 1988 at Hersch's studio in New York, the album provides an intimate display of the superbly matched improvisational skills of two musicians in full flight. During his career, Goodrick perfected the art of avoiding ...

