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‘Nuf Said: Rise
by Dan Bilawsky
The music of 'Nuf Said is neither jazz nor funk nor soul nor rock. It's all of it and more. This New York-based quintet taps into each of those styles and mixes them all together to create a groove-heavy, stirring brand of music that's all its own. Rise--'Nuf Said's second album, following My ...
Gregory Porter: Take Me To The Alley
by Dan Bilawsky
The ineffable charms of Gregory Porter can't help but woo and win over the ear. He's the epitome of soulful sophistication--part tender poet, part cogent preacher, fully a man of the people--and he has a voice that can make the angels weep. While we often bemoan the choices that fame's fickle index finger makes, it pointed ...
Brad Shepik / Ron Samworth: Quartet 1991
by Dan Bilawsky
Tony Reif is calling a mulligan here. Some twenty-five years ago, shortly before he founded and launched the Songlines imprint and long before he was known the world over for his work in the production and promotion of creative music, Reif went into a Seattle studio to produce a recording for a quartet fronted by guitarists ...
Steve Wiest And Phröntrange: The High Road
by Dan Bilawsky
You don't encounter a lot of trombone-centric fusion dates these days. But then again, you also don't encounter too many musicians like Steve Wiest, the unabashedly enthusiastic veteran trombonist fronting this project. He's a true polymath, respected as a performer, educator, science fiction author, cartoonist, and composer-arranger. But he also clearly knows how to let rip ...
David Friesen & Glen Moore: Bactrian
by Dan Bilawsky
Time and space can take nothing away from certain musical relationships. There are those on-and-off partnerships that flourish regardless of the frequency of encounters and years gone by, and this is clearly one of them. The connection between bass masters David Friesen and Glen Moore goes back some five decades. It yielded two ...
Jacknife: The Music Of Jackie McLean
by Dan Bilawsky
If you ask any well-informed jazz fans and performers about the legacy of Jackie McLean, you're likely to be met with a response that focuses on one or two specific areas: his work as a mentor-educator and/or his playing on a number of classic Blue Note dates from the '60s. But how many will mention the ...
Baltazanis: End Of Seas
by Dan Bilawsky
The bounding main knows no single shape, size, or direction. It's both timeless in nature and organic in its arc and flow. Greek guitarist Costas Baltazanis seems to intuitively understand those facts. His is a music that taps into the water's vastness, appreciates its beauty, respects and harnesses its strengths, and rides the ever-adjusting tides.
Lew Tabackin Trio: Soundscapes
by Dan Bilawsky
There's no substitute for experiencing jazz live. There are, however, some recordings that manage to do a damn good job coming close. This happens to be one of them. Noted jazz photographer Jimmy Katz, who's quickly developed a strong reputation as a recording engineer and producer who seeks to capture jazz in its ...
Michael Dease: Father Figure
by Dan Bilawsky
Paying it forward is simply a given in jazz. Long before the music was welcomed in ivory tower institutions and codified for classroom consumption at all levels, seasoned musicians were sharing their hard-earned knowledge with aspiring youngsters on bandstands and in basements, serving as guides, exemplars, nurturers, and teachers all at once. Those experienced players were ...
Christopher Zuar Orchestra: Musings
by Dan Bilawsky
If you open the packaging for this album, you'll encounter a picture of Christopher Zuar that initially seems to touch on a theme of isolation. Shadows and light play against the wall behind him, but it's Zuar himself, sitting and staring into the distance over his piano, that really draws the eyes in. After looking at ...
