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Alex Wintz: LifeCycle
by Dan Bilawsky
Life cycles mark and determine how we develop, where we travel, and why we arrive and thrive in different places, figuratively and literally, at any given time. That's the point that guitarist Alex Wintz's music makes here, as this project takes its cues from the larger natural theme while growing specifically from his own personal and ...
Greg Skaff: Soulmation
by Dan Bilawsky
Guitarist Greg Skaff is all about the grease, grit, and grooves on Soulmation. It's a logical extension of his previous work--guitar-fronted organ group dates like East Harlem Skyline (Zoho Music, 2009) and 116th & Park (Zoho Music, 2012)--but it's a tad heavier, raunchier, and funkier than anything Skaff threw us on those records. His approach here ...
Sidney Jacobs: First Man
by Dan Bilawsky
Call this R&B-inflected jazz, jazz-informed soul, or soul-soaked singer-songwriter fare with a chaser of standards and surprises. You can take your pick, as all of those descriptors are basically on the money. But it doesn't really matter how you tag this. It's fine music by any name. Sidney Jacobs' second album, following the ...
Christian Sands: Reach
by Dan Bilawsky
A lot plays into the success of an artist's reach, with content and presentation obviously ranking high on the list. But above all, an artist has to be willing to extend a hand if they expect listeners to do the same. Many simply reach for the musical stars without really considering the need to reach out ...
Anat Cohen's Brazilian Bonanza: Outra Coisa and Rosa Dos Ventos
by Dan Bilawsky
It's not exactly a secret that Anat Cohen is smitten with the music of Brazil. Her clarinet is a key voice on the Choro Ensemble's albums, she's peppered her own dates with the work of Milton Nascimento, Chico Buarque, Luiz Bonfa, and Hermeto Pascoal, and she made the rounds in New York clubs--and on a pair ...
Peter Campbell: Loving You: Celebrating Shirley Horn
by Dan Bilawsky
Put aside notes, chords, rhythm, and the rest of the composite parts that add up to a song, for none of it means a thing if there's no real story to tell and no true artist to mold and honor the truth in the tale. The late Shirley Horn had an instinctual understanding about that fact, ...
David L. Harris: Blues I Felt
by Dan Bilawsky
The blues isn't merely a form or genre. It's an emotional response, a personal internalization of an idea that invites extemporization in its reflection. While there's a specific progression and certain stylistic considerations that mark music as such, there's undeniable variety within the fixed aspects. No two people feel, sing, or play the blues exactly the ...
Sarah Partridge: Bright Lights & Promises: Redefining Janis Ian
by Dan Bilawsky
How did nobody think to go here before? With a glut of fine Joni Mitchell tributes on the market and a couple of engrossing Laura Nyro nods out there, how is it that no creative spirits in the jazz or cabaret camps thought to make the full-on jump to Janis Ian before now? Hearing Sarah Partridge ...
Amanda Monaco: Glitter
by Dan Bilawsky
The multi-talented Mae West once said that “personality is the glitter that sends your little gleam across the footlights and the orchestra pit into that big black space where the audience is." West, of course, thrived in a different era, worked in different formats, and was more than likely addressing another artistic discipline entirely with that ...
Jeff Weinmann: Alma Matters
by Dan Bilawsky
Soul matters, educational foundations matter, inclusive music scenes matter, and this album--conceptually invested in all of those beliefs--most certainly matters. With Alma Matters, multi-instrumentalist Jeff Weinmann reunites with some of his preferred collaborators from years past and times present, honoring the rich history of the Berkeley scene that's nourished and inspired him for decades on end. ...
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